The Frontiersman.

Red Dead Redemption 2 … arguably the most influential game story I’ve ever experienced.

I never really saw myself as a cowboy, until recently.

It’s odd that I never connected the dots sooner, really.

So much of my personality is very much based around the individual spirit, a self-made man whose stoic nature hides some very real anger.

There is the classic rebellious spirit in me, as well as my perchance for dramatic clothing with plenty of masks and hats to spare.

I also grew up reading a lot of cowboy comics, in particular a series called Cheyenne which remains near and dear to my heart.

And I’ve always proclaimed that the ideal pet for me was a camel.

I suppose I never really linked every aspect of that into a lifestyle known as cowboy.

It’s strange, why I feel like I have such a strong connection with the idea of being a frontiersman only now.

I suppose I am romanticising the idea of freedom. Free to explore and wander to the heart’s content. The idea of every day being the same, but not quite, of always being busy but able to get away from work.

The lifestyle just seems so natural.

So what is it, about the cowboy lifestyle that appeals to me so much?

Let’s start with a deep dive into my rebellious nature.

In all great Westerns, there exists a triumvirate of forces pitched against each other for supremacy over the land.

Cowboys, “Indians” and Civilization.

Cowboys and Indians are opposed to each other, because of a long feud that has resulted in many a misunderstanding and even bond to each other. They both want the land for themselves, to live their way of life in peace.

This common theme, of “being left alone to live one’s life as one see fit” is why they will normally put aside their differences to fight Civilization or Modernity in all its complexity and dominating nature.

Civilization wishes to tame both the Cowboys and Indians. They believe both factions are savage, lawless and unprincipled. The idea of a world without strict rules, punishment and taxes is an aberration to them.

The key difference here is that Civilization wishes to dominate the land, instead of live beside it.

The tragedy of the West, is that with their more antiquated lifestyle and technology and in-fighting, eventually the Cowboys and Indians lose the battle, and the world becomes a bit less natural.

For me, that battle has always been a strange internal conflict.

A big part of why I wanted to join the military, was that I would become a better self-made man, I could learn skills to survive out in the wilderness and be self-sufficient.

But there was always this strange nagging feeling that I wouldn’t fit into the regimental nature of the Army. It’s why I promised myself, if I was to enlist, to get through basic training as quickly as possible and immediately apply for Special Forces, because I liked the idea of having a bit more autonomy.

It took me a while to realise, that I could just be my own made man, with the money I made and teach myself these skills. After all, there was no real reason why I couldn’t teach myself how to survive, how to shoot a gun or cook.

I just had to get out there and pursue it. I just wasn’t getting paid to do so by a government institution. All the money for training had to come out of my own pocket.

But I could keep my rebellious nature intact. I could still live my life the way I saw fit.

It’s why I think, despite holding a deep reverence and love for the military, I doubt I would ever enlist. I’ve put that passion and dream away. I’ve made peace with it and found a new love for a new type of lifestyle that doesn’t involve me yelling “YES SIR” to anyone.

Which is how I prefer it, in all honesty.

A big part of the cowboy etiquette that I love, is that there is a strong sense of respect and honour in hard work and loyalty. They are loyal to a fault to their friends and family, regardless of any wrong-doing that they might have incurred in their lifetime.

I’m very much the same way. I’m an arsehole to everyone. No matter what you’ve done, been through or how you view yourself, I’m the same stubborn sonvuabitch to you, as I am to the person next to you.

But if I see you work hard, I’ll give you my respect.

Respect from me, is something everyone earns. It’s not easily given out, nor is it easily recognisable. I don’t hand out compliments and I sure as shit, don’t like people quickly either.

To unlock the soft gooey part of me takes a certain character and a lot of people fail to get past my ruthless professional demeanour.

Naturally this arrogant attitude to respect, automatically annoys every single older person that I’ve met. Especially the Asian variety, where a huge part of the culture is paying that revverence to older people.

My argument to that is …. last I checked, it wasn’t fucking hard to age. All you have to do is be healthy and you’ll live another year. Hell, you can still be unhealthy and get to see another birthday cake.

So why the hell should I applaud you for doing the bare minimum in life?

Age doesn’t equate to wisdom, nor does it mean I got to salute you and treat you like a superior.

~

Another crucial aspect of being a cowboy is a reverence for the land. A deep, healthy respect for the environment and being aware of your impact on it.

One of the most interesting facts I learnt, is that when a person sees a dead animal near a fresh water source, you should automatically move it away and ensure the contamination doesn’t spread.

What if there is another one upstream or downstream?

It doesn’t matter. There is an obligation to you and the environment to move it. Thousands of animals and human beings rely on that water source and if it is within your power, you should preserve it.

For some reason, that lesson stuck with me, long after I finished reading the book. It perfectly illustrated the symbiotic relationship that mankind has always had with nature, how we can help the natural world, and co-exist together.

It inspired me, much to my chagrin sometimes, to constantly pick up rubbish when I see it. Bins aren’t normally far away, and I always feel better knowing that I’m doing something to help the environment.

Would I classify myself as a person, particularly passionate about animal rights and the natural world? Hardly.

I’m just very aware of what I can do and what I should do. I have a lot more personal things to worry about. I can’t solve the world’s pollution, nor its change, but I can do a little bit here and there.

I wouldn’t even necessarily say that I am overly fond of animals either. In many ways, unless my lifestyle truly dictate that I need a pet, I’m not in the mood to get one.

Perhaps that is a very workmanlike attitudes towards animals, but it is truly how I feel. I don’t need dogs, unless they help me to hunt or shepherd cattle, neither of which I am currently engaged in.

Nor do I need my ideal animal companions, a falcon and a horse, because I don’t have enough land to support them and I don’t hunt either. I will also say, as an aside to myself, a desire to go on a hunt, doesn’t mean I should invest in both, either.

Being attuned to the needs of the natural world has always been something I’ve longed admired. If asked on which spiritual, quasi religious ideology I would pick, if I had to chose one, my first instinct would undoubtedly be the Native American philosophy.

I’ve always loved the stories about how the natural world came to be, with references to animals and a “Great Spirit” which was always more nebulous and mysterious than the Christian variant. There is something more eerie and wondrous about stories being passed down from elder to elder, knowing that some are more embellished than others, but retaining the same moral and spirit of the tale.

The power of a common “story” is infinitely more believable and touching than a doctrinal, regulated and sanitised tale that has resulted in the most published book in the world. The reason why, is because the human story-teller adds their own humanity to the story, to the myth of creation, instead of a committee than decrees “God” must have created the world in 7 days, to match a work week.

Even as a child, reading and learning through fictional cowboy stories, I felt that sense of wonder and awe for the natural world in those books, which was far more than anything I got out of reading the bible.

In creating a great mystery, you learn to be humble before it, and understand your place better in the world. Man wasn’t put here to control nature, we were designed to help the natural world and be quiet, humble shepherds.

~

In today’s world, there isn’t really a proper need for a violent man.

We are beyond that now. Less soldier, more warrior-poet.

I can see how much more mentally healthy current soldiers are now. So many of them seem more adjusted to the rigours of warfare. They’re eloquent, philosophical and incredible teachers, especially from the ones I see on social media.

They’re are now more adjusted to civilian life than ever before.

But the possibility of violence is always within everyone.

Which is why I sometimes believe in the power of a fist-fight.

The life of a cowboy is inherently quite masculine. It breeds tough people, for tough times. There’s a practicality and innate roughness to the lifestyle.

Doing such hard work and dealing with the same people day in and out, will bring out emotions that will test anyone, no matter how long their history with the other.

Tempers flare and emotions will run hot.

Violence is just another expression of that.

It’s a language in of itself. Perhaps that is what separates civilized folks and frontiersmen.

Frontier people understand that life is fleeting, that at any time, lighting itself could come down and strike you dead. It’s why they let emotions rule them a bit more.

But the way how they express that emotion is more complex. They can say a lot with a nod, a shared pipe, a quiet moment by the camp-fire or through terse words and grunts. Frontier people can afford this short hand style because almost every interaction they have with other people, is more intimate. Strangers can quickly become friends or enemies, and the group you run with, are your family.

Which is why, for some, violence is just another form of communicating.

Sometimes, you need to beat someone to make them understand.

There’s a strange logic behind it, that I can almost empathize with. Sometimes words aren’t strong enough. There will always be a simmering tension between two men. This friction can quickly boil over to resentment and other bitter emotions.

Especially considering if both parties consider themselves the alpha, and are stubborn and intractable men with difficulty expressing their emotions.

Thus the only recourse to settle differences is with fists.

There have only been 3 occasions in my life where I’ve thrown punches in anger. The first one was exhilarating. The second one was an ass-whopping that I definitely had coming. The latest one was out of fear.

But I’ve never really thrown down in a competitive way, a way to assert dominance over the other. To really show the other man that I’m the boss.

Well, actually … as I am writing this, I remember coming close.

This story I am about to tell you, isn’t really a reference to how much of a cowboy I am, but more an intriguing test of my character that showcases just how much control I have over myself, to not resort to violence.

It is the final hours of the festival. A festival that I’ve suffered through and put together for 6 months.

I’ve been put through the wringer for approximately 96 hours now. My inner rage is what put one foot in front of the other, what fuels my hoarse voice as I bark orders and haul tables with my team. I’m tense but still able to crack foul jokes and maintain a certain light-hearted banter.

After all, the festival is largely a success, but this year, there has been a lot of … incidents that have made me furious that everything did not go perfectly.

Case study 1: Some stupid kid, heartbroken over his breakup at the festival tried to jump 6 metres to the ground. In front of the first aid room. At a height that will only give him a broken leg.

Resolution 1: Security talked him off the ledge and when I got the report, all I could was give a derisive snort. No sympathy, just an exasperated sigh of frustration at the stupidity I have to deal with at this festival.

Case study 2: A ride operator makes a mistake, and a kid falls out of a Zorb ball, into 30 cm high water. He is a bit upset, but is overall fine. The parent however is incensed and starts making a fuss. I’m called over to deal with the situation. I offer the kid a towel, but he’s fine. Just wet. But no, in his father’s eyes, his child nearly drowned, is suffering from hypothermia and threatens legal action. His friend agrees and starts making threats about calling Work Safe down to the festival and shutting the whole thing down.

Resolution 2: I had to spend 1.5 hours with this irate, stubborn moron and his dense chatterbox of a friend, missing the fireworks and my team’s celebration of the new year. In the end, we agree to do absolutely fucking nothing, cos he has no case. He doesn’t thank me, is still rude, is unable to see beyond his own small personality, steals my personal towel because he’s a self-righteous prick and I’m close to punching him in the throat.

Case study 3: An actual pervert somehow manages to slip past security. Now, keep in mind, I’m paying security an extremely hefty fee to look after my festival, so you can imagine my displeasure when I’m the first one to spot this creep in the children’s area. He’s wearing a long coat, with nothing underneath but a pair of speedos and running shoes. The reason why I can spot him, is because he’s holding the coat shut with his hand, but his bare legs keep coming through. And he just got this disturbing look. His hair is greasy, he’s sweating slightly and his movement is erratic. So I follow him, constantly keeping eye contact with him, almost encouraging him to do something, because if he does … I’m going to crash tackle him to the ground and beat the shit out of him.

Resolution 3: It takes security more than 10 minutes to respond to my call and I let them and the police escort the creep out. I’m not particularly happy, because security took way too long to respond and I don’t understand how they let the weirdo in, in the first place.

So with all those case studies in mind, (there were other incidents too), be aware that my mental state isn’t exactly in the mood for any more bullshit.

So imagine to my surprise when I see a complete stranger, a festival attendee just start helping out with the pack-down. At first, I’m too busy coordinating with the food stalls to ensure a safe release. So I don’t pay him any attention. I don’t really think anything of it. It’s almost nice to have random people help us pack up.

