Real Ones with Jon Bernthal (IMPACT Series)

Jon Bernthal – my favourite celebrity

Welcome to the IMPACT series where I dissect notable and iconic sequences from games and movies, and how they broadened my mind and left a lasting impression on me, years to come. 

Being a friend is not about turning your back on somebody when they do something that you find deplorable or disgusting, your job as a friend is to make sure they don’t do it again. – Jon Bernthal

The Backdrop.

When it comes to male role models, I know what I really respect and admire about certain men. After all, I’ve been pooling an insane list of fictional characters from books I’ve read since I was a teenager. James Bond, Dirk Pitt, Daniel Ocean, Gabriel Allon … the list goes on and on. When it comes to living, breathing individuals though, I’m selective. Whenever I look them up on Wikipedia, the most important thing I scan, is their personal section and whether they stayed loyal to their spouse.

It’s a strange metric, but from that one look at their list or lack thereof of partners, I can instantly tell whether I garner a lot of respect or am more cautious about my admiration for them. Too many of them, I like for their on-screen persona, but don’t particularly agree with how they live their personal lives.

After all, you can’t be called a true gentleman if you leave a string of partners behind you. It’s a measure of who you are as a man, if you stay loyal to your beloved, and resist the urge to do something stupid. Having no divorces on your plate shows discipline, respect towards others and your partner and a moral commitment to something better.

Which is why I was impressed by Jon Bernthal initially. The man has consistently shown his love for his wife and that really showed when it came to the classic GQ 10 Things (BLANK) Can’t Live Without.

I’ll go into details about the video in the Impact section, but Jon is someone I admire deeply. His podcast, Real Ones with Jon Bernthal is an incredible shining light into how people should talk to each other and more importantly, into how men should approach problems. To anyone aspiring to be a traditional masculine figure, Jon’s podcast is a beacon of light, a true discussion and deep dive into what it is to be a man, in today world.

It’s also a powerful tool into what it takes to be a good person day in and day out, realising that some struggles are truly universal no matter where you are from and what you identify as. His honest, raw and unflinching conversations with all kinds of people is what makes his podcast an inspirational tool, rather than just an educational one.

I’m not one that really supports anything, but his podcast is one of the few things I support on Patreon. His access to all kinds of people all walks of life is truly incredible and I love how he is such an active listener and conversationalist. That simple act of his, leaning in and talking to the guest is so underrated.

Jon knows when to shut up, and when to talk. It’s a gift that is so rare in Hollywood, especially when you watch talk shows, which is why I only love watching clips of Graham Norton, because he is the one host who lets their guest talk through their story with no interruptions.

But enough introductions, let’s dive in why Jon and his podcast is so impactful to me.

Shia LaBeouf on the podcast with Jon Bernthal. Link in the photo.

The Impact.

Jon Bernthal first made an impact on me when I watched his GQ 10 Things Jon Bernthal Can’t Live Without on Youtube. I had seen him in a lot of media before; Punisher, Ford v Ferrari, Sicario, Baby Driver, The Accountant, Fury … and was always impressed in particular by his striking looks and his intensity. Jon is one masculine looking man but there is a depth to his masculinity that shows real inner emotional turmoil.

It was his scene in Daredevil Season 2 that really sold me on his acting ability. The conversation that the Punisher and Daredevil have on the rooftop is incredible and really showed Bernthal’s range as an actor. His mannerisms, his gruff voice, the way how he delivers his lines with conviction … it sold me on the Punisher so well, that I even loved the way how Bernthal roars as he is fighting in his scenes.

But his 10 Things He Can’t Live Without showed me that Jon as a man, outside of the roles he portrays, is a good person. Every single video I had watched over male celebrities before, was shallow. They showcased expensive watches, promoted tequila or other random alcohol, placed random products or food in their hands that were clearly disguised as ads or didn’t go into detail about the meaning behind what they chose.

Jon was different. Every single item of his had genuine meaning. His pitbull, the yellow legal pad, his personal diary, a picture of his wife, the worry beads that his friends got him, his massive bodyguard … these were all extremely personal and important items to Jon that made him the man that he is today. It showed true character to put those items out there and explain in depth what they meant to him.

And you could tell too, the way how he was holding them and looking at them, that they meant a lot to him. That was my first glimpse into a man who valued the simpler things in life, who treasured those around him way more than material items and really knew what he was about. He wasn’t here to shill for a product or promote anything except his genuine self.

This was a guy who was honest, real and down to earth. Who would still talk to you, even if he was busy and genuinely spend time with you if you needed help.

This was a good male role model. Yes, I thought Jon had a masculinity about him that I envied, yes I wish I had his strong jawline, but this type of jealousy was a good one. It was an aspiring one. I wanted to be more fit like Jon and emulate his approach to life. When I thought about the 10 Things I Can’t Live Without, I had his choices in mind. What were some things that I couldn’t live without?

I wanted to look at a photo of my partner, the same way he did about his wife. With nothing but love, admiration and a keen desire to be back next to her. His love confession about her when looking at his wife’s photo is incredible:

“This is the most important person in my life, that’s my hero and my best friend, and she just makes me the man I want to be. She is the strongest and wisest, bravest and most honourable person I’ve ever met. I’m so glad, that I’m in love even after all these years. She’s my everything, so this is more than essential, this is my everything right here.”

And I’ll confess …. I think I can say the same thing about my partner right now, when I look at my polaroid of her in my wallet, and I feel so damn blessed to be able to claim any percentage of that.

So, after watching the video, I started to become more of a fan. I started researching more of the projects he was doing and seeing what I could do to support a guy that I really came to respect and admire.

That search? Lead me to the podcast.

Natalie Randolph with Jon Bernthal on the podcast

The Enrichment.

Real Ones with Jon Bernthal is unlike any podcast I’ve watched or listened to before. There is a niche that Jon is targeting and it’s all about unfiltered, honest conversations about people’s lives. He interviews first responders, military veterans, sport coaches, actors, inspirational pastors and community leaders … he is engaged in everyone’s story, everyone’s history and it shows in how he listens, how he responds and the respect he commands and gives in equal measure.

No matter people’s background, culture or ethnicity, Jon can seemingly connect with everyone from all walks of life. There is a simple theme to Jon’s podcast …. everyone’s story is worth telling, but it takes an interviewer like Jon to really draw it out of them. Everyone has a fascinating personal history, wrought with hard lessons, tough experiences and incredible perseverance. Whilst this theme is admirable and true, I think Jon’s skill at being an active listener and more importantly … having a personal connection with every single person he interviews, is critical.

It’s that personal touch, of friends meeting after a long time apart, of trading stories by a metaphorical fire about their past, their present and their dreams of the future that really what makes this podcast special. Jon’s friends are the ones in the spotlight, and despite his fame, Jon is humble enough to take a backseat to the conversation, because he wants his friends to outshine him in this talk.

To say that I was surprised to see all types of people on his podcast was an understatement. Reformed gangsters, ATF agents, bikers, doctors, actors, teachers, veterans starting up animal conservation projects … Jon has truly met a lot of interesting people in his life, and he is on a mission to showcase them all to the world, to project an image of America that is not often seen beyond the glitz and glamour of Hollywood.

When I watched an episode on a Port Authority police officer experience during 9/11, I was struck by how raw the entire conversation was. It wasn’t just the fact that Will Jimeno was at Ground Zero when the attack happened, but more the insight into his personal life. His whole life, he dreamed of being a police officer. He wanted to serve his community and was thankful for all the lessons he had learned growing up in a poor family and the hardships he had endured. This wasn’t just a guy who rushed in to help those during 9/11, this was a good man who just wanted to help.

And so to hear him, talk about how scared he was when he agreed to volunteer to enter the first building, and all the personal tragedies that had befallen him during and after 9/11, from his struggles with PTSD and how he lashed out at his family, to him taking accountability and learning to “man-up” to his struggles, it was just incredibly inspiring and motivating.

After all, I’ve never experienced something as traumatic as Will did, but his example of being a better man, one step at a time after the experience of 9/11 was something I aspired to. Because at the end of the day, I could relate to his struggle. Every man could. We all want to be better husbands, better fathers and better example of masculinity to those around us. And that is what makes Jon’s podcast so incredibly powerful.

Jon, through his friends and his own example, inspires men to be better. That is the purpose of the podcast, to show that you can be ultra-masculine, be into hunting, martial arts, cooking, or whatever, and still be strong enough to talk about your feelings, your failures and your fundamental beliefs.