But the alarms bell start ringing when I finally catch a breather, and can coordinate my team of volunteers, who number now in the 30s. Keep in mind, that everyone who has worked at the festival, know that I am the event manager. This festival is my baby and mine alone. This is my kingdom and no one will de-throne me. But to the outside world, no-one knows who I am. No-one is aware of my true power over this domain.

I like to keep it that way. I don’t do this sort of work for recognition or fame. I do it, because it’s fun, and I get to have more experiences with my friends.

By now, the team is well aware that during event hours, I am a tense human being. I’m unnecessarily harsh, stressed over the stupidity that surrounds me and am barely holding myself together, tottering on the edge of exhaustion and far too many Red Bulls.

It doesn’t help that when I walk over to my team, I’m holding a crowbar, and scowling.

As I am walking over, I see this stranger bossing my team around. I frown and glare. Who the FUCK is this guy? I walk over to one of my closest friends and ask who is this stranger and why is he barking orders? My friend says he doesn’t know, but he’s an arrogant guy.

I ask a couple more members of my team. They all agree that he’s a bit of a douche, he’s bossy and they doesn’t know where he came from.

The stranger is loading trestle tables into the truck, when I decide to walk up to him. I tell my team that I want the tables placed in a certain way. The stranger disagree with my orders. He tells them to do it his way.

Something inside me snaps. This is the final straw. I’ve had this simmering anger inside of me, raging for the past 48 hours.

“I’m sorry, but who are you?” I ask testily

Me?” says the stranger incredulously. “I’m the boss.”

Everyone has stopped working. They’re all staring at me and the stranger. They can’t really believe what is going on.

You can picture the scene, I’m on the left, dripping in tactical gear, my Formula 1 Red Bull shirt, barely covering the thigh rig that is decked out with knives, cable ties, tape and a radio. My right hand is tightly gripping a crowbar and I’m leaning in close, to make sure I’m hearing everything correctly.

On stage right, the stranger is all casual, a loose white t-shirt, cream shorts and sneakers that are too expensive to work in. He’s defensive, psyching himself up for this argument with me. He’s not going to back down.

Everyone, I can tell, is eager for this showdown. They want me to put this upstart in his place. I’m not going to disappoint.

“You’re the boss?” I repeat. “You’re the boss?” The stranger smiles at me cockily. Without realising, my grip on the crowbar tightens.

No.” I smile tersely. “I’m the boss.”

“No, you’re not.” exclaims the stranger indignantly. “I’m the boss! You can’t tell me what to do!”

“No. I am. If you don’t start backing down,” I threaten, “I’m going to call security and have you escorted off the premises.”

“You can’t be the boss.” says the stranger incredulously. He looks over at the crowd for support but sees none is forthcoming. “I know people! I’ve been working here all weekend!”

I merely raise an eyebrow. “You know people. You’ve been working here all weekend.” I repeat with a smirk.

“Yes! I know P—-! He will vouch for me.”

“No, he won’t.” I coldly reply. “He’ll say the exact same thing. I’m the boss here.”

“What the hell? No! I know him. He’ll vouch for me. He’ll say I’ve been working here for ages. I don’t know who you are, but you’re in trouble if I get him over here.”

I feel the urge to laugh. This little shit has no idea who I am. Who he is fucking with. The man in question is my own father. He has no clue who I am.

“Go ahead. He’s just going to say the same thing I’ve been saying. I’m the one in charge here.”

The stranger runs off and in search of my father. I just shake my head and place the crowbar down in the truck bed. I reach for my radio, exasperated and sick of the shit.

“Security? Hey, I got a festival goer who refuses to leave. Please escort him off the premises.”

“You got it. On my way to you now.”

The stranger comes over, my father in tow. He has a smug smirk on his face. I’m coldly amused.

“This is the guy P—-! He says he’s the boss and that he wants it done his way.”

“Damocles?” asks my father confused. “Yes, he is the boss. Whatever he says, you have to do it his way”

I look at the little twerp with a cold glare and cock my head.

“But … I … who is he to …” stammers the stranger.

“Look, I don’t really know what is going on,” says my father, “but Damocles is the event manager. He is the one in charge here. If you have any issues, you have to talk to him.”

My father walks away and we look at each other.

“Get your gear and leave the premises. Now, or I will have security escort you off.”

The stranger walks away forlornly. He tried to play his shitty hand, but I owed every single fucking card in the deck. He tries to strike up a conversation with my team, but everyone ignores him.

Security arrives and I motion them to the stranger, who waves at us, cockily, whilst I shake my head in disgust.

“What an asshole” I exclaim, before getting the team back into gear again. Moments later, security, reading my body language and tone, call back with news; they’ve deposited his dumb ass in the middle of nowhere, with a long walk to any available public transport.

All I could do was smile and laugh.

Looking back, I am quite surprised that I didn’t thump the bastard. He was cocky, arrogant, rude and incredibly disrespectful. He had the temerity to boss around my team, people who had been on site for 96 hours or more and somehow expected to get treated as one of the squad?

But I knew deep down it wasn’t worth it. People like that, just weren’t worth the jail time or bruised knuckles. The biggest disrespect I could dish out to a guy like that, was to not give him any more of my time.

Despite it all, the huge amount of stress and problems that the festival had thrown my way, this final problem still proved that I wasn’t ready to unleash my inner violent nomad.

Dealing in violence is easy, living with violence isn’t.

Would I ever get into a fight with my friends?

It’s highly unlikely. We’re too gentle. Too reflective and in all honesty, too soft. We don’t have the hard-edge that comes naturally to people who were raised on the frontier.

I mean, my own inclination to fight, is always superseded by my flight instinct. I do my best to prepare for a fight, but really, my first instinct is to slap some cardio on pavement and don’t look back.

I can trust my inner cornered tiger though, to fight incredibly dirty. It’s all I ever known, dirty fighting, which makes violence, as a language to me, difficult to express on a friend or colleague.

Perhaps one day, I’ll actually let my fists to the talking. It’s just hard to comprehend in the context of my own life. I’ve never fought, as a adult, for the joy of fighting. I’ve done a combat sport, but that was still civilised and involved swords, so I don’t really count that.

Perhaps, it’s high time I really invested in Krav Maga classes ….

~

The final element that I want to talk about is self-reliance and EDC.

EDC (Every Day Carry) is a self-defence and prep philosophy that stemmed from first responders and serving military members, who found themselves in risky situations when out of uniform.

Granted, Melbourne isn’t known for its high crime rate or home to a vast majority of organised crime, but I still engage in EDC anyway.

As you are probably aware, before I walk out of the house, I always perpetually have on my hip, a Pelican torch, a Leatherman Skeletool, a tourniquet and my latest acquisition, a Leatherman Raptor Medical Shears.

I am First Aid trained, and regularly brush up on my knowledge. At first, like every military obsessed fanatic, I saw my tools as a way to defend myself.

I would practice de-escalation techniques, with clear eye contact, open hands and a gentle but firm tone of voice. If things went bad, my right hand would drop to my hip and draw my torch out, blinding them, before sprinting away.

If somehow flight wasn’t an option, I would use the torch in a two high combo. I would activate the strobe effect, before delivering a uppercut with the torch.

And if somehow combat was now the only way out, the Leatherman Skeletool would come out as a last resort, and the knife would be slashing at any tendon it could find.

A torn Achilles’ tendon would make for a difficult pursuit.

But in reality, whilst I have rehearsed many of these moves, practiced and prepared myself mentally for these occasions thousands of times, my tools are just that … tools that I actually use every day.

With the small arsenal on my belt, I can help people find items they’ve lost, scan my surroundings, fix screws that have come loose, cut paper or simply hammer down an annoying item.

And it’s that self reliance, that ability to problem solve whenever the occasion arises that make me think of a cowboy attitude to life. No matter the obstacle, with the resources at hand, you can get by with ease.

You’re always ready, because you never know what might pop up. It could be a small problem like taking apart a light with your Skeletool or facing down a drug-addled lunatic who is shouting paranoid nonsense at you.

Either way, it pays to have certain items on hand at all time, and it pays to always be situationally aware.

~

I don’t want to rattle anyone bones here. I’m not making some bold claim, that I’m a genuine cowboy, that I can ride, lasso, shoot and punch my way out of anything.

In fact, I’m pretty certain, I look quite naff with a cowboy hat on, despite buying one. After all, try as I might, I can’t disguise the fact that I have never ridden a horse and that is enough to sink me.

So Damocles, I hear you ask, what was the point of this ridiculous 4000 word blog post?

The point is that I am identifying elements behind the mythological cowboy that I wish to emulate, adopt or merely note the similarities between myself and the idea of a frontiersman.

After all, even after all this time writing, I am still not quite sure what type of man I want to be.

I have so many ideas about what it means to be a man, that even just one of those, needs this ridiculous 4000 word diatribe about how I identify with the tenets of it.

I suppose, at the end of the day, I admire the idea behind the cowboy, but I’ll never really become one, despite my desire to dress, behave and act like one.

I’m too busy trying to work out my other passions into the whole persona of Damocles.

Because at the end of the day, even I don’t know the full extent of myself.

I’m still searching like everyone else.

This cowboy phase will soon be regulated next to the ranks of racer, fencer, reader, urbex explorer, event manager, shooter, and all round trouble-shooter.

God, I really need to rein myself in.

~ Damocles.

Smallville (IMPACT Series)

Smallville (2001-2011)

Welcome to the IMPACT series where I dissect notable and iconic sequences from games and movies, and how they broadened my mind and left a lasting impression on me, years to come. 

Somebody save me …

Let your warm hands break right through it

Somebody save me …

I don’t how you do it. Just stay, stay

C’mon I’ve been waiting for you …

The Backdrop.

The early 2000s were an intriguing time for me. Growing up, I was banned from watching television, due to my over-enthusiasm for copying the Mighty Morphin’ Power Rangers fight choreography.

My mum, rightly or wrongly, didn’t allow me to watch any TV ever since.

So you can imagine my initial shock at discovering TV shows and how dramatic they could.

Smallville was exactly that.

Dramatic. Fun. Relatable … and crucially … filled with ridiculously good looking people.

It was also the perfect show to watch for a guy who was going through puberty and high school at the same time as Clark Kent was.

I can’t stress that enough. To say that Smallville had a significant impact on me growing up, is to severely underestimate how much of my teenage years were spent watching the show, growing obsessed with the idea of being a superhero and saving my high school crush.

The show is probably the sole reason why I’m such a disgusting Boy Scout when it comes to my moral compass.

It is also the reason why I have such fond memories of early 2000s rock music.

I can’t look at this farm, without feeling nostalgic

The Impact.

Smallville formed a lot of my values through my teenage years.

I shake my head now, but the episodes where Clark undergoes an edgy transformation due to “Red K” were some of my absolute favourites as the series went on. I wanted to be the darker, more unhinged version of Clark, who just didn’t care about revealing his powers or being a boy scout.

But I knew deep down that I was a lot more like normal Clark.

Shy around the girl he liked, eager to do some good and trying to keep his head above water.

I wasn’t bullied at school, nor was I the most popular guy on campus. I was just another guy.

Which is why I clung onto the idea of idolising Clark. Because he was a pretty ordinary guy, with some extraordinary powers. His dream was to be the popular kid, the guy cool enough to get Lana Lang’s attention and score the winning touchdown at his home game.

I could relate to that. I myself, was hideously shy around the girl I liked, and to my eternal regret, I never confessed my feelings to her for the entirety of high school.

Which is why I vicariously lived through Clark and his now iconic formula of Freak of the Week in which he would engage a new “freak” who was affected by the meteor shower from Krypton, do some amateur sleuthing and save the girl.

All whilst balancing school, friendship drama and trying to hide his secret identity and discover more about his true alien nature.

I remember keenly tuning in every week to watch a episode and experiencing my first real agony over a cliffhanger in which Lana is trapped in her car, with a tornado about to sweep her up and Clark super-speeding over, just in time to see her get tossed into the air.

I couldn’t believe that I had to wait months before I could see what would happen next. I remember being immensely upset and praying there would be a season two.