And to listen to his podcast, is to be inspired by others. By ordinary Americans who are just trying to get by, get their voices heard and keep their heads above the water. Because these normal people are just like those here in Australia or anywhere else in the world. The day-to-day life is a struggle, but it doesn’t mean you let it beat you. You can always be better, always be hungry to learn and always have time to meet up with your friends.

Jon’s podcast reminds me of what is important and that is why almost every month, I host a BBQ at my home to welcome my friends over. Because, just like Jon, I need to put in the effort to catch up with my favourite people, so that the friendships remain strong. So that we can have conversations, deep or otherwise, about our lives, our struggles and our triumphs.

Friendships aren’t forever. You got to put the work in, like everything else and I’ve been so lucky that I recognised that early and started to put in some proper work to restore and maintain my friends.

Which brings me to the most famous episode, where Jon was interviewing Shia LaBeouf. This one was incredibly raw and interesting, because it came hot on the heels after Shia’s controversy.

I won’t say that much about the episode, except link it here, and state that it’s an incredible conversation about a man who is flawed and is trying to redeem himself to those around him and most importantly himself.

Norman Reedus and Jon Bernthal hanging out on the podcast

The Culmination.

Jon Bernthal is my favourite celebrity by a very long shot. He encapsulates everything that I want to be in a man. A humble, smart, curious man with a firm grasp on who he is, who he considers important and finds joy in the simple things. He has shown time and time again, in every interview I’ve watched with him, that he is a genuine person, a man who is honourable and does his absolute best to walk the walk. He knows what he is about, and that confidence is shown in every role he takes on, every friend he brings on his podcast and I know that his family and friends feel that too.

On a sillier note, I love that the very first thing he brings out on the GQ video, were his combat boots. It’s not an ad read either, because he truly does wear them everywhere he goes. You can see the iconic black combat boots in almost every episode of his podcast. That kind of devotion to something functional and comfortable is something that I relate to heavily. If I could wear my 5.11 Apex pants, my Under Armour Valsetz Boots and a comfortable Arcteryx Sirrus Henley for the rest of my life, I would.

They are my absolute go-to for whenever I want to do anything, be prepared for anything and I think they look good together, allowing me to be at my most confident, because I know I can tackle anything in these clothes.

However, to end this Impact post on a more serious note, I just wanted to thank Jon Bernthal for everything he has done so far. Seeing him pop up in iconic movies that I love, such as Ford vs Ferrari, the Accountant or Sicario has always been a delight to me, and I love supporting him in any way I can. I loved him as the Punisher and think he was absolutely perfectly cast as the character, with his gruff features and animalistic roar now an iconic part of the comic-book character.

But I also loved that he is involved in more intimate projects, such as Small Engine Repair (2021) that really sold me on his personal beliefs, convictions and work ethic as an actor and man. This was a small film, that meant a lot of Jon and I loved the way how he twists the character. There is always such a heart and rawness to his acting style that even people when they first saw him on The Walking Dead, knew that Jon had what it takes to vanish into characters.

Jon’s masculine features, big heart and inspirational way of living life is the kind of role model that I want my own son to look up to.

And that is not something I say lightly.

So, thank you Jon, for continuing to challenge the narrative about what real men can be and for inspiring me to be a better guy all around. Love your work and I will always go back to the podcast when I need a wake-up call about how life can challenge you and a lesson in how to get past that obstacle.

IMPACT.

~ Damocles

Jon Bernthal and his loyal pitbull, Bam Bam.

Acta, Non Verba – A LEO Story Pt. 1

Follow in the life of Senior Constable Aaron “AJ” Joy as he patrols the streets of Salernum. A routine call-out to a house soon leads AJ down a dark path, where he will fight to keep the fires of his soul pure against the evils that threaten to take down his city.

CHAPTER ONE: RUN TO YOUR DEATH

Senior Constable Aaron “AJ” Joy of the Salernum Police Department (SLPD) was breathing hard.

His hands were slick with sweat, the cold metal of his BCM Reece-14 MCMR patrol rifle soaking up the excess fluids from his body. His heart was full of adrenaline, pumping furiously as it tried to keep up with his mental pace. His green eyes were darting everywhere, as he kept his black rifle punched out in front of him, his left hand working the pressure pad atop his rifle, the Surefire Light Pro torch illuminating dark corners.

Screams were mixed with sirens, disorienting AJ in the exact direction where they were coming from. The corridors that stretched out before him, felt like nightmarish tunnels that never ended, the cream lockers lining the walls like silent sentinels.

But his sense of panic mixed with duty drove him ever forward, his combat boots pounding down the hallway, as terrified eyes peeked through doorway windows like disembodied spirits.

As AJ rounded a corner, he heard a scream that was cut abruptly short by the crack of a gun.

This one was close.

Slowing down ever so slightly, but not to point where he lost his momentum, he raised the BCM and looking above the EOTECH EXPS Holographic sight, he still shuffled his feet quickly to where he heard the terrified scream.

Then, like a jump-scare out of a horror movie, a hooded figure with a cheap medical mask came rushing out in the corridor, the front of his black hoodie soaked with sweat and blood. His dark brown eyes were a mixture of glee, anguish and confused pain. He was giggling, and there was no mistaking the large Colt Python revolver in his hand.

The weapon’s silver finish was matted with the same dark red stains on the shooter’s hoodie.

AJ froze on the spot, and without hesitation, shifted his BCM into his shoulder and settled his green eyes behind the EOTECH’s iconic red ring and dot reticle. He heard his voice yell in a coarse and rough manner. Time slowed down as his brain processed everything at a speed unprecedented in its 27 years of living.

HANDS, HANDS, HANDS.

DROP IT RIGHT FUCKING NOW.

The hooded kid whirled around, and raised his gun at the blue uniform. There was a gleeful intent behind his brown eyes.

AJ squeezed the trigger 6 times without hesitation, the rifle rounds punctuating the corridor’s natural echo with their supersonic booms. AJ saw through the sight, how each round landed centre mass into the shooter, blossoming the chest with his blood instead of the innocent.

Heart, lungs, liver. thought AJ dispassionately as he saw where the 5.56mm rounds punched through.

Moving closer, he slammed his boot down on the hand that held the gun, and kicked the revolver far away. Leaving the shooter to his final moments, AJ looked into the classroom that he had heard the scream, hoping he wasn’t too late, but knowing better than to trust that hope.

The sun was shining bright through the windows, the whiteboard still messy with the maths calculations that were interrupted by alarms. Only a single girl was inside, her bloodied chest covered by her books and hands, long blonde hair covering her face. AJ could see the red spittle on her mouth, and his heart sank in despair. Her white top was turning red, and her tortured breathing barely masked her final sobs.

Bowing his head, AJ turned away and knew that there was nothing he could do. She was gone. He would learn her name later, when her parents screamed and yelled at him in agony and anguish. Madison Harris. 15 years old. Aspiring engineer. A long-crush time crush on Jack Hamill, her best friend who had to be stopped from going in, when he heard the shooting start.

She had arrived to class early, hoping to ask her maths teacher some questions about the upcoming assignment. Being early cut short her time.

AJ knew that there was still two more shooters out there. He had to prevent another tragedy to another family. Pushing away the tears that threatened to overwhelm him, AJ ran back out and noted that what was once was a threat, was now a cooling corpse.

Stepping over the dead kid, he started to run again. He could hear screams above him, of running footsteps, as people scattered and took cover from what sounded like a shotgun blast.

AJ sprinted faster than he had ever moved in his life, and as he reached the end of the corridor, he briefly scanned left and right to check the junction before taking the stairs to the next level, almost three at a time.

As AJ rounded the curve in the staircase, he looked up and saw another hooded figure leveling a shotgun at him from the top of the staircase.

The boom of the shotgun was deafening. But AJ was too fast, and the crater that would have taken out his right hip, instead blew open the wall behind him.

As the hooded shooter tried to rack in another round, AJ managed to clear the staircase, and without hesitation, rammed the Reece-14 muzzle into the shooter’s chest and squeezed the trigger as fast as he could pull it.

Blood blossomed out of the school shooter’s back, as nine 5.56mm rounds exploded out of his torso. The shooter buckled repeatedly as each round tore through his body, before crumpling into a bloody heap on the ground, his life expired within seconds. AJ looked down in vague horror at what he had done, the adrenaline coursing through his nervous system making the fact his body was moving without him.

His brain, having processed the number of rounds he had fired, moved his left hand down to the spare magazine in his back pocket, and he tac-mag the half empty one in his rifle in a practised motion. He then moved, without thinking to secure the shotgun, kicking it away from the dying teen.