But I idolised the show. I wanted to be Superman, and have all of his powers. In fact, if I had to pick one from this powerhouse of a hero, it would definitely be his super-speed and for the time, the effects looked great.

In all honestly, looking back, I can’t help but be impressed by the style and production design. Metropolis was all hues of blue and grey, with an emphasis on glass and steel creating a unique look to the city. The Talon, a cinema/cafe complex where a lot of the characters met and worked was surprisingly lived in for what it was.

Then there was the Kent Farm itself, which was an incredible set, that really showed the love and care the Kent family poured into their adoptive son, and was the perfect way to show how All-American Clark really was. I loved the barn’s loft in particular, a prelude to what would be Clark’s occasional need to find solitude.

Hell, I even liked the cheesy look of the Fortress of Solitude and especially the way how the show paid homage to Christoper Reeve in his turn as Superman.

The show had just the right balance of action, romance, adventure and quickly deftly wove all the complex issues that Clark was facing over a season really well.

This show was so formative to me, that I had dreams of being a star quarterback … despite the sport not existing over here in Australia.

The Enrichment.

I won’t lie. Smallville was what started my admiration for America. I don’t think I wanted to move over to America as much as I did whilst watching the show.

I mean Smallville High looked so cool. People my age could dress however they wanted, drive cars to school and do fun stuff like run a student magazine and play girdiron. Then there was the summer break, where you could hang out with your crush, skinny dip in a lake and if you’re lucky you might even get this ridiculously attractive teacher who would hit on you, with her Kryptonian pheromones.

But I want to delve into the more important elements that I got out of the show.

A. American Football

Seeing Clark Kent armour up for his football never failed to get me amped. Especially when the iconic Boulevard of Broken Dreams by Green Day. For some reason, I loved the football scenes in the series, because they showcase the moments when Clark is happy, but also restrained, fighting his natural superhuman strength and speed to be normal. All he ever wanted was to be accepted and not feel like a freak and sport gave him that outlet.

In a lot of ways, I echo that. Whether I’m running, playing tennis, go-karting or practising quick-draws, I get that sense of power. I can feel my inner showman come out, and show the world how athletic I am, how coordinated I can be. I get that powerful surge of energy that lets me know, yes everything is working right.

Would I have signed up for the football team if NFL existed down here in Australia? Maybe. I’ve always seen myself as a wide receiver, until recently, when I forgot how much those balls hurt your hands if you catch them the wrong way.

But that was the dream … and it’s more suited to me, because I know damn well, I can’t throw the perfect spiral.

I mimed the hell out of those scenes when I was young and I’m glad I got to taste a little bit of it, when my younger brother bought a football and we got to spend a couple of hours together throwing the pigskin around.

B. American Values

Whilst Clark Kent’s fashion choices aren’t exactly the most forward or dramatic, I did oddly grow an obsession with wearing similar colours.

The iconic Red/Blue combination has stuck with me ever since, with a lot of my gym wear being based around that All American standard. Whilst I know it was an obvious reference to his superhero costume, I liked how casual it looked around Tom Welling’s big frame.

In fact, I can honestly say that almost all the colour in my wardrobe are either bright blues or red, my subconscious still channeling Superman, even when I don’t realise it.

Beyond dressing like an All-American in a town that value black on black and on more black, I took away a lot of Americanisms from the show.

There is something to be said about wholesome American shows that espouses strong morals and deal with such strong American icons. Even the first Captain America film, affected me greatly after watching it. They have this charm and old-fashioned element to them that I appreciate.

I think it is that old-school vibe that I adore. Perhaps one of the worst and best part of me, is that old generation outlook to moral and life. I believe in hard work, doing the right thing and honouring your duty to society.

I harnessed that part of my personality through shows like Smallville and Bones, where all my favourite male characters were that stoic, boy scout character, whose toughness hide a surprising vulnerability.

Call it a cliche, but it was these shows that really taught me how to be my own man and accept the consequences of my own actions.

Perhaps the greatest lesson one can learn from American values is that when you are called upon to do something, you should do it because it’s just the right thing to do.

C. Female Friendships

In the show, Clark Kent is quite the ladies man, the opposite of me in reality, whose luck with women have resulted only in two positive scores.

But what I learned from Clark’s many escapades is the ability to treat a person who you previously had feelings for, with respect and even maintain a friendship.

I struggle a lot with my feelings for the opposite sex. Whilst I’ll explore that in depth later, I will say that for a long time, I’ve always found it difficult to separate infatuation to genuine love and depth of feeling. That struggle has actually lead to a lot of random confessions to friends, which strangely allowed me to move on without regret and still maintain my friendships with my girl-friends.

In a bizarre twist, I would say they even deepened our bond.

What I appreciated about Smallville was the show’s focus on Clark and Chloe’s friendship. There was a lot of reciprocated love between the characters, but it didn’t stop them from being friends. They learned to put aside their feelings, and move on without any malice or regrets.

Whilst this can’t be said for Clark and Lana, whose relationship honestly plagued the show for far too long, I really loved the natural progression of Clark and Lois, whose initial friendship is spiced up with competition and then eventually love.

Seeing how Clark dealt with all three women, and even the fleetingly sweet but dangerous Alicia, taught me a lot about how I wanted to view my own relationships and what I got out of them.

With Chloe, it was a friendship, tested by extraordinary circumstances.

With Lana it was a love story that was far too insecure and plagued with betrayal, deceit and obsession.

But with Lois, there was a friendship first, that blossomed in mutual feelings, something that I understood to be natural, far more trusting and romantic.

I’m thankful to say that my current girlfriend is definitely a Lois type.

The Barn Loft was something I always wanted. It gave Clark his breathing space and was incredibly romantic at certain twilight hours with all his love interests.

The Culmination.

Smallville had an undeniably big impact on my teenage years. I grew up alongside Superman as odd as that sounds. Whenever I think back to any big high school moments, I can almost picture the show and how it parallels with mine, only in Smallville, Clark got the girl at the end of prom, whilst I didn’t.

Through a young Clark Kent, I was taught how to not to behave and give in to darker desires, be a honourable man and ultimately grow up and be respectful to everyone around me.

Smallville taught me that you don’t need a dark, tragic past to be a good person. You can just be a good man because it’s the right thing to do.

Clark Kent grew up with the most supportive parents who taught him how to harness his powers for good. He had amazing friends who kept his secret and an incredible woman who understood him for all his flaws and strengths.

I suppose its’ why I always gravitate to these overly goody-two-shoes characters because my life is just like that. I don’t a tragic past and I’m not sure I ever really tried to pretend I ever did.

I’m the sum of a guy who had love and support every step of the way, along with a whole lot of luck and … in all honesty, with all respect to the people around me, I turned out pretty damn well.

Love and support.

Arguably, that is the best superpower to have.

IMPACT

~ Damocles

No matter what anyone says, to me, Tom Welling and Erica Durance’s chemistry remains to date the best Clark and Lois on screen.

Mirror, Mirror …

Have you ever glared at yourself?

When the world is collapsing around me, I like to go to the mirror and stare at myself.

What am I looking for?

Signs of damage of course.

I’m tracing my cheekbones and noting how sharp or blunt they look. I’m recording in my mind; the sallowness of my skin tone, the weary bags under my brown eyes and even the way how I look at myself.

Am I standing straight, are my shoulders back? Can I see how much the world weighs on me? How often do I sigh … how often do I break eye contact with myself? Am I healthy or overweight again?

Am I breathing evenly or am I on the verge of some panic attack?

I take note of everything, from the length of my chin hairs, to the way how my jaw clenches when I’m frustrated, angry and determined.

But it is my eyes that I study the most.

Are they still burning brightly or have they been dulled?

Am I still the man I strive to be?

Do I still have what it takes to rise above it all?

If my eyes glare back, my jaw clenches tightly and I am breathing heavily, then yes. I still have what it takes.

I’m not downtrodden, disappointed or defeated.

I can still fight and win.

I can think myself out of this situation, slay the dragon and get home safely.

I still have more life to give, more willpower to spare, more energy to release.

I’m still me.

I’ve mentioned it before, but mirrors aren’t really mirrors in my eyes. They’re a crucial mental health tool for me and a portal to something darker inside.

I’ve always had a bit of a strange fear of mirrors. I’m terrified of the day when one day my reflection might move without my permission, or that one day it’ll talk to me.

But like any fear, you find yourself consumed slightly by your obsession with it. I’ve had long staring contests with myself at night, when there is only moonlight coming from the window to illuminate my face.

It’s truly eerie to stare at yourself in the dark. But I’m transfixed. Because the fear that I might start moving without realising it is too strong.

Mirrors don’t serve as a vanity item to me. They’re a check-up tool, to examine how healthy I am, a reminder that I can always be doing more exercise, performing better or engaging in daily skincare routines.

They help me remember important tasks and to live life more effectively without compromises to my hobbies and extracurricular activities.

I’ve always found it bizarre that the only time we can see ourselves is when we stare at a mirror.

We live our lives, knowing what everyone else looks like at all time, but only infrequently see ourselves.

It’s no wonder that people spend so much time staring at themselves. We can’t help it. It’s a constant source of curiosity, as if we almost forget what we look like.

Perhaps this is why narcissism is on the rise. A selfie camera allows you to see yourself almost instantaneously. We fret over ourselves a lot more than we normally would in the yesteryear. We look inwards and thank our genes that we are better looking than other people.

But such insecure fragility isn’t something I recommend.

Mirrors aren’t meant to help you look your best at all times.

They’re there to remind you of who you are, from every flaw to every beautiful line. From each imperfection all the way to each wonderfully unique element of you.

You’ll never look the same, when you stare at a mirror again.

Every time you look at yourself, something subtle would have changed.

It’s why I fear the mirror. It’s a powerful tool that should only be used sparingly, to remind me of who I am, what I am capable of and to reflect deeply upon the choices I’ve made that has created such change on my body and face.

When I look at myself in the mirror, I’m not just staring at face.

I’m seeing the sum of a man, who is a bit haggard, rough around the edges but is still capable.

I don’t see a particularly good looking man either.

I won’t be gracing magazine covers or turning heads on the streets.

I see symmetry, a decent jaw-line that does a good job of clenching and emphasizing my moods.

The barest hint of cheekbones, that when hit with a decent light, showcases how long my face is.

A permanent frown, that can be lit up into a smile that hurts my jaw when held too long.

Tanned skin, that is getting paler in the winter, marred by too many beauty marks, especially around my eyes.

Dark brown hair that lightens up considerably near my forehead and is perpetually sweeping right.

Dark brown eyes that would look better if my eyebrows were more defined.

Posture wise, I see a guy who is bizarrely confident in himself, constantly squared on to people, unafraid of making eye contact and always stretching his shoulders.

A relatively lean figure that could be improved with at least a 2-3 kilogram loss to ensure a more fit & trim physique.

To sum up what I see in the mirror … I’m an average male, not handsome nor ugly, with no real particularly stand out features, beyond my eyes which express a whole lot more than my facial features.

I think I have introspective and focused eyes, eyes that are constantly scanning my surroundings and looking into the past to try and prevent mistakes in the future.

But as I’ve mentioned, before this descriptive literary self-portrait …. I am not just a face.

I’m the sum of a man, plagued and blessed by good and bad choices, tired of his workplace, proud of his hobbies and working damn hard to remain interesting and … in need of some sleep or Red Bull.

I could use a walk away from my reflection though.

When I do finally break eye contact with my mirror self … I’m always haunted slightly by the idea, that somewhere else, in an alternate dimension, another Damocles is having a more successful time than I am.

And I can’t stand that thought.

~ Damocles.

The Miami Tango. (Fiction)

Top Gun’s silhouette sex scene is still burned into my brain, as a young 7 year old.

It was a hot night, and I was thirsty.

Beckoning the bartender, I leaned in flirtatiously and ordered two mojitos with lime.

She smiled at my generosity, and I watched her dance with the cocktail shaker, her hips and arms shaking temptingly, her sky blue nails flashing under the neon lights of the club.

What’s your name, baby? I half yell over the remixed sounds of 90s pop.

Rita she says, as she leans in and toasts me with her mojito glass.

Rita … I’m Danny. Where’re you from? I ask, whilst sipping from my drink.

Cuba.

I grin at her. Qué poco azul llevas… para el cielo que eres .

Rita laughs, tossing her hair back and flashes me her long fingers.

I got a little bit of blue on. Enough for you baby. So what brings you here? asks Rita, as she tilts her glass at me, raising an eyebrow.

Miami? I query with a smile. Well Rita … I came here to relax, watch the Dolphins and meet gorgeous girls. We just won so … here I am, spending money I shouldn’t and doing my best to flirt with you.

So, Rita, baby .. how am I doing?

Rita smiles back at me and cocks her head sideways. It’s hard to break eye contact with Rita, because her eyes are the exact reason why I, and three unsuccessful drunker guys went up to chat to her. They’re an incredible light brown that almost look golden under the flashing lights of the club.

Well Danny, you bought me a drink first. So that’s a tick. I will also say, you’ve been nothing but honest to me so far too, so that’s another tick.

Although …

Your Spanish is absolutely shocking.

I grin mischievously at her. I haven’t had many teachers. Would love to learn more though, from a native speaker.

Rita tilts her head again at me. Danny, baby … I could give you 200 lessons and it won’t get rid of that horrible accent you’ve developed.

I only need 1 lesson to get better. I raise my glass and we both toast each other. To Spanish lessons. Salud!

OK Danny. What’s the real reason you came over here. You must have saw the guy I blew off before. Besides, I’m meant to be working.

To answer your second question first, I’ll ask … what time do you finish?

Too early to sleep with you, too late to wake up next to you either.

I laugh. Rita had a way with words. I liked that. I fatalistically shrug.

I was hoping we’d do more than just sleep, but that’s OK.

To answer the first part … I’m pretty sure I’m the same as every guy here … I came over to see your eyes up close.

And how are they? asks Rita, as she turns up the luminosity of her golden eyes to another level. I’m entranced.

Even better than I imagined I answer truthfully.

Rita casts her incredible eyes downward in a blush. She toys with her drink before looking up again with a wry look on her gorgeous face.

So what now Danny?

I’ll ask for your number and we’ll hit it up sometime? I’m old school. Wine and dine. Movies. Baseball. Hell, even a Dolphin game if you’re down/.

How long are you here for? asks Rita cautiously.

For you Rita? I’m here until the sun is up and the party is over. Then I’m back to being Daniel, the travelling salesman with a boring 4 hour plane ride to nowhere.

Rita laughs. Not that long huh?

The grind never stops. I retort with an easy-going sarcasm. But I did stop it for you.

Rita bites her lips. How much money you’re gonna spend tonight?

I shrug and pull out a roll of cash. It’s an easy two thousands in 50 bills. Until this band can’t stay tight any more. Here.

I slide her a 50 dollar tip and Rita nods at me. She leans over to her boss who nods approvingly.

Ripping off her apron, Rita exposes her white shirt, which is cinched tight around her midriff, exposing the taunt, fit stomach. I shake my head in admiration and hold out my hand to her as she steps out of the bar.

Let’s go. she whispers in my ear as the DJ slows down the beat and I savour the huskiness of her voice.

~

Yo taxi! Over here!

Rita and I climb in a bright yellow taxi, greeted by a laid-back cab driver who smiles at how much we’re unable to keep our hands off each other.

You want dinner, baby? I ask Rita.

I’m good thanks.

Hokay then, driver … take us to the Savoy Hotel.

You got it, pal said the cab driver sardonically as he pulls out onto the street.

Rita nestles in close to me and I can smell the perfume on her neck. It’s a familiar scent, because I used to pitch for Le Labo.

Noir 29.

Rita looks at me, puzzled for a second, before she catches on.

Oh my god. How did you know?

I’m in sales baby. I used to pitch for Le Labo back in the day, before they got big.

You were serious then? When you said you were a salesman?

I try not to lie to women I’ve just met. I laugh. I wasn’t joking when I said I was here on vacation.

How long you here for? asks Rita

Long enough for a good time, but nothing permanent. I wasn’t joking when I said that I got a flight in the morning tomorrow.

I feel Rita’s hands loosen slightly around my arm. She turns her golden eyes outside at the lights of Miami flickering past the cab.

I look across at her and sense a strange sadness.

Hey I say, as I reach across and cup her chin gently for the first time.

Rita looks over at me. I can tell she’s having second thoughts. Her eyes aren’t meeting mine.

If you don’t want to do this, it’s okay. I’ll pay for the cab ride home. No hard feelings, I promise.

Rita looks up and suddenly smile.

Thanks Danny. I don’t really know what came over me. But thank you for being a gentleman. Give me a bit of space until we get to your place OK?

Sure. I reply as Rita undoes her belt. She shuffles across to the other side of the cab, and stares out the window, crossing her arms. I do the same, feeling the sting of rejection, but not feeling bitter about it. It’s just one of those nights. You can’t have it all.

Moments later, the taxi pulls up to the Savoy, my temporary home away from home. Rita looks over at me and shakes her head.

I smile reassuringly. It’s okay Rita. It was lovely to meet you tonight. Thanks for having a drink with me.

Walking up, I rap on the cab driver’s window and he rolls it down, with a sympathetic look on his face.

Bro, you mind taking her home? Here’s my card, just send the bill to this hotel. Room 404.

No worries pal. I gotcha. Sorry you struck out man.

All good bro. Have a good night. Here’s a tip.

Bro … 30 bucks? That’s the price of the ride man … I can’t take this.

Yeah you can. Get yourself a square meal on me. Thanks again.

The cab driver raises his fist out to bump and I duly do so with a warm smile, before walking into the hotel.

~

It didn’t take me all that long to get over Rita. Whilst I was a little bit cut that I couldn’t spend the night with a beautiful, golden eyed Cuban Latina flame, I was still living life pretty comfortably.

Face it pal, the only sensory pleasure you’re going to get today, is seeing the Dolphins trash the 49ers. That’s enough.

Changing into my nightrobe, the silk feeling luxurious on my bare skin, I pick up the phone and decide to have a final drink to celebrate, before retiring to bed.

Hey, is this room service? Awesome. Can you send up a bottle of Dom Perignon, two glasses and your … errr …. dessert platter? Yeah, those fruits are all okay, just add some dark chocolate in as well. Thanks pal, have a good night … What’s that? 10 minutes? Awesome. Thanks again.

I lie down on the bed, my arms around my head, closing my eyes to reflect on my day.

I must have dozed off, because I’m shocked out of my nap by persistent knocks on my door.

Shaking my head, I tighten the nightrobe around me and blearily open the door.

Hey, sorry I was taking a …

Rita is standing there, a blazer over her bartender uniform, but with a pair of red heels on, holding my champagne and dessert platter. Her white shirt is undone just enough, for me to see the bright neon yellow lingerie that taunts me against her tanned skin.

I’m frozen in surprise. So Rita makes the decision for me, and brushes past me, where she sets down the bucket of sparkling wine and the food on the bedside table, before pulling me in close.

I can taste the lingering aftertaste of the mojito we shared on her lips and I encircle her hips with my arms, bringing her in even closer.

There is a strange desperation to our kiss, as if we have a time limit, which was true technically. Rita is hungry, and insistent, tossing her light brown hair to and fro, as she frantically starts to pull at my nightrobe.

When we finally come up for air, Rita has me pinned against the wall, and her gorgeous chest is heaving for breath.

I don’t want to say it, but I have to.

Rita, are you sure about this?

Yes breathed Rita, before going in again. I hold her still by the shoulders for a second. I’m beginning to lose control, but I have to be absolutely certain.

Why?

Rita looks at me seriously, transfixing me with her golden eyes.

Because I want you to come back to Miami one day.

I look at her seriously. She holds my gaze equally.

Deal I hear myself breathe out.

Before Rita can crush me, I spin her around and pin her against the wall. She furiously loosens the knot that ties my night-robe together and soon, I’m standing naked before her. Pushing me back, Rita almost drinks me with her golden eyes, and I almost feel self-conscious, her gaze is that intense.

I pride myself on my lean figure, not too much muscle, but just enough for everything to be taunt, wiry and firm. A lot of core exercises, light arm work and far too much cardio.

Something inside Rita clicks, because she pushes me down on the bed and takes a step back.

I stare, astonished, as she slowly slips off her blazer, swaying her hips to an invisible rhythm. Rita’s long blue nails clasp over her white shirt, as I feel my breathe quicken with her every movement. The slow unbuttoning is agonisingly slow, but every inch of her tan skin that gets revealed only hype me more.

Soon, Rita is standing there, shirt around her wrists, her upper chest bared forward, her dark brown hair tossed behind her and her chin defiantly tilted, as if daring me to question whether she was not the most beautiful woman I have ever seen.

In that moment, I was stunned and in agreement.

Then the shirt came off in a whirlwind of movement and her long legs wriggled back and forth, as she slid her dark pants down.

Rita paused for a second, allowing me to sear the image of her lithe body in neon lingerie and red heels into my memory. I can still see her head tilted back, her golden eyes staring into mine, her brown hair tumbling over her shoulder and her arms up over her head like a nude muse out of a painting.

I can’t take the tease anymore, so I launch myself off the bed and wrap my arms around her, savouring her soft skin, loving the way how her stomach presses against mine, luxuriating in the rise and fall of her breasts against my heartbeat.

My hands are around her back, undoing her lingerie’s clasp that will free her breasts. The moment the intricate bra is off her shoulders, I break away from her soft lips and slowly run my tongue down her body.

A soft giggle comes from Rita, as I bury my mouth into her clavicle, still giving her a warm full body massage with my hands.

Her breasts under my lips are soft, full and beautifully bouncy. She moans under my ministrations and slips out of her heels, pushing me away when it becomes too much and jumping up into my arms.

As I hold her, my hands splayed wide grabbing her bare ass, Rita wraps her legs around my hips and begin to grind, as she comes in and out of kisses and breath.

I groan, as she hits a particularly tender sweet spot and I bounce her up, to reposition her better.

Rita is now biting my neck, her soft moans becoming louder in intensity as she can feel me rubbing along her most sensitive parts.

I pin her against the wall, cradling her head and as she reflexively put a foot down, whilst keeping the other up, I angle myself and go all the way.

Rita and I groan in ecstasy. She feels incredibly soft and warm, as we stay there for a moment, our eyes closed in relief and pleasure.

She starts to move ever so slightly, and I snap my eyes open, to look at her, her back pressed firmly against the wall, riding me energetically, whilst transfixing me with those golden eyes.

Her moans are now starting to sound like soft pants and half-screams, and I begin to match her, grunting with every thrust, every movement, every sound and every wave of pleasure that washes over me.

I keep rocking back and forth, unable to stop this ride, as Rita matches me in intensity and focus, her brown hair whipping my chest back and forth, as she tosses her head back and forth in gratification.

Danny! More! More! she breathes out. Don’t stop. Oh please, don’t stop.

I’m in my own world now, all my attention is focused on making her feel good. Nothing exists except my body giving her all the feel-good vibes it can.

That’s it, baby. I encourage her as I can sense her starting to peak. I’m only here for you.

Yes! Yes! You’re all mine baby. she screams as she increases her grip around me.

We both unleash a primal scream, as she climaxes along with the rest of me.

It’s so powerful, that we’re frozen like that, for a full minute, before we both collapse on the floor, exhausted, sweat beading everywhere on our skin, my manhood still trapped inside of her.

She wraps her arms my neck and I breathe in her perfume deeply, and the scent of her hair.

Don’t let me go Danny. Not yet. she whispers in my ear. It’s a promise disguised behind a plea.

I’m right here Rita. I whisper back. I’m not going anywhere … I promise.