Move AJ. There is still one more shooter out there! screamed his mind.

AJ buried his emotions again, and rushed down the corridor, where amongst the crying and the soft sobs, disembodied voices shouted at him.

That way! He went that way!

Please stop him. I’m so scared.

I just want to live. Why is this happening to us?

AJ kept pushing forward, surging through the corridors, his BCM held at high ready as he was guided by petrified sounds and voices. The nightmare had to end soon. He could feel himself starting to atrophy, the emotional trauma of what he had done and witnessed slowly getting through the shield of adrenaline.

A pair of double doors in front of him, suddenly burst open, and a stream of terrified teenagers ran through. At the sight of him, they stopped, frozen in fear. Ignoring their screams, and hands that grabbed at him, AJ used his left hand to clear them out of the way, his rifle held high in his right to avoid flagging and he burst through the same doors, to see a library, the shelves and books making it difficult for him to find the final shooter.

Peering desperately through the gaps of the shelves, AJ’s first clue presented itself audibly. A soft gasp, that could only come from someone’s hands choking a victim’s neck.

Spinning around to his right, AJ saw through a gap in the books, the final shooter in the corner, a young girl’s neck in his left elbow, and a 1911 pistol aimed squarely at her temple.

His hood had slipped down, and it showed a young kid, no older than 16, his dark eyes panicked and fearful. Tears were streaming down his brown eyes, and they were oddly in sync with his victim’s own sobs, a girl barely 15, her legs shaking in fear, her small hands on the shooter’s arms.

The right hand of the shooter that held the 1911 were quivering and there was no mistaking the fear that was dominating his every thought and action.

AJ leaned forwards and settled his green eyes behind the reticle of his EOTECH once more.

The red dot hovered exactly on the shooter’s head, inches above the soft brown hair of the girl.

DROP YOUR GUN, OR I’M GOING TO DROP YOU.

The shooter spun towards AJ, his eyes widening in shock as he noted the blue uniformed officer behind the shelves.

FUCK YO—

The shooter’s head snapped back, his grey brain matter spraying the back of the library’s walls. The single round echoed eerily in the silence that now signaled the end to the chaos. The schoolgirl collapsed to her knees, the relief of being alive too much for her small body to bear.

AJ flicked the safety on his rifle, and pulled her gently towards him, where she clung to his leg, her tears soon soaking his uniform.

His heart-rate still pulsing furiously, Senior Constable Aaron Joy reached for his radio and robotically reported in.

The female operator that answered him back was equally toneless. But she added one thing, that humanised the communication.

Good job officer. You saved lives today.

The compliment pierced through all the high stress and adrenaline, and AJ felt his emotions start to overtake him. Kneeling down, he hugged the girl tight to him, absorbing her tears as his own, as he whispered to them both.

It’s OK. It’s all over now. You’re safe now. It’s OK. You’re going to be OK.

AJ knew it was a lie. Nothing was going to be OK after this. But it still felt good to hear it. As the girl sobbed into his chest, AJ looked down at his watch, a simple blacked out Stirling Durrant, noting from the moment he rushed through the doors of the school, to this moment was only 14 minutes. 14 minutes … a length of time that would haunt him for the rest of his life, because he would forever wonder what happened if he could have cut it down more.

Slinging his rifle to the rear, AJ stayed with the girl, all the way until the SLPD SWAT team converged on his position, and began the tedious task of clearing every single classroom, every single corner, door, storage cupboard and hiding spot. She held onto his hand tight, as they both walked out of the Salernum Secondary Conservatory, escorted by paramedics who were busy giving them trauma care.

It was not until he loaded her onto the ambulance stretcher that she finally let go, her blue eyes thanking him for the rescue.

AJ merely nodded back in sadness, before sitting down on a bench in what was the common yard for the school, now an emergency centre for hundreds of first responders and traumatised kids.

Cradling his head in his hands, AJ took a ragged breath and closed his eyes. The emotions were now running rampant through his mind and there was no denying the trauma of what had just happened. He had killed 3 children. As sick, tortured and mentally ill as they were, taking the life of 3 young men wasn’t something you could brush off easily.

AJ’s mind began to work into over-drive, justifying his actions, replaying every single moment of the shooting, wondering what he could have done different, what he could have changed.

What if I had just sprinted a bit quicker? What if I hadn’t checked that room … Jesus AJ, why didn’t you check on those kids? I should have floored the car faster. Why did I spend so long on that body? I should have moved on quicker. If I had just sprinted down corridor a bit faster, she’d be still alive …

A weathered, leathered hand on his shoulder broke him away from his reverie. Looking up, AJ saw his Captain standing over him.

At 60 years old, Captain John Armstrong was a seasoned, fair and much beloved leader in the SLPD. A Gulf War Veteran serving in the famed USMC, Armstrong ran his department like the military captain he was in the 90s, engaging Iraqi soldiers. A broken office when Armstrong marched in, the SLPD was in major need of reform, with officers quitting or committing suicide at an unacceptable rate and public perception at an all-time low. Squad cars were frequently vandalised, rocks thrown at officers on patrol, and crime was rampant, with criminals so emboldened by the SLPD’s incompetence, that they were openly carrying firearms in their territory, dealing near major infrastructure and there were even rumours of a high-ranking mole in the office.

A fearless yet just leader, Armstrong championed the men and women under his command to perform at the best of their abilities, whilst prioritising moral and ethical conduct. Like a chaplain, every week on a Friday morning, Armstrong would gather his entire department and deliver an impassioned speech, highlighting good and bad behaviour from footage he had reviewed from every officer’s body cam, whilst surreptitiously transferring or firing the bad cops that brought others down, including the sergeant who was rumoured to be the mole.

His mantra, “you represent the best of society, which means you have to uphold your personal best” instilled in every officer a reminder to constantly train, and constantly review their own behaviour. In the SLPD shooting range, it was difficult to find a free spot, as so many officers would spend their off time practising their pistol and rifle skills. Even more difficult to book, was the monthly CQB shoot-house session that Armstrong would hire from his friends in the USMC, in which officers found the training immensely applicable in their day-to-day work, a fact that was bolstered by the decrease in friendly-fire incidents.

This weekly “police sermon” and supporting training regimes, resulted in a much better-behaved department. Men and women conducted themselves to a higher standard, and community relations rose after a slump. The pride and ethical morality that so often degraded in the job, was slowly being reinstated in the day-to-day work and behaviour of the SLPD’s finest.

John Armstrong was someone that AJ looked up to with a near religious reverence. It was Armstrong who originally championed AJ to sign up, having been an early proponent of the rookie who had just finished his college degree in criminology and now wanted to apply that knowledge in real time. If there was any advice that AJ wanted more right now, it was going to come from the grizzled former Marine.

Son, I want you to remember something. You did something good today. Look around you, son. Look at all these kids that get to go home, because of what you did. I’m proud of you Aaron. You did damn good today. Now the media’s going to hound you, but the department got your back. As of this moment, you’re going to go on administrative leave and take some time off. Use that time wisely son. Relive, process and settle. Make sure you do those things, in that order and we’ll see back here once you’re ready.

AJ shakily took a breath and nodded.

Thank you, sir.

No, thank you. You’re a credit to us all.

John Armstrong shook AJ’s hand firmly and squared up in a salute, that AJ promptly returned.

Rest easy, son. We’ll see you back soon.

~ Author’s Note

Am starting a new LEO (Law Enforcement Officer) story. Stay tuned for Part Two.

Dune: Part Two (2024) – Cinema Review

Y/N? Yes

Stars: Timothee Chalamet, Rebecca Ferguson, Austin Butler, Josh Brolin, Stellan Skarsgard, Dave Bautista, Zendaya, Javier Bardem and Florence Pugh.

Director: Denis Villeneuve

Review by Damocles.

It deserves to be watched in one sitting.

Denis Villeneuve continues to be one of the best directors working today with this conclusion to the Dune duology. There is a breathtaking confidence to the shots he emphasises, the crescendos in the plot he chooses and the character moments that are given plenty of time to shine. This is a filmmaker who has absolute faith in the project he is directing, and the film shines because of it.

As a film, Dune Part Two, is a masterpiece in how to make cinema. This is a rare film, able to balance high sci-fi concepts, make it palatable to audiences en masse and faithfully stay true to the source material whilst imparting a unique flair and vision to it all. The last great sci fi film that captured audiences so well, was probably Avatar, but that was never trying to adapt a beloved book series and lore.