Author’s Note.

Originally writing this, I had huge writer’s block.

This is one of those drafts that has stayed a draft for a very long time.

My inner conservative side literally wasn’t sure how to proceed, until I finally found a scene that reminded me why I wanted to write this.

Top Gun’s sexy silhouette sequence (my first ever sex scene I saw on screen) and Miami Vice (2006)’s flirtatious scene between Sunny and …. Rita, a bartender in a club at the very beginning of the film.

Yes, I stole the name and the idea of buying a bartender a drink as well from that movie.

After that, it was literally a matter of getting over the idea that my friends who will read this, will judge me for writing such poor erotica (or maybe it was good, I don’t know) and bada-bing, bada-boom, the story turned out great and I could write a proper sex scene without fear.

One more final aside … I hate the word “penis” and “vagina”. There is just something unpleasant about how they sound, so you’ll note I didn’t use either terms in the scene.

Keeps it more … sexy I think? I’m still a novice at this stuff.

But if I’m to write a book one day, I got to keep practising.

Thanks for reading smut as always, until the next one.

~ Damocles.

Aporia

Gunma Prefecture, Japan.

Aporia – lacking passage.

Perhaps one the most complex realisations I’ve had in a while, I’ve come to realise why there are so many lost souls out there today, who cling to shallow ideas, instead of deeper ideologies.

In a world where the internet more or less is detrimental rather than beneficial (I would be writing this on paper if my handwriting could keep up with my mind), where people are bombarded with more information than they’ve ever have before and are living in perpetual denial and conflict with themselves, I’ve noted a singular issue, that has not really been raised when discussing identity.

Spirituality and philosophy or the lack thereof.

I can only speak from my own lens, but growing up, I remember reading this particularly bloody and violent book called The Ninja by Eric van Lustbader, in which he explores both Western and Eastern philosophies through the lens of martial arts and a unique character who was raised in Japan, but is of European descent.

Beyond the sex, violence and exotic descriptions of Far East locales, I was struck by the exploration of zen philosophies and the concept of wa (harmony) in the book, something that I’ve actually forgotten about until recently diving back into The Last Samurai soundtrack, which I listened to a lot whilst reading the book.

This spark suddenly shone a light of context on a discussion I’ve been having within myself about the current plight of young people and in particular their strange obsession with basing their whole personality around lots of arbitrary terms. Gender, sexuality, ethnicity, jobs … singular parts of a whole, yet for a lot of people, it is the base for their whole being.

Spirituality and philosophy are both dying slowly in the modern world. Both require you to slow down and ponder, something that many people struggle with in an age where technology is so rapid.

Some would even consider them a waste of time.

What is the purpose of slowing down when you are stressed about 1000 other things? You don’t have time to reflect. And when you do, all you can think about are your failures and the mountain of work ahead of you.

This attitude is exactly why spirituality and philosophy exist. These concepts help you create a mental bulwark against life, and allow you to explore parts of yourself that you didn’t know existed before. It allows you to block out the physical stresses that your body inflicts on your mind and really helps you broaden your mind to your senses and capacities.

Spirituality and philosophy allows you to avoid aporia.

Perhaps one of the strangest lessons I’ve taken out of reading those Ninja books, was the idea about embracing and relaxing around pain. I don’t brace myself or clench before a painful hit or wound. Instead I relax and allow it to do its course. The pain is less intense this way and helps you recover your wits quicker.

The same philosophy applies to spicy food. I believe that it is better to let the heat run its course, than try to find shallow relief in milk or water because the pain only comes back more acutely.

Philosophy and spirituality are very crucial components to creating good mental health and abilities. I find myself clinging to strange beliefs about equilibrium when confronted with something bad, or trying to achieve a zero state, something that I learned again through the book and my study into the concept of zen.

Other examples of my strange beliefs are: I believe that my home town, Melbourne, is actually a beautiful woman in my mind, that I talk to when I don’t want rain to hit me when I’m out.

Lady Luck is a genuine deity that needs constant ministrations and seducing to be on my side.

I can lower pain with the power of my mind, by sinking deeper into a strange level of consciousness where the sensation of pain is more tolerable. I use this at the dentist all the time.

The point is … whilst I am not a believer in God, or any real religion, I still practice some form of spirituality and apply my philosophical ideas in practice.

This brings me back to zen and the concept of zero. As strange as it sounds, I genuinely do not have a lot of thoughts in my mind. My mind is not in constant flux, stressed about something or the other. It is largely empty and quiet, activated only when I need it.

If I take this essay for example, I am not writing it out in my head, then typing it. Words appear on screen, the same time as I think them. The same happens in conversations, and random monologues that we all experience at some point in our lives.

Beyond that, my mind is not always thinking. It is still and quiet, zero.

Zero as a philosophy is a very intriguing concept. It is seen as a place of infinite possibility, an inverse of the idea that by having zero, you have nothing. Avoid the more Western idea that zero equates to nothing. In Eastern philosophy, the concept of zero actually frees you to the world. It is boundless and never ending, an endless source of inspiration and creativity.

In zero, nothing and everything can exist. Past, present, future, whole or parts … they all exist and don’t exist. There is no distinction between them all.

I practice this concept all the time, with the emptiness of my mind. Ideas come to me, like fish does to a patient fisherman. I need only to put my hand out and tickle the belly and the idea will jump out of the river and into my lap.

In a strange way, I suppose I’ve always been attuned to the zen approach to life. My belief in equality, bad or good, the ability to be attuned to my emotions but never be ruled by them … my constant self-reflection in what I can do better and what I should let go of …

I’ve always paraded myself as a man of ruthless logic and reason, but somehow that never quite described how complex I really am. I am philosophical in a lot of ways too, just not in the same vein of the famous Greek definition of the word.

Am I saying that you should practice zero? Of course not. Have you been following my greater point?

I am saying that you should explore different philosophies and see how they can help you, change mindsets or even lifestyles.

Mine is quite Asiatic inspired, the constant desire to improve oneself, and seek discipline in all aspect of life. There aren’t questions about life, about death or trying to make sense of it all, I just accept that I am here and will work to improve myself.

I don’t give in to nihilism because that is ultimately self-defeating … I just focus solely on what I can achieve in this short time I have on Earth.

So why do I use the word aporia to describe certain people living in the year 2022?

I believe that one of the key fundamental issues that people have in a increasingly non-religious world, is that people lack that inner spirituality, the inner harmony that will help them excel in life, no matter what happens to them.

Living in a Western society, it is far too easy to not discover deeper Eastern philosophies. We aren’t taught them, and increasingly, especially in Asia, we don’t get to experience them either. Famous school of thoughts in China, Japan and other parts of Asia, have now been made irrelevant in a world more globalised and arguably Westernised than ever before.

The world has moved on from deeper spiritual connections in search of something else, that will never quite satisfy the soul but will help you survive the complex maze that is the 21st Century: money.

In this contemporary world, money is more or less the new philosophy that drives people’s existence. It is not enough to be alive, but now you must own essential items that will help make you a functioning member of society.

The trust from people that you will contribute to the fabric of your community by improving yourself, isn’t there. The irony of it all though, is that you can own a car, work 76 hours a fortnight, be married with 2 kids and a homeowner and still be absolutely miserable and on suicide watch.

To truly address the hole, the void that exists in all of us, I believe that we all need to live in the present and fill it up with sensations, ideas and fulfilling moments.

That comes from a spiritual belief in something. Something deeper than selecting a part of ourselves that we define ourselves by. Something greater than our normal daily existence. It’s about exploring how we fit in the world, not how the world fits us.

For me, despite not being a very “outdoor” person (I prefer urban environments to forests), I still retain a strong belief in indigenous ideals about “Mother Earth” and doing one’s part to look after the environment you are in. I routinely pick up rubbish … whenever I see it. I address and see Melbourne as a living goddess that needs help, and have imaginary conversations with her and how we can help each other.

I still need that connection to the land, when I am out and about. What I take from the land, one day, I must return.

Equilibrium.

It’s not enough to acknowledge some traditional owner, or pass your respect to some dead ancestor of yesteryear … what are you doing now to actually pay homage to them? Are you sorting out your recycling? Avoiding going to events that create a lot of rubbish? Are you even aware of their fundamental beliefs?

Spirituality encourages a lifestyle shift in something greater than empty buzzwords. It’s so easy to say stuff and then do the complete opposite. People engage in shibboleth every single day … but how many of us actually try to take a spiritual approach to things?

How many of us actually do a service simply because you want to and don’t see any rewards?

I have a love/hate relationship with my conscience. When I see something is wrong, from rubbish at a park, to lost dogs, I can’t help but create a huge emotional conflict within myself. A part of me want to ignore it and don’t go out of my way to help, but my heart tells me otherwise and warns me I’ll regret it later. I can always find time to help someone, or do something. A couple more steps to the bin isn’t going to hurt my legs, nor is an hour spent with random dogs that escaped their owner’s home.

I just feel compelled to do something … blame my spirituality, my conscience or my personal philosophy … at the end of the day, I have to do it, regardless of how wasteful it might be or whether I get a reward or not.

I have to do it, to maintain wa.

Because at the end of the day, I have to be responsible for myself, my actions and my memories. I can look back on my memories with regret or pride. Either way, I got to make a choice, and I need to make sure that choice will create internal harmony.

If you ever find yourself struggling to identify something wrong with your life, at this current time, perhaps it is time for you to look up a philosophical affirmation or a spiritual guide.

Then act upon it. Apply it to every aspect of your life. Understand that everything you do, contribute to the whole of your life, every little thing, from skipping a meal to helping a friend. You will always be a greater sum, than just your hobbies, your friends, your possessions and your family.

You are you. Everything you are, and nothing you aren’t.

Isn’t that a strangely enlightening and spiritual realisation?

~ Damocles.

Apathetic (Screenplay)

The Shining (1980)

INT. PROHIBITION BAR

The Prohibition Bar is an old-school joint. Wooden furniture, grizzled patrons and stained glass fixtures for booths. It’s a quiet night, with only a few scattered patrons around.

At the bar, resting his weary head in his left hand, and nursing a lowball of whiskey with his gun hand, DAVID stares vacantly at the football game on TV.

Grizzled, world-weary and cynical, David is a man at the end of his tether, tired of his job and his choices. Despite his depressed outlook however, there is an air of dangerous alertness surrounding him, his “off-duty” cop look subconsciously warding people away from him as they saunter past to order more drinks.

As the crowd scream vacantly at David through the TV, celebrating a goal, the door behind the bar opens to issue in MICHAEL the Bartender of Prohibition.

MICHAEL

Hey partner.

David merely nods and stays silent. Michael slides in front of David and motions to the wall of liquor behind him.

MICHAEL

Want another drink?

In his mid-40s, Michael is classy, politely cheerful and a safe voice for many bar confessions. He had seen it all, and knew what a depressed cop looked like whilst on his break. He already knows the answer to his question.

DAVID

(tips the glass back) Yes. Same one, thanks.

Michael pockets the cash and pours another finger of whiskey out for David.

MICHAEL

(slides glass across) Long day, partner?

DAVID

(raises glass in an ironic salute) Absolutely miserable.

Michael nods sympathetically and examines the whiskey bottle which only has a few dregs left in it.

MICHAEL

On the house, partner.

David is awakened out of his state by the generosity.

DAVID

You sure?

Michael nods graciously and stats cleaning the glasses.

DAVID

(scoffs) You know, you’re the first person today to actually give me anything without strings attached. So thanks.

MICHAEL

Don’t mention it.

DAVID

If I don’t, who will? That’s half my life … delivering misery to folks who were happy before they saw me in red and blues.

MICHAEL

So why stay?

DAVID

You know what I am right? Of course you do, you clocked me the moment I sat down at this bar.

MICHAEL

You’re a first responder.