The moment early in the film, when the camera widened out, to showcase the anti-grav technology of the Harkonnens floating in the air, in a strange, eerie manner was the moment I knew that I was witnessing something special.

This is the definitive version of Dune. The visuals, the costumes, the score, the actors, the story, the characters … they will forever be enshrined as how people read and visualise Frank Herbert’s novel. In many ways, this feeling of seeing how strong Denis’ visual interpretation of the novel has taken over the version in my brain when reading the novel, reminds me of the early Harry Potter novels.

The film crew simply nailed everything on the head. I will never not see Daniel Radcliffe as Harry Potter, nor imagine Hogwarts any different to how the films first showcased to me as a child.

Denis’ vision for Dune has proved that I will never see Paul Atreides as anyone else than Timothee Chamalet nor imagine the landscape of Dune as anything other than the clean, almost sterile aesthetics of these two movies.

In a lot of ways, Dune needed to be adapted by a filmmaker who was obsessed with the lore and had the budget to do so. It has remained infamously difficult to adapt, because of the numerous strange sci-fi concepts and the fact that it is such a strange, contradictory world for audiences to jump into.

The idea that space-travel is only possible through “spice” and that bladed weapons and feudal society exists in a galaxy that has mastered space flight runs counter-intuitive to how so many other sci-fi universes interpret their world. But that is the genius behind Villeneuve’s adaptation. He is able to take these highbrow concepts, distil them down to their essence and allow audiences to understand what is happening.

That is why I now understand the pace of the first Dune film. It had to be slow, methodical and less action-packed, because audiences had to slowly grasp everything that Dune was about. The importance of “spice”, the significance of Arrakis, the shadowy politics of the Great Houses and the Bene Gesserit … all of these elements had to be well established so that Dune Part Two could run.

And run it did. The film is much faster paced, with a bigger focus on action scenes and the romance between Paul and Chani. The action that I craved from the first movie, was immediately satisfied with the very opening sequence, as Paul and the Fremen escape from the Harkonnens and begin the journey of revenge.

The film has to be commended for its pace. Dune Part Two is an extremely measured film. It knows when exactly to speed up, when to slow down, and when to let scenes breathe, so that the audience become more engaged in the world that is being presented. Moments like the introduction of Feyd-Rautha on the Harkonnen home planet, the tender moments between Paul and Chani as their relationship grows, or the first time Paul rides a sandworm, are incredible story beats that are given as much time as they need in the film.

There is a deliberate slow-fast pace to the film, that makes it easy to watch. It moves at a jog rather than a sprint, and that is the perfect way to get hooked into the world of Dune.

The cast continue to do solid work, Timothee in particular, showcasing why his youthful looks, yet steely temperance is the perfect fit for Paul’s growth and character development. High praise must also be given to Florence Pugh’s small, but important role as the audience surrogate, Princess Irulan, into the mind of the Emperor. Her costume design is something I will touch on later, but is another reason why costuming is so important in film.

But the real fun highlight was Javier Bardem’s Stilgar. The once aloof Fremen leader, now transformed into a religious zealot and believer in the prophecy that Paul seemingly represents. He is the audience’s source of limited comic relief and a reflection of Paul’s dark journey. The growing obsession with Paul Muad’Dib is a beautiful religious allegory that is pulled off wonderfully by Bardem’s performance.

Now, onto the technical elements of the film that I love to explore.

From a cinematography perspective, Dune Part Two is an absolute marvel. The shots are immaculate and carefully chosen. There are some genuinely jaw-dropping shots that echo the general aesthetic of all Villeneuve films. The man, coupled with a master cinematographer in Grieg Fraser can literally do no wrong. Whether they are playing with colour, with reveals or simply setting the scene, the cinematography in Dune Part Two is incredible.

To complement such visual flair, the CGI in the film is equally impressive. Everything looks lived-in, believable and real, aided by things that look like they have actual physical weight and by impressive sound design. Dune never looked bad in any of the shots, a difficult feat to pull off in today’s crunch when it comes to VFX.

As for score, Zimmer continues to excel. His score had a stronger feel in this sequel than I expected, after hearing the first one. It’s thematically more folklore-like, with an emphasis on really punching in with the big moments. When listened together with the first film, it’s a fun, compelling audioscape.

But easily my favourite part of Dune is the costume design. Princess Irulan’s medieval, chain-mail aesthetic is incredibly cool when compared to the simpler robes and still-suits of the Fremen. There is an untouchable air to her, that is only visually enhanced by her cold, shiny, metallic mesh and veil. It’s perhaps the most unique take on a princess I have ever seen on film.

The same could be said for Emperor Shaddam Corrino IV, played by Christopher Walken. His simple white robes, lack of gaudy finery only enhances the frail nature of his rule and the fact that he is an ineffective ruler. But by far, my favourite element are all the armour sets featured in both films. From the Harkonnen’s all black suits, to the Atreides larger grey armour, and to my favourite Sardaukar’s white/grey combination, the interpretation of medieval armour into a near-future sci-fi, is just amazing.

Overall, it’s hard to not miss the phenomenon that is Dune. Whether you follow fashion, in which Zendaya showcased her perfect taste and range on the red carpet, or just enjoy cinema, Dune is easily one of the best films to come out in recent memory.

It’s enthralling, captivating cinema and I honestly cannot wait to see what Denis Villeneuve does next. I truly hope he continues to adapt sci-fi and explore more elements of the human experience, in the thoughtful, cinematic way, he is so uniquely suited for.

If you haven’t seen Dune yet … put it on the biggest screen you own.

A scene to recall: The opening action scene where the Harkonnen are hunting Paul and the Fremen. The orange backdrop, that is contrasted by the black inhuman armour of the Harkonnen is just visually stunning. It’s also amazing to hear the Harkonnen language being used so gutturally and shows why the Fremen are a force to be reckoned with.

Sisu (2022) – Cinema Review

Y/N? Yes.

Director: Jalmari Helander

Stars: Jorma Tommila, Aksel Hennie, Jack Doolan, Mimosa Willamo & Onni Tommila

Review by Damocles

It’s lean, fun and pulpy. Everything a movie like this should be.

Jalmari Helander’s Sisu is unbridled fun. In many ways, it reminds me of the joy and fun I had whilst watching The Good, the Bad, the Weird (2008), another foreign take on the famous Western genre (something that I will review soon).

Sisu’s story is as lean as it gets. Set during WWII, a Finnish ex-commando, Aatami Korpi lives alone in the Lapland wilderness, prospecting for gold. Finally striking gold, he is then confronted by a retreating Nazi German armoured unit, that wants Aatami’s gold for their own reasons. What ensues, is chaotic, bloody and in some parts, genuinely hilarious and crazy.

Accompanied only by his dog and horse, Aatami is your classic, silent, gruff and stoic protagonist, although in Aatami’s case, it’s a uniquely Finnish characteristic instead of a trope. The villain, Bruno Helldorf, is your moustache twirling Nazi, but played with a desperate and slimy nuance, that makes him more compelling as a character. There is a cowardly element to his character, constantly hiding and sweating in his large tank, that makes him all the more despicable.

But it is Jorma Tommila’s Aatami that really steals every frame of the movie. His completely silent performance is belied only by his facial expressions that do a wonderful job of grounding the movie, even when it gets completely ridiculous. It is his sheer, angry determination that drives his character to do what he does even in the craziest scenarios, because Aatami is the embodiment of the Finnish concept of sisu, which roughly translate to “a man of focus, commitment and sheer will.”

And ridiculous is the entire point of the film. The action scenes, the premise, the kills, the gore … all of it is treated with a fun reverence that makes the run-time move quickly. In fact, the kills only get more and more creative as the film speeds along, with the action ramping up significantly as the director, Jalmari Helander, seeks to conquer all three spheres of Earth, land, water and air.

Having watched Helander’s more fun and ridiculous prior film, Big Game (2014), I can safely say this Helander’s perchance for the ridiculous, the fun and his love for Finland has not abated one bit in this film. This is a director who wants to put Finland on the map with his films and is determined to show that Finland isn’t just famous for its saunas, legendary F1 racers and rally courses.

Whilst I won’t spoil anything in regard to the action, this is a movie that glorifies in how Aatami kills Nazis and that alone is the reason why you chose to watch this film. It is a simple, direct film, about how this one-man army annihilates all the despicable Nazis in his way, so that he can continue to live his simple existence.

It is actually so simple and direct, that there is very little to discuss in terms of cinematography, music and costume design. The cinematography is almost functional, with nothing really standing out, bar a few scenes that invoke the horrors of war. In this aspect, the cinematographer did an incredible job creating a strong atmosphere for Aatami’s actions against the brutality of the Germans. There are some genuinely haunting scenes of burnt down buildings that invoke more horror elements, but these are far and few in-between. Overall, the film looks great, and the Lapland wilderness is truly well captured with the blending of green screen with the Finnish landscape done well-enough.

Credit also must be given to the score, which showcases the almost immortal nature of Aatami extremely well, with deep, dark, vocals that echoes old Viking music or something more ancient. Aatami’s constant ability to take hits, and push through pain, is almost mythical and the score reflects that, invoking sounds of a more ancient and dark time.

As for costume design, Aatami’s primary attire gets more and more worn over time. He never really changes out of his strong, dark, functional clothes that showcases the realities of living alone in the wilderness. Instead, this outfit gradually gets more and more stripped down, as he is forced to shed layers or in some cases, get completely wrecked as he rises from the proverbial dead.

To sum up Sisu, I would describe it as your perfect, throwaway action film, with some truly great kills and a simple, direct plot. It’s fun, fast-paced and there is a single wasted moment in this film.

And the pay-off at the end, is just hilarious. Sisu is worth your time, simply because …. it won’t waste it.

A scene to recall:  When Aatami throws a certain mine-shaped object and there is a glorious wide shot of the resulting bloody explosion.

Riot (Fiction)

There is a code 10-101 in Downtown Los Angeles. All units respond. I repeat, there is a code 10-101 in Skid Row. All units respond.

Upon hearing the calm feminine voice cut through the metal music that blasted through my headphones, I pause mid-lift and stare up at the intercom.

Code 10-101 – Civil Disturbance – Mutual Aid Requested.

Sighing, I put the kettlebells down and place them carefully back on the rack, before tipping my headphones out and pausing the music on my phone.

Walking calmly back to the locker room of the precinct, along the way, I pop my head into the office of the Captain with a questioning look on my face.

He nods silently back and without saying a word, I clenched my jaw and nodded seriously, before pushing open the door to the locker room of the SWAT team.

My BLUE Team of operators were already gearing up.

In the left corner, seated on a bench, was John Watts, a huge African American officer, with an even bigger heart and smile to match his 6 foot 3 frame. Tattoos adorned his arms, many of them personal designs from his twin 17 year old daughters. His nickname was HALFBACK, because his specialty resided in breaching through doors or in the context of riot control, creating space in a crowd to arrest suspects.

Opposite Watts was Michelle Rivers, one of the toughest LAPD officers in history. Her arrest record was staggering, and had the distinction of easily being the fastest and quickest operator I’ve ever seen. At an imposing 5’10, Rivers was simply known by her last name, because it suited her calm and professional manner. She was rarely ruffled by anything, yet when the situation called for it, she was quick on the draw and even quicker on the trigger. Her signature was the 2011 race model pistol she carried on her hip, normally reserved for competitive shooting, but now used to arrest suspects instead.

The final SWAT Officer on BLUE Team was the most serious operator out us all. Whilst Watts was all smiles, and Rivers rested easy on her confidence, Johnathan Specter rarely ever cracked his mouth. A former U.S. Army Ranger, Specter was nicknamed after his Regiment. With even more tattoos than Watts, Ranger was your classic stoic, deadpan humour ex-soldier with more experience and training than all of us combined. In high stress situations, Specter was almost serene and slow in how he processed bullets flying over his head. But then I expected nothing less from a guy who came back from 4 tours of Afghanistan whilst working with the best special forces members in the world.

Together we were a well-oiled machine. In Watts, we had a specialist in breaching, Rivers was our main arrester, Specter, our weapon specialist and myself as the lead. Even our primary weapon varied between us, with Watts rocking shotguns, Rivers preferring sub-guns, Specter, longer barrelled rifles and myself choosing a carbine.

This meant that we could all complement each other when the situation called for it. Just like it did now.

Changing out of my gym clothes and into my dark blue tactical dress uniform, I pulled on my black plate carrier and slipped on my left thigh, a big gas-mask bag that contained my CM-6M mask with dual filters.

Stretching my arms out, Specter came up behind me and attached to the rear of my plate carrier, a magnetic holster that would hold our dense riot shields to our backs. Because we were SWAT, our shields weren’t as big and bulky as the regular Riot Control officers. We were also less armoured, devoid of any protective gear on our arms and legs, because our job wasn’t to fight rioters but to arrest them.

In every riot scenario, there will be the regular Riot police who will form a defensive barrier, protecting important structures or focusing attention on them, whilst the grab teams, SWAT officers normally, will come in from different angles and arrest particularly troublesome suspects.

As BLUE team, we were one of the best grab teams in the precinct. It was our job to get our arrest records up and we were all eager to ensure we got the most collars.

There was nothing quite like friendly competition between rival SWAT teams to dissipate a protest quickly.

Specter clipped the dense shield to my back and then handed me my guns.

A high capacity Glock 19 rested on my right hip, whilst in a cross draw holster, I slotted in a X26 taser gun.

Just below the Glock, rode a hoop where I locked in my telescopic baton, and just as I was doing my final adjustments to approximately 55 pounds wort of police equipment, Specter finally handed me a very unique pepperball gun, that was based on the AR-15 platform.

With orange tips, orange magazines and an orange buttstock, the VKS PepperBall carbine looked more like a toy than anything else, but it was loaded with paintball-styled projectiles that sprayed CS gas the moment they broke apart.

Our department had only been recently equipped with them and they were a godsend, capable of inflicting pain and incapacitating violent rioters with a few rounds that sprayed the irritant everywhere.

Whilst Rivers was running the same weapon platform as myself, Specter and Watts opted for the more painful, but shorter range, bean-bag Remington 870 shotguns.

As everyone made their final adjustments, I looked at myself in the mirror.

The letters that spelt POLICE was emblazoned across my chest in stark bold white font, and just above on my left chest, was my name, D. HAYES. Like most officers who had served for a long time, it was hard for me to picture the baby-faced graduate of 2007, fresh-faced and eager to serve his community to the seasoned veteran that stood in the mirror, decked out in dark navy combat fatigues, tattoos running down his left forearm, with designer stubble across his tanned face and a white scar running along his jaw.

My service had changed me irrevocably and there was no turning back.

Turning away from the mirror, I cast one last look over my shoulder, to see my callsign on the back of my plate carrier, emblazoned in blue font: NEPTUNE, given to me after my service in the Coast Guard.

The team huddled around me and I began to brief them on an tablet that was nearby.

OK BLUE TEAM. Listen up. We got a Code 10 101. This is big. There is a huge protest that has turned ugly in Skid Row. The precinct there is actually pinned down by protesters and our brothers and sisters need our help to turn the situation around.

As you know, our department is to the south of that precinct, which means we are going to push north upwards to the precinct and relieve them. We will engage and disperse any suspects along the way. We are going to be GRANITE TEAM’s shadow OK? Y’all remember Lieutenant Luiz yeah?

Rivers nodded. Fuckin’ A. Gunslinger himself.

That’s right. So Gunslinger is gonna be our wall and we’re his spear. Behind us, we’re gonna have our SWAT truck on standby, with the rookie team, GREEN TEAM ready to relieve us or provide back-up if necessary. They’re fully kitted up for medical and will be on-site for any casevac.

Any questions?

My team shook their heads.

OK. BLUE TEAM, bring it in.

Our four fists stacked atop each other and together we pushed downwards and yelled “BLUE” in unison.

~

It’s always the smell that gets you first. It’s the only thing that can’t be scrubbed from our truck’s protective shell. Everything else is eliminated. The heat, the rocks, the occasional brick. Even the sounds of chaos is muted. But the smell always filters through and perfume the cabin of our SWAT truck.

To describe it was difficult, but it was acidic in nature, almost sulphurous, the smell of a decaying city burning under the weight of its failures.

Our driver was taking it slow. Already the blasts of hundreds of sirens and the constant yells of angry voices were creating the unique soundscape in which we had to learn to filter through and ensure that our communication was on-point.

Looking at my team, I noticed that Specter was rehearsing his hand signals to Watts who was busying cycling through a print-out of all the major suspects that we had collated from surveillance drone footage of the protest. He used hand signals to indicate build, levels of aggressive and who was a priority, whilst Specter mimicked them to memorise crucial details.

Opposite them, Rivers was busy doing her final checks on our equipment, including shoving more flex-cuffs in our plate carriers, so that we could siphon off each other during arrests. She was also triple checking our more “lethal” options, in her case a tried and true, MP5A3.