DAVID

First responder. You know, out of all three emergency services, we’re nicknamed last contacts because we’re the one that got to deliver the bad news. Not the fireys or the paras … us. Funny isn’t it? Last contacts cos fifty fuckin’ percent of the time, we’re the last ones to see the dead alive and drawing down on us. Last contacts cos we’re the last people that knew of their dead son or daughter. It’s always us that get the shit end of the stick.

MICHAEL

Sorry, partner. I assume you saw a lot this week …

DAVID

7 families in 3 days and it’s only fuckin Wednesday. Christ … I used to think that my gun and badge would make a difference, but nothing has changed in the past 5 years. It’s only me that’s taken the brunt of it …

MICHAEL

You got a family?

DAVID

Divorced. Chose the job over the missus. Probably the stupidest thing I could have done. But I couldn’t switch off at night, not even around her. So we called it quits. And no … before you ask, it wasn’t bad. Just two people going their separate ways. Probably better than I deserve, the way how she put up with me for 4 years.

MICHAEL

Well at least you’re not a total cliche, partner.

DAVID

(scoffs) So I’ve been robbed even of that …

MICHAEL

Hey now, consider that a compliment. It’s not right for anyone to be ticking all the bad cop cliches.

DAVID

Honestly, I’m just damn tired. I’m a has-been, without ever once feeling I had a moment. Shrinks aren’t working, the woman is gone, and I’m talking to a stranger, while staring down a bottle, wishing I could drown in it. What has it all been for? I’m washed up, out and left out to dry.

At the end of the day, I’m the guy no-one wants to see. I deliver death either via gun or letter and am only called upon for tragedies. Name me one time, you were happy to see a cop and I’ll show you a liar.

I serve the community in the worst way possible … reminding them of all the ills in the world and how it can randomly reach out and touch them at their happiest or lowest point.

So tell me … partner … after all I’ve done, all I’ve sacrificed … what thanks do I get?

Michael is stunned into silence. The mood is considerably darker after David’s outburst.

DAVID

Yeah … exactly that. Not a word of gratitude. Now I’m going to leave this for some other poor bastard.

David grips the bottle of whiskey and tosses it back, before taking out his service pistol and in a fluid move, blows his brains out all over the bar.

END.

Author’s Note:

There has been a pile of drafts that have been slowly accumulating on my blog. It took a bit of a personal loss for me to really get my writing mojo back. I know, it’s such a cliche, the tortured artist, but I made the silly mistake of linking my emotional state to the act of writing many years ago, so alas, I’m paying the price for it now.

This story was always meant to be dark in tone, and really .. it was a exercise on how cynical and nihilistic I could write dialogue, whilst keeping it mildly surreal and engaging.

I didn’t realise that David was heading towards suicide until near the end, when I noted that, by mentioning his “off-duty” cop look, I had to bring it back full circle and introduce his pistol, something that he would always be carrying whether he was working or not. Something that he has defined himself by while living and working and now, will be defined by in his suicide.

I made the bartender use the word “partner” a lot, to show how a well-meaning exchange can invoke a negative reaction in people, if you are not careful with reading the situation. Michael is deliberately created to be obtuse and while he is sympathetic, he is blinded by his belief in himself and his maturity, to realise how dangerously close to death door David is.

The famous axiom: the road of hell is paved with good intentions, is probably the main driver behind this story. Michael should have read the situation better and not given David more drinks and engage him in idle small talk. David … should have been more prepared to deal with the trials and tribulations of police work and not blame himself quite so much or give in to nihilism.

Remember, good intentions aren’t the same as good actions. Motive matter little to the dead.

Thanks for reading such a cynical screenplay and I hope you never ever give in to nihilistic thinking.

~ Damocles.

96HRS of RACING

Turn 10, Spectator Marshal. Albert Park. Formula 1 Heineken Australian Grand Prix 2022. 7-10 April.

I still can’t fucking believe the weekend I had at the Australian Grand Prix.

My first ever volunteer gig for the sport I love with every fibre of my being and I saw all my legends up close. I experienced so much, that even now, when I look back at it, I can’t believe it.

To do a quick summary, I have collected over 4 days:

  • An AUSGP Officials Key Chain
  • An AUSGP Officials Patch for the 2022 AUSGP
  • An AUSGP Officials Pin
  • An AUSGP Officials Cap
  • An AUSGP Marshal Minute-By-Minute Handbook
  • An AUSGP Program
  • A FIA AUSGP Tabard – SPECTATOR CONTROL MARSHAL
  • An AUSGP Officials Bag
  • An AUSGP Officials Pen
  • An AUSGP RACE OFFICIAL ID Tag
  • An AUSGP Officials Lanyard
  • An AUSGP Officials T-Shirt
  • 4 Sets of Earplugs
  • 149 Photos
  • But most exciting of all ….
    • A piece of PORSCHE 922 GT3 CARBON FIBRE
    • A piece of ASTON MARTIN AMR22 SV5 CARBON FIBRE
    • A SCUDERIA FERRARI WIN IN MELBOURNE WITH CHARLES LECLERC #16

It’s hard to sum up the crazy weekend I had, but I will try to list facts instead of trying to put them in any sort of order.

My role as a Spectator Control Marshal was simple. I was to patrol the “moat”, the no-man-land area between spectators and the track itself. If things went to shit, I was to assist the Intervention Marshals on track, clean up debris or help remove tyre barriers. But my main purpose was to guard any “beached” cars (the term coined form the fact that a lot of cars will be stuck in the gravel trap at Turn 10) from spectators and be a deterrent for unwanted behaviour spilling out onto track.

The best part of it all, is that I get the absolute best view of the on-track action. I can press myself right up against the crash barriers and look through photographer’s slots. I also have the freedom of movement to view the action from different angles and really immerse myself in motorsport sounds, sensations and thrills.

My spot was the newly configured Turn 10, in which I commanded an incredible view of Turn 9 exit, and the fourth DRS zone that was introduced for the Albert Park track. This was a fast left/right combination that would test the driver’s accuracy in nailing Turn 10’s apex and set themselves up for an overtake in the subsequent DRS zone.

Make one mistake and you would end up in the large gravel trap, where my team of marshals would be waiting with a crane, 2 fireys (firefighters) and a VEHICLE INTERDICTION Marshal, eager to put his hands on your expensive car.

Which is EXACTLY what happened to Sebastian Vettel in his first weekend back for the F1 2022 World Championship.

Free Practice Session 3 saw one of my favourite drivers on the grid, smash his AMR22 into the barriers in front of me, creating a huge cloud of gravel and smoke and my humble fabulousness was the first open-mouthed, official on the scene.

ARE YOU OK SEB? I remember yelling once or twice. But he ignored me and instead hopped out of his car and walked to the other side of the track in disappointment at himself and his accident. It didn’t help that yesterday his car broke down just 100 metres up the track from Turn 10 and I saw his grand theft moped in all its hilarity.

Minutes later, came the other AMR22 of Lance Stroll, after his accident with Latifi. He was parked around the corner, and I remember dashing down to greet him as he got out of his car, to the jeers and cheers of the Australian crowd and being astonished at how tall he was.

But the most memorable element of Aston Martin Aramco Cognizant F1 Team’s misfortune was my quick investigation into Vettel’s crash site and managing to score a tiny piece of carbon fibre that once belonged on his car.

A tiny, jagged, fibrous, criss-crossed piece of an multi-million dollar Formula 1 car in my hand.

I was ecstatic.

Then came the race day itself, where on Lap 2, Carlos Sainz Jr. misjudged the temperatures in his harder compound tyres, misjudged his braking points and flew across the grass, nearly collecting Mick Schumacher’s VF22 in the process and found himself and his F1-75 beached on the gravel at Turn 10, vainly spinning his wheels to get back into the race.

For the next 56 laps, I was tasked with babysitting the F1-75, my absolute favourite machine on the grid, marvelling at every curve on the precious Ferrari and admiring the sheer elegance of the red prancing horse.

What struck me, was how small these cars were up close. For some reason, when they’re blasting around on track at 300km/h, they seem larger than life, faster and blurrier than what you imagine, but up close, they’re actually quite compact vehicles, with millions of tiny details that will catch your eye.

Perhaps it is the sidepod design, but I remember being particularly shocked at how tiny the AMR22 was, and being much more in love with the F1-75. To me, the Ferrari is a much nicer looking car, with its striking crimson colour and black accents, as well as its more traditional sidepods and design aesthetic.

For 56 laps, I was a neighbour to a legendary Ferrari and I knew that my passion for this sport and the legendary team only increased with every look at the car.

It was the finale of the race that got me worried though.

Track invasions are a common phenomenon at Grand Prix, and with every lap ticking down, I knew it was only a matter of time. After all, this crowd was like me, starved of Formula 1 for two years and eager to celebrate an awesome event. What better way than to jump onto the track and take photos with a captive Ferrari?

The crowd was only building in anticipation and I remember asking the Police Sergeant nearby for more officers. Soon there was a huge gaggle of police officers, guarding a Ferrari, and a crowd eager to touch or break something off of it.

But thankfully, everything went smoothly. We kept the crowd under control by creating a barrier between us and the car, and despite my sheer nervousness at seeing over 3 thousand people crowding all around me, we kept our cool and was able to load the precious car onto a tow truck and get it back to the Pit Lane safely.

As I watched the Ferrari set off, I was struck by the realisation that I have literally spent sunrise to sunset with cars for 4 days straight. As a marshal, our start time was 0600HRS every morning, which necessitated me getting up at 0445HRS in the morning, taking a shower and then hopping into my car for my 35 minute commute to the track.

The drive to the track was an absolute blast too, with completely empty streets, minimal traffic cameras and the sounds of my tiny Toyota Corolla roaring through suburban streets at 20km/h over the speed limit.

The soundtrack to those morning drives were always sourced from F1 itself with its’ incredible theme song, Gran Turismo’s Castle Over the Moon or Initial D’s ridiculous Eurobeat melodies, which was only fitting as I was following in Takumi’s footsteps, waking ridiculously early in the morning to prepare for work.

I loved those drives as much as I did, hanging out in Chapel Street post event, seeing all the fans enjoying themselves and finally breathing some life back into my home town. It made me so happy, seeing the streets bustle with activity and chatter again, and giving me hope that events would soon return life back to normal after the trials of COVID.

One of the most amusing asides at the event was the fact that I made friends with a lot of people there. I loved working for my boss, a typical, non-nonsense, gruff guy with a big body and even bigger heart. I did everything I could to learn from the more experienced team, from what every single flag meant, to chatting with the firefighters about their experiences in another life as a paramedic.

The whole weekend, I was so happy to be working with like-minded people, people who understood, breathed and lived racing. Folks who volunteered so much of their time and sleep to motorsport and would do it every single year without question. Without the 1000-strong marshal team at the AUSGP, Formula 1 simply would not be able to operate safely and efficiently.

I felt like such an imposter when the announcers were thanking the marshals and the grandstand in front of me pointed at me and clapped raucously. This was my first event and I honestly hadn’t done much, except stop spectators from walking into the moat (which none did) and gawk at the cars going past.

Perhaps the most difficult thing was moving a tyre barrier to and from the track, as some of the support races required them (Supercars Championship & Porsche Carrera Cup) and being called upon to help clean up the track when it was time to race for F1.

That was easily the biggest thrill for me, picking up debris and cleaning the track. I had seen so many brave marshals on screen before, doing exactly the same thing and to hear the crowd cheer as I did my duties was such an adrenaline rush. I loved it. For sure, next year, my goal is to be an INTERVENTION MARSHAL and do that job for 96 hours.

Another incredible moment was actually on the very day, where I was one of the first marshals to jump into the bus, that would drop us off at our Sector (Turn). I was yelling and laughing with glee as I urged the bus driver to gun it down the track and seeing the START/FINISH LINE in person, through the glass of this slow bus, still sent shivers through my body. I couldn’t believe that I was in some type of car and careening down past the line at 100 km/h.

Experiencing the bus ride in the morning was so much fun, really recreating the feel I was so familiar with, due to endless laps at Albert Park on my racing simulators.