Carefully inspecting her weapon, Rivers placed it on the rack that was in the middle of the truck, where Watt’s Beretta 1301 tactical shotgun was already prepped, along with Specter’s long Daniel Defence M4 V7 that had an LPVO in case we needed the ability to touch someone at extra long distances. Rivers then picked up my personal carbine, a BCM M4 Mod 2, opening the bolt and racking in a live round. She then peered through the Eotech EXPS3, tested my magnifier before placing the weapon back on the rack.

As for me, I was too busy listening to the radio chatter and growing more concerned about how many injuries were being reported over the communication network.

The protest, originally about climate change and how ineffective the government was at dealing with the current crisis in L.A had turned into a full blown riot. Water shortages amidst an increasingly unkind heat-wave meant that people were already running short on patience.

This once-peaceful protest was merely one of several being run over the week. However, according to police intelligence, an eco-terrorist group hijacked the cause, stirred up the crowd and began assaulting officers thus resulting in the current bedlam that afflicted Skid Row.

The entire situation was extremely ugly.

And we had no idea which group it was either.

I felt the truck ground to a halt and the driver turned back towards us, his gas-mask already equipped.

DROP OFF is here! Link up with GRANITE TEAM about half a klick up this street! Good luck BLUE TEAM! I’ll be right behind with your lethal options if you need them!

Slipping on my gas-mask, I heard the metallic hiss as the filters kicked in and could taste the slightly sour flavour of scrubbed air in my mouth. My breathing was now magnified, heavy breaths that was nicknamed the Vader cough.

Rivers swung open the rear doors and we were instantly confronted by the sight of rubbish strewn everywhere across the street.

That and an intense heat that wasn’t natural. It could only come from a scorched pavement and too many angry bodies clashing against each other. I instantly felt sweat bead on my skin and drip into my uniform.

Looking around the truck, our eyes widened as we saw the iconic hot trail of a Molotov cocktail being thrown high in the air and landing behind the strong wall of Granite Team. They needed our help ASAP.

I motioned the team to move forward and we jogged cautiously up the street, scanning every building, alleyway and crevice. Riots were an urban nightmare to control and we were all too wary about being flanked.

As we neared Granite Team, I unhooked the shield from the magnetic holster on my back and held it at the ready with my left hand. Unlike regular Riot Shields, which were transparent and bigger, our shields were more manoeuvrable and smaller, with a tiny window to look through, and possessing tapered wings that wrapped inwards towards us.

In the hands of a seasoned SWAT Officer, we could effectively hold this shield with one hand, rest our handguns on the tapered wing and exchange fire with suspects. It was also much more offensive weapon, owning to its smaller size, more frequently used to knocking suspects down on their asses than allowing them to charge at us.

Thumbing my radio mike on my chest, I checked in with Lieutenant Luiz.

Gunslinger. Check your six! Blue Team is behind you. What’s the sitrep!

Neptune, is that you?

Solid copy!

Thank fuck you’re here. We actually got a visual on 2 primary suspects. Foxtrot and Hotel. I need you and your team to grab those fuckers and then we’ll advance the line! Also, please slot any fucking idiot that keeps making those goddamn Molotovs!

Copy that Gunslinger. We’ll tune in to your channel and shout BLUE BLUE when we go in and come out!

Understood Neptune!

Tapping Rivers on the shoulders, we made our way over to the left side of the Granite Team wall, whilst Watts and Specter moved right.

Barely a minute had passed, when Rivers motioned upwards and we both sprinted out of the way, as a Molotov cocktail sailed through the air to our 2 o’clock and splashed in a fiery explosion behind us.

Rivers, clocking the suspect instantly, shouted into her mike BLUE BLUE as she and I surged through the Granite Team wall, along with 3 of their officers, and together we slammed into the angry crowd.

My shield was instantly assaulted with rocks, dirty rubbish and fruit, but I made solid contact with a protester, sending the angry man flying, his body rolling backwards with the force of the blow I gave him.

Using my baton, I blocked a kick that was sweeping towards my face, by jabbing at the limb before it could reach me. The protestor howled in pain, before being shot unceremoniously in the chest with 4 CS pepperball rounds that sent him reeling to the floor, retching all the way down. Orange CS gas enveloped the man and without any fear, Rivers immediately got behind him and man-handled his hands into her flex cuffs.

Two Granite Team members instantly hooked their arms underneath the suspect and carried him behind the wall, whilst Rivers and I kept pushing through the crowd, her pepperball gun spitting occasionally as people dared to come close to us, people staggering back, coughing in pain.

I felt a subtle tap on my helmet and looked to the right, as Rivers finished her slap on my bump helmet and gestured to our 3 o’clock. Only 10 yards away, a hooded protestor and his accomplice was about throw a Molotov Cocktail. Bandanas covered the lower halves of their faces and they were too busy looking at Granite Team to notice us.

The man about to throw the cocktail was gesturing furiously at his friend, whose Zippo refused to light.

With one her trademarked quick-draws, Rivers snapped up her pepperball gun and fired 6 shots in rapid succession.

All 6 rounds crossed the distance in a heartbeat and slammed into the Zippo protestor’s hands who immediately dropped the lighter. Not taking any changes, Rivers charged behind me and just over my shield, took out her taser, where with pinpoint accuracy she sent the electrical charges through the air and 50,000 volts through the central nervous system of the Molotov protestor, who immediately collapsed to the floor, urine staining the front of his pants.

I felt a tug of Rivers’ gloved hands pulling out flex cuffs from my plate carrier and she cuffed both protestors in under 30 seconds, where the remaining Granite Team hooked their arms under the two suspects and we stormed our way back to the safety of the wall, shouting BLUE BLUE over the comms.

As we made it through the wall, I looked over to my right and keyed my mike.

Specter, Halfback! Give me a sitrep!

Neptune, Halfback here. We’ve apprehended 3 suspects, all Molotov. No sign of Foxtrot or Hotel targets yet!

Copy that. Keep me posted Blue 2!

Understood Neptune!

Motioning Rivers to follow me, we walked over to Lieutenant Luiz, dodging occasionally to avoid a brick or rubbish.

Gunslinger, we just nabbed 5 Molotovs. Guide Blue to targets Foxtrot and Hotel!

OK Neptune. Switch over to this channel. I’ll guide you in personally OK? My drone operator got this.

Copy that. Blue team, switch to channel Alpha seven-niner.

Check, check. responded my team.

OK, Blue team, Gunslinger here, y’all read me?

We copy.

You guys ready? Foxtrot is deep. We’ll go for him first! Hotel is only 40 yards away from Foxtrot. Have a quick look up, the drone will be hovering above him!

I looked up towards the sky and saw the tiny red dot that was on a greyed-out drone hovering high above the air. At this distance it was hard to see it, but I knew that it was soon shine a laser down to indicate where the target was exactly.

Copy that! Let’s go Granite One.

Halfback bumped my left shoulder and together, we raised our shields up next to each other, pistols in hands. Specter and Rivers formed up behind us and together as a team, we surged past the Granite Wall and back into the crowd, as the Granite Team launched 6 consecutive CS Gas grenades to create a thick smoke screen for us to penetrate further.

As we barrelled through the crowd, that were in the middle of a coughing fit, Gunslinger kept guiding us through.

Blue team, head to your 1 o’clock! That’s it. Keep pushing! Foxtrot is only 50 more yards!

But the further we got in, the less effective the smoke screen was. Soon, Halfback and I were being assaulted and the now familiar stutter of River’s pepperball gun, began firing in earnest, followed by the shocking booms of Specter’s 870 shotgun.

It was the pump rack action of Specter’s shotgun that dictated our rhythm. As he pumped in a new shell and fired off a round, Halfback and I would shove our way forward by 4 steps, slamming our shields into people, sending them reeling back, as our batons protected our sides from random limbs that came our way.

Keep moving Blue team! Granite still has a visual on you. Foxtrot is close, he’s wearing a purple hoodie, has a black mask on, approximately 6 foot tall and is currently holding a baseball bat in his hand! Laser is now inbound!

A red streak from the sky shone down and it was literally just metres away.

Halfback kept up the pace and I followed. As we charged through and punched away protestors, we finally laid eyes on Foxtrot.

He was exactly as described by Gunslinger. Only this time, my team could see the fear in his eyes, as he pushed three of his men towards us and started to turn around to run.

Halfback and I looked at each other and we immediately executed our open shield move. Letting the three men come right at us, we turned our shields inwards, so they had to come between us and right into the solid bars of our nightsticks.