But I saved the best for last. On Sunday, I got there extra early, packed my overalls away and only wore my gym clothes, with the FIA Tabard over my hoodie to keep some semblance of officialdom. Setting the clock on my Garmin Instinct, I then proceeded to run the entire 5.278km of the 14 turn, Albert Park circuit, clocking it in at a miserably slow time of 26.57 minutes.

A very far cry from Leclerc’s pole of 1.17.868 minutes.

I felt proud though and to see and experience the entire track on foot, on a quiet morning was so much fun. I was definitely helped along by the cheerful encouragement of the other track marshals at their turn, with one guy even humming the Rocky theme for me.

It was the Saturday that I was looking forwards to the most. As a reward for our services, we were allowed to do a PIT LANE WALK, an experience that people normally have to pay thousands of dollars for. That evening, I walked up and down the Pit Lane, soaking in the house music that was blasting from the Oracle Red Bull Racing garage (I mean, who else encapsulate that cool vibe?) and staring at all the cars on display.

I greeted the AMR22 again, stared at the Haas’ VF22 front wings, marvelled at the beauty of the Ferrari garage, scowled at the Mercedes team, grinned how the Scuderia Alphatauri ATO3 looked under the lights and shook my head admiringly at the colours of Alfa Romeo F1 Team Orlen’s C22.

And naturally I took a selfie with the FIA Safety Car, the bespoke and gorgeously green Aston Martin V8 Vantage and DBX Medical Car. I loved seeing it on track, so to literally get so close I could touch it and take a knee next to it, was fun.

I even bumped into an old friend there, a fellow event manager who I had worked under briefly and offered me a job at the AO, which I longed to take, but couldn’t due to retail commitments.

Speaking of friends, I actually made a few at the event, the chief of them being an incredibly sunny young woman, who originally hails from Atlanta, Georgia (an American in Australia? I know!) and ended up being commended for providing the best customer service at the Australian Grand Prix, with an interview to boot, an on-field promotion to second in command of the team at Sector 10 and a “COMPLAINT LETTER” being scratched out into a “COMPLIMENT LETTER” by a stranger for her disposition and desire to go above and beyond to help people.

Due to Turn 10 having a disability platform, I helped her police the platform, whenever I could, and ensure that people who had no business being there, would kindly fuck off. As the days went by, I felt more and more protective, as these people, whose lives were already difficult enough, should enjoy their superior view without idiots trying to take advantage of the limited space and with Turn 10 offering such spectacular incidents and views of the race, there were so many damn people trying to crowd them, that the young woman and I had to do a lot of reminding.

What also surprised me, was a young patron with a huge camera and lens with a monopod, who snuck into this gap that I had originally reserved for my friends. Seeing as to how he was alone with just his father, I ended up sticking up for him and pleasantly received a nice photo of me (below) patrolling the grandstands. In addition, he gave the best quote to describe Lewis Hamilton #44, delivered with all the confidence of a 17 year old teenager: “he is the gayest straight man I’ve ever seen. His clothes are just so wack, man.”

I spent the rest of the afternoon laughing my ass off and giving him free bottles of water as a reward.

And I had plenty to spare, because the logistics of the event were incredibly precise and on a scale I’ve never seen at an event before. Between races there were buses that took photographers from point to point, motorcycle riders constantly patrolled the track, delivering and collecting incident reports and a ute would blast along the track, unloading bags of ice and boxes of spring water for us. Hell, in the morning, there was a caravan of utes, just unloading bins for our drinks, fire extinguishers, SC (Safety Car) poles. flag pole stands and other necessities for our turn.

Medical and course cars constantly inspected the track in excess of 150 km/h and I couldn’t help but admire the sheer management that was on display. RACE CONTROL were constantly providing updates and opening and closing the track, and in all honestly, from 0700HRS onwards, there was always something happening on track.

Something to clean, something to inspect, something to update … the work was constant and intriguing, as was the colourful commentary from a very frustrated SECTOR CHIEF MARSHAL.

Were there any downsides to being a Marshal? Well, I couldn’t leave my sector and thus do all the fun stuff I would normally do at the AUSGP, like tickle the brains of ADF members on their toys, or practice a pit stop tyre change. Nor could I really find opportunities to sneak away and buy merchandise or get better food for that matter, because the lunches that were provided were some of the blandest food I’ve ever tasted in a long time.

But beyond those minor gripes, I would never trade my view for a more “fan-friendly” experience. It was completely worth it to get a super-close up view of the drivers, during the Driver’s Parade, in which all 20 drivers were driven slowly around on Shelby Cobras and greeted the ecstatic crowd and us, standing on the track. Nor would I ever want anything else now, having pressed my face right up against the fence and felt and heard the cars roaring past me, metres away.

To sum up, having spent all day in the sun, from dusk to dawn, watching motorcars blast around a track for 96 hours, I can rightfully say that this was the best weekend of my life so far. My girlfriend came down for race day, I protected two of my favourite brands of cars, an Aston Martin and a Ferrari, and I got to see my personal heroes, Sebastian Vettel #5 and Charles Leclerc #16 up close.

To cap it all off, Leclerc got a pole position and won the race.

I don’t think anything will ever top the high I had this weekend.

I can’t wait to go again in 2023.

See you soon Albert Park!

~ Damocles.

P.S. Due to the number of incidents and our teamwork, SECTOR 10 was nominated and was the runner up for best Marshal team at the Australian GP. Not bad for a bunch of rookies.

Doing my rounds at Albert Park. 96 Hours of Sun and Mechanical Perfection. Heaven sounds, smells and looks like this.

Tempered

Marcus Aurelius – The Philosopher Emperor.

For all of my strengths and weaknesses, there is none I value more than my temperance.

Life has a habit of taking away as much as it provides. I experienced such a transaction rather cruelly on Monday straight after the huge highs of Formula 1.

I won’t go into the details, but needless to say, it was of great personal cost, and involved the loss of personal property of which I have come to define a lot of my personality around.

Even now, as I am reliving the memory, I can’t help but sense a strange, surreal hollowness around it all. I know I am capable of processing huge emotional loads, but to continue working and be professional about it all, is surprising even for me.

I like to think that I am a very coldly angry person all the time. Some would call it passionate, but in reality, I know that I’m just venting excess emotion all the time.

To maintain a certain “calm”, I’m constantly fighting emotional build-up and letting it loose occasionally through things I like to talk about or my passions. I seem animated all the time, because I like create a controllable storm, so that my centre is calm, like the eye of an hurricane.

I think that is what has enabled me to move on so quickly, from losing something so precious to me. The years I’ve spent collecting, the money I’ve wasted on these items … they’ve been removed from my grasp in less than a hour. There’s nothing I can do to get them back, nothing I can control or really do.

There isn’t even the option of emotional catharsis through revenge.

It didn’t help that, ever since that day, there has been a slew of small shittiness that has marred every day of this cursed week.

Forgetting birthday presents, buying the wrong wedding card (it’s meant to be Mr. & Mrs., not Mr. & Mr.), book price stickers ripping off pieces of the book cover, struggles to find parking, travelling further than necessary because idiots forgot to tell me about a change in time to the rendezvous and dealing with irate customers at work … it seems that all my good karma has left and it is time to repent.

All of which I’ve deal with a cold, dispassionate amusement at how Lady Luck has seemingly abandoned me.

In these trying times, all I can do is really grasp a hold of my emotional state and try to wrestle it into a manageable state, which oddly, only took an hour after the incident, because I immediately entered a meeting for a project I was working on soon after, without any emotional outbursts.

That said, I am somewhat still reeling from the emotional whiplash I experienced in an 24 hour cycle. To come from such a high, then plummet down to such a low, is something I haven’t really been tested on before.

I can still see the after-effects of it all. I’m still sad, mourning the loss of them and I can see how my muscle memory is missing the feel of them. My usual energy is dampened somewhat, and I can definitely tell that I think too much about the question “How are you?” and struggle to answer it with my usual sarcastic attitude.

My bravado and cockiness has been taken down a peg.

96 Hours of high energy.

96 Hours of low energy.

That has been the week characterised for me so far. Incredible good luck, followed by calamitous misfortune.

Life giveth and life taketh.

Equilibrium.

Isn’t it amusing how philosophical one becomes after a great victory and loss?

I still hate philosophy, but I can’t deny that my personal unshakable belief in equilibrium is probably what allows me to move on quickly from sentiment and big emotional shocks.

The very next day, I was binning all useless items related to my hobby and collection, trashing a lot of stuff that have now become irrelevant without the key components.

In a lot of ways, I guess that speaks a lot about my ruthless and unsentimental nature. The moment something becomes useless, I bin it without hesitation. I retain a strong memory, but it is emotionally void, a black hole in which I don’t try to romanticise or look too fondly on them.

It happened, move on and find something else.

Don’t repeat the mistakes that led up to this moment and explore new ways to engage in the hobby or simply … drop it altogether.

I will say, that a psychologist would find me strange, mixing a somewhat spiritual belief in “balance”, with a cold professional pragmatism to every variant of sentiment and a ruthless attitude to emotional imbalance.

But that is how I deal with life for all its up and down. It is no secret that I ruthlessly purge my social media of extraneous friendships, because I like to know that the people I see, are people worthy of my time and investment.

Friends, like any relationship, need time, effort and money to last. Otherwise, they just become acquaintances.

It is that attitude that drives so much of my emotional control. The moment something becomes no longer worthy of time, effort and money, why hang onto it? Dismiss and move on.

Life is too short to get depressed over loss.

There are a lot of reason why I don’t have a lot of emotional baggage compared to everyone else I know. I just jettison a lot stuff in general. Rubbish can clutter the mind just as quickly as stress, if you aren’t careful.

I like to think that I empty my “trash can” quickly and efficiently before it builds up in my mind.

And in the case of this loss, I’ve purged it rather quickly, to ensure that I can still function in society and life, without any real detriment to my health.

Is it psychotic to think this way?

Perhaps there is a bit of that. I wonder if I am too quick to process difficult emotions, too emotionally detached, but then I always remember how my body language acts up around things I enjoy; how my heart-rate speeds up around exotic machines, or how the hairs on my arms stand up at the melody of a haunting song.

And I’m reassured that I am still capable of being moved, feeling and experiencing all the highs and lows of life.

I’m just quick to slam the visor down, and focus on my personal race, and ignore all the elements that don’t matter.

It’s hasn’t even been a year since I last experienced something relatively shocking. I wonder how many people would bounce back the way I have? Sometimes, even I have to question whether I’ve dealt with everything properly.

I do want to apologise for being mysterious. A lot of people read this blog and will be wondering what the hell I am talking about. What was taken from me? Why am I in such a state over the loss?

If you desire more context, I will simply say, it is a private matter, but is related to one my key interests and there is quite a lot of furore over them.

How much of a furore, remains to be seen, as of the writing of this post.

I may have had absolutely rotten misfortune in the past 96 hours, but I doubt the venerable goddess known as Lady Luck has abandoned me completely.

Even in time of crises, I know she’s always helped me escape with relative ease, even if I get a little singed in the process.

After all, life is a constant balance. Sooner or later, things will be fine again and I’ll be mourning the lack of excitement in my life once more.

It’s just a shame that the wonderful memory of my first volunteer gig Formula 1 is now bittersweet.

The happiness of your life, depends upon the quality of your thoughts. – Marcus Aurelius.

Good thing I don’t have that many in a day.

I hear you can lose yourself from overthinking.

~ Damocles.

The Batman (2022) – Cinema Review.

Y/N? Yes.

Director: Matt Reeves

Stars: Robert Pattinson, Zoe Kravitz, Paul Dano, Jeffery Wright, Colin Farrell & John Turturro.

Review by Damocles

I’m Vengeance.

Batman isn’t really a character that needs any introduction. I’m not the biggest comic-book nerd in the world, but I’ve played enough of the Arkham games, seen enough of the Batman animated series and watched all the Batman films to know when something is right and something isn’t.