The three men, unable to check their momentum, flew ass over backwards, our nightsticks making solid contacts with their faces, necks and upper chest.

Meanwhile, Rivers and Specter moved behind us and took off after Foxtrot, their guns blasting away at anyone who came close.

Rivers, faster and nimbler, slung her pepperball rifle over her shoulder and moved ever so slightly to the left of Foxtrot.

Specter, knowing exactly what Rivers wanted, sprinted ever so slightly harder, before coming to an abrupt stop, aiming his beanbag shotgun, and letting loose 4 rounds in quick succession.

The 4 beanbags flew through the air, over-taking Rivers and slamming into the back of Foxtrot.

The force of the impact was so great, it flung him forwards two more metres and caused his face to heavily smash into the ground.

This bought more than enough time for Rivers to slam a pair of cuffs on him, and before Foxtrot even knew what was going on, Specter and Rivers had their arms under his and were dragging him back through the crowd, where Halfback and I were waiting, and a support team from Granite were already next to us.

As we escorted Foxtrot into the police van where suspects were being held, Gunslinger came running over.

Neptune, the Hotel target has run into a building along with 5 other guys. I think he’s spooked. It’s not looking good bro, drone footage shows they’ve got rifles and pistols. Come over here and check this out.

I walked around to the SWAT van where the driver pulls up the surveillance footage from one of the many drones flying above the riot. I frown, as I study the grainy image, and wince when I noticed the various weapons the men are carrying.

See the guy in the blue/white bomber jacket and the M16? That’s Hotel.

How many guys did you say he has with him?

5, bro. It’s not good odds. They’re literally barricading themselves in right now.

The hurried movement of the suspects barricading doors and positioning themselves behind cover would have been comical if it wasn’t for the fact that they were armed to the teeth.

Blue team, gather round.

Rivers, Halfback and Specter came in, and we all bowed our heads together as we looked down at our chests. A godsend from the department, we were one of the first to use the ATAK, the famous Android Team Awareness Kit, a specially designed smartphone that allowed us to create plans, observe livestreams from drones and so much more. All our ATAKs were synced to each other, so when I started to draft a plan for entry into the building.

An old staple of the Los Angeles aging and decaying architecture, the building in which Hotel had run into, was a dilapidated two storey brick structure, that had busted open windows and a mountain of trash outside and inside. The roof was completely blown apart, which made it convenient for our drones to look through and spot the targets. Two entrances, north and south, featured a large garage-door that indicated that this was some sort of former mechanic’s workshop.

Alright Blue, listen up. New mission parameters. This went from riot control to a barricaded suspect situation. Gunslinger here, has told us, our target, Hotel, is now inside this building, armed and dangerous. 5 other suspects are roaming inside, and they are just as hostile as their boss.

Gunslinger, I want support from Granite to prevent any egress from this building. I also want two of your best shooter teams to provide overwatch from this office building opposite. Ideally, they should find a spot on the 2nd and 3rd floor. Can you get on the horn and update Control on the situation now?

Gunslinger nodded and started talking on his radio to his team. Looking up at the driver of our SWAT BearCat, I smile at him in a slightly sadistic yet apologetic manner.

Deacon, looks like you’re going to be our distraction. I want cherries and berries on full blast and I want you on the bullhorn to convince them to surrender.

Deacon flashes me the thumbs up, before I look back at my team and at the plan we’ve drawn on our ATAK.

OK Blue, this is it. We’re going to breach from the North, whilst Granite secures any squirters running out back. Switch to lethals. We’re not taking any chances. We’re going approach from the east on foot, fast and quiet, whilst Deacon comes in with the light show about 6 minutes later. These suspects are going to be labelled Hotel 1 through to 6. Hotel Six is our main antagonist, so if possible, we want him in cuffs, not a bag. Drone surveillance shows they got a variety of weapons, mostly pistols, but at least 2 of them have long guns. A bullet is a bullet, so don’t get cocky.

Whilst they’re paying attention to the BearCat, we’re going to go in, work our way from the bottom, up. Granite is going to provide overwatch on us as we go in, so at least we got some type of sniper support. This one is going to be rough, so we’re going to need at least one shield going in. Also, I’m going to get on the horn, and ask GREEN team to come in for medevac and be on standby as our backup. Any questions?

Everyone shook their heads. I nodded seriously at all of them, before opening the back of the BearCat, so they could grab their lethal options.

Halfback came out first, with a new, heavier ballistic shield. Thick, strong and highly armoured, the shield was capable of taking a 7.62mm round to the glass and keep the operator in the fight. His pistol, a Glock 17, was compensated at the front, and a unique Surefire XR2 weapon light and laser combination was attached to the front, to allow him

Slung across his broad back, was Watt’s Beretta 1301 Tactical shotgun. A smooth, lovely weapon, I knew that Watts liked to customise his plate carrier to suit the ammo he carried.

On the right, he carried a multitude of red slug rounds, which he used primarily against armoured suspects or when he needs to take a precise shot. Down the middle, were his main ammo, 12-gauge buckshot rounds that were coloured green. On the very left vertical strip, was a combination of blue non-lethal beanbag rounds and a few grey “Hatton” breaching rounds that he could load in his shotgun.

The versatile nature of the shotgun in CQB couldn’t be understated to a man like John Watts. For as long as I’ve known him, Halfback exclusively trained with shotguns. He loved them with a passion, and could almost pump and rack a round as fast as we could pull the trigger on our rifles. His 1301 was heavily customised to his liking and wasn’t even standard issue. It was his own shotgun that he bought, and used on deployment, preferring the soft kick of the Italian weapon over the Remingtons normally found in our gun lockers.

An Aimpoint T2 rested atop the Picatinny rail of the shotgun was supplemented by a Surefire Scout Light Pro, the same one we all used on our weapons. In addition, running along the left side of the gun, was a match-saver mount for a single red slug shot, in case Watts needed it for an emergency reload. Seeing that match-saver reminded me of the time, when I saw Watts dispatch a kidnapper with that competition shooting technique, his greasy head snapping back with such force, his neck snapped.

Specter was the next one out, his precious and expensive Daniel Defence M4 V7 cradled in his hands. The weapon was a clear reference to his time in the U.S. Army 2nd Ranger Battalion, where he learnt first-hand how important it was to get a longer barrel to touch terrorists in the mountains of Afghanistan. The venerable EoTech Vudu 1-6×24 LPVO was his favourite optic, but like most military men, he liked having redundancies for his redundancies. A Trijicon RMR was mounted on a 40-degree angle to his LPVO, enabling him to switch between higher magnifications to a red dot in an instant.

Unlike the rest of us, the Ranger also equipped his long barrelled M4 with a bipod and suppressor to further stabilise his shots and preferred to run with 20-round magazines. This kept his heavy weapon, light and manageable. For clearing rooms, Specter would collapse the stock as much as possible, whilst using his sling to punch his weapon out when needed.

Rivers, with a confident smile, waltzed out last, slapping the charging handle on her MP5A3. As tricked out, a submachine gun could be, Rivers’ Heckler and Koch was bristling. An Aimpoint T2 rode flush on the top of the gun, with an angled foregrip riding on the bottom of the handguard. A Surefire Scout Light Pro punched out, alongside the muzzle of the gun, accompanied by a unique charm.

Tucked in flush along the Picatinny quad rail, was a pink/white friendship bracelet, given to her by a grateful 9-year-old. The case in question, was what convinced me to sign Rivers to my team. Having been kidnapped by her drunk father, who refused to hand over custody, the car chase that Rivers went on to pursue the dirtbag was one of the longest in LAPD history.

It all ended when Rivers took advantage of a mistake the father made around a corner and performed a pitch perfect PIT manoeuvre, spinning his truck around. The man, without hesitation, put his 9-year-old daughter in between the muzzle of River’s 9mm 2011 pistol, and held a knife to her throat.

Rivers, having winded down the window to her police cruiser, waited 3 heartbeats, before placing the green tritium sights square on the father’s outstretched elbow and firing a single round that shattered the arm completely.

The scream from the man barely started, before Rivers’ next shots punched right through his left orbital and ended his life.

Weeks later, Rivers was on administrative leave, when a package arrived at her door. Cookies, a card and a police-woman action figure were inside the pink decorative box. When Rivers opened the card, the friendship bracelet with the words “MY HERO” and the initials of the young girl, a Madison Velaquez, MV was alongside hearts, and little studs.

Rivers, touched by the gesture, kept the friendship bracelet on everything important, a daily reminder of her duty and a bright spot in what was a largely ungrateful job.