At his core, Batman isn’t a particularly complicated character. He’s violence personified without the murderous intent and he’s your classic noir detective motivated by revenge. It is the city around him and the villains that live within the borders of Gotham that make him compelling, because his struggle is endless and almost in vain.

In this film, we are introduced to a Batman who is only just starting his vigilante career. I thoroughly enjoyed this approach, as we get to enjoy some of the more popular Arkham styled beat-downs on criminals, whilst trying to establish his unique intellect and emotional issues.

This is a Batman who is still a bit untested, a character who doesn’t quite know where he fits in Gotham yet and is still trying to work through his grief in the most unhealthy way possible: violence.

Pattinson is remarkable in this film, his acting mostly done through highly expressive eye movements and careful measured movements. Whilst there could have been more done to his character of Bruce Wayne, overall, the portrayal of Wayne, as a haunted and scarred man was performed admirably by Pattinson.

I particularly enjoyed the sequences where he was not in costume, relying on all black clothing, a hoodie and mask to blend with the environment. Something about the image of a masked, hooded figure moving through Halloween celebrations stuck with me, long after the film and there was such a great emphasis on realism, on how Batman wouldn’t be relying solely on his suit for reconnaissance and infiltration.

These details can be attributed to Reeves, who wrote the screenplay alongside Peter Craig. In The Batman, they have created a wonderfully dark and noirish world, with elements of Se7en (1995) and Taxi Driver (1976). Whilst the plot did muddle a bit near the middle and in parts of the third act, the pacing was excellent and immersive throughout the entire run-time, never really feeling its 3 hour length.

The dark, realistic nature of the film was offset beautifully with the more classic noir elements that have always been a strong part of the Batman’s mythos.

In Selina Kyle, we have a classic femme fatale, whose costume changes I thought were an intriguing take on the ever-changing chameleon nature of the archetype.

In the Penguin, we have the classic noir decoy character, Farrell disappearing completely into the role, unrecognisable and brilliant as one of Batman’s classic mobster characters.

In Gordon, we have the sole beacon of goodness in the film, a man who just wants to do his job, but understand that he needs Batman’s unique take on justice to hang onto the city. Wright shines as a cynical but honest man who just want to see the good guys prevail in a city as dark as Gotham.

Finally, in the Riddler, we have a fun and twisted performance by Paul Dano, who hams it up, in many ways, resembling certain online personalities that I couldn’t help but smile at the reference.

If you can see a trend, it is that all the cast involved were excellent in their roles, despite some of the more muddled parts of the plot.

Cinematography wise, The Batman boasts incredible visuals that perfectly captures the dark moodiness that has always been associated with Gotham. Whilst I’ve always loved that Gotham has had a more Gothic architecture in some of the earlier Batman live-action films, I am willing to sacrifice that aesthetic for a modern take, with a strong emphasis on darkness. There was a real sense of despair and decay that could be seen in every frame of Gotham, from the nightclub, to the crime scenes and train stations.

In having such a prevalent dark aesthetic, I thought the cinematographer, Greig Fraser (congratulations on the Oscar win!), really employed the use of colours brilliantly, with red lighting being a particular highlight throughout the film.

As for the sound, the foley in this film was ridiculously over the top. The entrance of the Batmobile in particular was enough to make the hairs on my arms stand up, a very rare sensation for me to experience in a cinema. Everything that involved the Batman, had a horror focus to his foley, from the footsteps to the score.

Speaking of score, Michael Giacchino nails the atmosphere needed for such a dark film, with a haunting, nightmarish sound that is eventually elevated to something more heroic for Batman, a sweeping, romantic but dark melody for Catwoman (excellent use of the piano) and a twisted version of a child-like melody for the Riddler.

Overall, the Batman is a worthy interpretation of the famous comic book character. It was nice to see a satisfying arc to what is normally the dullest part of the Batman universe, Batman himself and done right without any transgressions on his famous rules.

And that, in the world of Hollywood, where there are so many little things that the screenwriters get wrong about beloved characters whilst adapting them for film, is something to be celebrated.

A scene to recall: The moment Batman popped the flare and become a proper hero for Gotham, was such a satisfying character arc for the character. Also I copy this moment way too much, when I do my urbex stuff.

Yeah, the Batsuit in this film is my favourite version so far.

Fanboy moments:

To quickly cap off my inner fanboy, I would like make a shot list of the things I really liked in the film. I tried to be a bit more objective in my review, but I will confess, I left the theatre smiling and liking the film a lot.

  • The BATSUIT
    • What a thing of beauty. It’s a brilliant take on modern plate carriers and armour. I particularly loved how the Bat symbol is actually a tactical knife and magnetically clamps onto his suit, and the various gadgets that he has on his forearms and legs.
    • The green medical syringe insert, was a brilliant touch, showcasing how Batman would use any medical tools, whilst maintaining protection against NBC agents.
    • I’m a big sucker for thigh bags in general, so to see Batman sport one, was a weird aesthetic that I couldn’t help but adore.
    • The camera lens in the cowl was a neat touch and really showed how Batman would be able to analyse crime scenes long after he had left them.
    • Overall, I applaud the designers for their more modern, military take on the Batsuit. I can easily see that the utility belt is a lot more akin to modern warbelts worn by modern operators, and I liked the idea that Batman could zip up his cape to create a modern wingsuit for emergency exfiltrations, along with his parachute.
  • The BATMOBILE
    • An angry, jet-powered muscle car. What’s not to love?
    • I love the low-slung nature of the car, as well as the incredible sound design behind it. I got such a huge thrill, when I heard something akin to the V12 era of F1 cars in the sound mixing. Cars aren’t just an aesthetic, they’re also auditory porn when done right.
  • The Iceberg Lounge
    • Such a cool location, with flashing red lights and industrial aesthetics.
    • The sequence where Batman fights his way though and tosses a baseball bat at a gun-toting goon was brilliant. In fact, so many of the fight scenes clearly showcase how this Batman doesn’t care about himself, he is only out for blood, despite the danger he is in. It is only right at the very end, does Batman start to care a bit more about self-preservation.
  • The Funeral Sequence
    • Easily my favourite part of the film, the funeral sequence was so brilliantly executed and really serve to heighten the paranoia one felt on the streets of Gotham.
    • I loved the neck-bomb, the chilling riddle and the eventual failure of Batman to save the victim. I liked the vulnerability, the mistakes Batman made, trying to do his best in a shitty scenario.
    • Especially in the aftermath of the funeral, I got to see Batman do his best to escape, using all his wits, and gadgets to flee.
  • Overall … this was probably my favourite interpretation of Batman put to live-screen and I’m eager to see more.

Professional.

Collateral (2004)

What does professionalism look like to me?

Beyond basic competency in your job, professionalism is an attitude that I think is lacking in a lot of people.

It is something that you need to train and work continuously to maintain.

Just having a job, doesn’t make you a professional in my eyes. Everyone can get a job. It doesn’t matter what background you have or what field you chose.

A consummate professional, in my eyes, is someone who espouses getting the job done, above everything else.

There is a certain ruthlessness that comes with being a professional. It’s not about being an arsehole all the time, or kiss-arsing everyone you deem above you.

It is about checking your ego at the door, acknowledging problems for what they are and being pragmatic in how you find and apply solutions. Some solutions require you to bring out your inner arsehole. Other answers may be found from stroking the egos of people above you.

Professionalism means that you don’t let emotions cloud your judgement or criticisms and apply them fairly without being malicious. It means that when you are confronted with an uncomfortable co-worker or even a friend, you can disassociate your personal feelings to your professional duties.

So much of being a professional is swallowing your ego and ideals for the sake of the job.

No matter how much you might hate the rules, your boss or even your co-workers, you need to put it aside for the objective.

Complete your mission, no matter the cost.

Which is where I want to touch on the personal cost of being a professional.

No matter the job, no matter how much you might enjoy or hate the environment, there are going to be people you don’t get along with. Ideologies, morals and personalities clash all the time. I know that in my current retail role, I don’t have an ounce of respect for any of my bosses. They’re hopelessly out of touch with the situation on the ground, incredibly overbearing and controlling and I suspect, they don’t take very kindly to my maverick attitude to authority.

That said, I know that I am professional about my role. I recognise the one major benefit of this job … that I can write on this blog during dull hours of work and that I’ve somehow managed to carve a small niche, in where I am actually getting paid to write and do retail work.

This small solace, amidst all the terrible mismanagement, is what keeps me from snapping. I can tolerate a lot, as long as I can write.

Which is why, despite personal cost, I can keep a professional demeanor at work and towards my bosses. This one benefit, trumps all the negative aspect of work.

I think that is the key to being professional. You have to view everything as objectively as possible and consider what are your limits.

Knowing your limits … that leads me into something that I think all professionals should have … high emotional intelligence.

Any idiot can be a professional. It’s not hard to learn skills, once you are getting paid to do so or forced to learn them. A monkey can use a hammer, just like a university graduate with no life experience can be taught how to calculate the trajectory of a rocket re-entering Earth’s atmosphere and it’s most likely impact point.

What is often not taught, is how to communicate effectively with people you dislike, how not to be the arsehole at work and what are your personal limits.

Some people don’t have any concept of work-life balance. Which is incredibly detrimental to their professional life. Balance in all aspects of life is crucial to success and mental health. You enjoy work more when you spend the money you earned on things that matter to you … fine dining, sports, art galleries, concerts, racing or in my case, guns and books.

Understand and explore what your limits are. Don’t be the person that clock offs from work and immediately go home every night of the week. Expend a little bit more energy into living after work. Flirt with people, interact with your bartender, dance the night away …. have good conversation or just exercise with your dog.

When you discover that you actually have a lot more energy than you think, that work isn’t everything to your life, you’re going to find out more about yourself. And when you know yourself better, your emotional intelligence is going to rise, because you’ll see everyone around you, suffering from the same difficult acts and tribulations that come with work, life and play.

When you are a true professional, you’ll find it easier to manage your work-load and can even help others out.

I’m a firm believer in the concept that everyone is born with a “backpack” on their shoulders.

In this backpack, you are going to fill everything in it. Work. Relationships with strangers. Good memories. Bad experiences. Friendships. Lovers.

Often, without realising it, we fill this backpack with stuff that we don’t mean to take on.

Our bosses’ angry tirade at us. Our lover’s trauma. Parental expectations. False ideas about who we are.

Sometimes we forget to lighten this load and it creates a huge burden on our shoulders. I like to think that everyone can carry their backpack at 80% capacity comfortably. But too often we over-extend and end up shouldering 90%, or even 110%.

If you have a reasonably high emotional intelligence, you’ll know exactly when you are exceeding the weight limit in your backpack and you’ll start dumping things that you shouldn’t be carrying in the first place. It could be as innocuous as taking a bit of time off work. Or it could be as drastic as having a conversation with your partner, about how they need to learn to shoulder their 80% better, because goddamnit, you’re already loaded down, you don’t need to be carrying their arse along as well.

This is what I mean by exploring your limits as a professional. Your personal affects your professional life as well. By being pro-active at managing your limits, you can do your job better. Less things annoy you, work becomes a bit easier to handle and you can instinctively know when you can take a little bit more than 80% on your shoulders and when you shouldn’t.

More importantly though, you possessing a high emotional intelligence means you can manage people around you better, no matter their personalities and be more flexible in how you cope with difficult situations. You will find it easier to tap into your sides of your personalities and be more pragmatic in how you approach problems.

That ability to adapt, improvise and overcame any obstacles, regardless of personal strife or ideology is what makes you a professional in my eyes.

It is such a pity that more people aren’t taught the importance of balancing all aspects of their lives. Too many people experience the same pitfall of working becoming their existence, without realising that they can exist as individuals outside of the business grind.

If you are going to work hard for your whole life, do something that makes you happy. But more importantly, don’t make that happiness only be tied to work.

Explore yourself and you’ll find that being a professional can also apply to yourself.

You can be a pro at being yourself.

~ Damocles.