As I climbed in to grab my own gear, I wondered about my own personal story. I knew for the longest time, that I wanted to serve. In what way, I wasn’t sure. I thought about enlisting in the military, but so many of my friends had already done so, and I wasn’t so sure it was the path for me. It wasn’t until I was in college, studying psychology, that I finally had my calling.

It was a late night on-campus where I was walking back to the library, eager for some sleep after studying far too late. As I was about to enter my dorm, I heard a sob nearby, that made me turn. There she was, a half-naked student, her long legs covered in bruises, her blonde hair a mess, and a ragged grey UCLA shirt covering everything above her waist. She was cowering in a bush, her sobs covered up by her hands, which were slick with blood.

I walked closer, vaguely remembering my lessons about trauma, my hands held up in a non-threatening manner, and doing my absolute best to look sympathetic. As I got closer, I asked in a gentle tone whether she was OK. The girl looked up at me with her green eyes and immediately fear shot right through her system and she screamed at me to leave her alone.

Now that I had gotten closer, I noticed the blood that trickled down her legs and instantly came to one conclusion: rape. This was a rape victim and I needed to back away. Placing a 911 call, I watched from afar, as the paramedics arrived on scene, along with the LAPD. It was the tough, yet sensitive behaviour of the officer questioning the girl that made me sign up. This was a job that could make a difference. I watched in delight, as the officers marched into my dorm, and walked out moments later, 3 men in cuffs and place them in the back of their cruiser.

It was that simple moment, of seeing something wrong, righted, that made me finish my degree and pursue a career in law enforcement. Someone needed to balance the injustice. That person was going to be me.

The BCM M4 Mod 2 carbine in my hand was my personal rifle. Having lived off a cop budget for years and knowing the number of times I needed to get the rifle out into the fight quickly, I trusted the Bravo Company quality at their price point to a tee. Lightweight, yet capable of longer distance shots due to my G33 x3 Magnifier, the rifle had seen a lot of street combat over the years. Oddly, as a SWAT Officer, I used it less, then when I was a patrolman. But it was battle-tested and vetted, many times over and I trusted it with my life.

I kept it largely stock, with my G33 magnifier and EXPS holographic sight up top, the same Surefire torch that the rest of the team was running and a short stubby foregrip with a sling.

Keeping my mask on, I inserted 4 rifle magazines into my plate carrier, before walking out to join my squad. Chambering a round into my rifle by pulling back the charging handle, I let it ride to the front, before holding out my fist.

Specter, Watts and Rivers placed their fists atop mine and we all shouted “BLUE!” in unison once more.

~

When you are walking down the streets of LA, you get accustomed to the rubbish that is strewn everywhere. This was a city that was heaving under the excess of 13.2 million people and struggling to breathe. She was a city that was fading by the day, but that didn’t mean that we, the LAPD, were going to let her die in ignominy. We still had a job to do, and that was to arrest the fall of this city as much as possible.

It was getting dark, with the twilight casting an orange glow over the sky and the street. Looking up, I was grateful for our foresight in bringing NODs with us. The dual tube PVS-14 would be invaluable in helping us fight in low-light conditions, and with shit going to get hairy inside the building, we needed every advantage we could get.

As we cleared our way to the target building, I looked up at the drone that was monitoring us. Holding up my fist, we all took a knee, as we looked at the target building directly in front of us, only 50 metres away. Fortunately, the side we were approaching from, had a mostly intact wall, which meant the guys inside couldn’t see us.

Granite Overwatch, Gunslinger, & Deacon sit-rep.

Overwatch here. We’re in position on deck 2 and 3. We see you. Recommend you activate your IR beacon before making entry. We got eyes on 1 suspect, armed with a pistol on the second floor. No sign of Hotel at the moment.

Copy that Granite. Confirm visual on our IR.

We all reached up on our helmets to activate the infrared strobe that would help differentiate us from the bad guys.

Copy Neptune. Overwatch has visual on all 4 IR strobes. You’re good to go.

Understood. Gunslinger, sit-rep on Granite and Green team?

Neptune, this is Gunslinger. We got you covered with our drone, and Granite is currently in position, in 2 squad cars to the South of the target building. Command has given us the green light on this op. The moment Blue makes entry, Granite will advance to the South of the building and establish a perimeter. Green team is currently split into two chalks, one with Deacon in the BearCat and two with Granite. How copy, over?

Copy Gunslinger. Neptune copies all. Deacon?

Go for Deacon.

Punch it.

Copy that. Cherries and berries on their way.

In unison, we looked across the other side of the street, where opposite us, we could see the glows of the red and blue sirens atop our BearCat light up a few blocks away.

Using hand signals only, I motioned my team forward, Halfback taking point, Rivers aiming her gun at the target building upper floors, whilst Specter and I covered the left and right of the street.

Halfback was only 2 metres away from the door, when he slung his Beretta and took out a C2 breaching charge. A small explosive designed to completely obliterate the door lock, it was also powerful enough to swing it open on its hinges. Behind him, Rivers prepped her 9-bang grenade, pulling the pin, but holding onto the spoon tightly.

30 seconds later, the BearCat arrived on scene, and all hell broke loose.

Gunfire immediately erupted, loud and harsh. It was coming from the floor above us. Specter and I glared upwards, as we felt the hot brass from an M16 rifle shower onto our clothes.

My comms unit exploded into calls instantly.

Green Alpha taking fire in the BearCat! Shots fired, shots fired! Granite Overwatch, do you have a visual on the shooter?

Affirmative Green. Overwatch, taking the shot.

I looked across at the building, and saw two muted flashes in the deep recesses of a room occupied by police snipers.

The M16 rifle stopped firing and we heard it crash loudly onto the floor, only to be followed by an even louder thud as the body followed.

All elements. Granite overwatch here. Hotel 4 is down. Confirmed suspect down.

Green team, not one to waste opportunity, popped open the hatch on the roof, and using a standalone M302 launcher, sent a CS gas round through the open window where the shooter had been just to make sure.

I squeezed Rivers’ shoulder, who then squeezed Halfback. Blue team, making entry!

Holding up 3 thick gloved fingers, Halfback counted down and then pressed the plunger on the detonator, shielding his head down away from the blast.

CRACK. The door blasted open in a shower of splinters and sparks, as it swung open noisily.

BANG, BANG, BANG, BANG, BANG, BANG, BA-BANG, BANG, BANG, went River’s 9-bang grenade as light and sound shot out at a deafening speed. We rushed in right after it, Halfback moving to the left side of the wall, Rivers peeling into the right corner, myself and Specter hot on their heels to cover the rest of the points of domination.

The abandoned warehouse was a classic garage structure. A open floor plan, with a lot of trash mountains that covered a formerly pristine workspace, the two garage hydraulic lifts were still rusting away in the centre of them all. Near the rear of the building were 4 offices that were on either side of the side wall, and an old staircase lead to the second storey, where more offices were located, with a big boardroom in the centre.

Just above the central boardroom, was a small access ladder that lead up to the attic where the target Hotel was likely to be found.

To our immediate right, as the main door was along the west side of the building, was a huge mountain of rubbish. Using it as basic concealment, I motioned to Halfback and Rivers to peek the right side, whilst Specter covered the long line of sight down the left wall, and I would peek the left side.

As I peered around the corner, I saw the left hand hydraulic lift, orange with rust, and saw movement in the deep bay where mechanics used to slide under the car. Yanking my head back, I flinched as rounds came through, shredding dirty garbage bags and sending debris flying everywhere, and across the visor of my gas mask. I ducked down and turning my BCM sideways, I sent 6 quick rounds in the general direction of the shots.

As I did so, Rivers and Halfback aggressively moved forwards around the mountain to get a better angle on the shooter.

I began to bark orders

Suspect is in the bay of the left garage lift! Specter, on me! Suppressive fire on my flood!

Toggling my Surefire torch on, I aimed my M4 in the area where the suspect could have been and sent slow methodical fire in that area. Specter, guided by my torch, put his Daniel Defence rifle to work, covering Rivers and Halfback, as I changed magazines quickly.

Rivers’ voice came through loud and clear.

LAPD! PUT YOUR WEAPON DOWN, OR BE PUT DOWN.

Suddenly, Halfback’s shotgun roared to life, its blast punching through the air like a cannon would. A eerie moan followed, as the suspect made guttural sounds after having his chest ripped open by 12 gauge buckshot.

An awful wheeze could be heard, and I winced as I realised air was escaping through his chest. The man would be dead in seconds. Halfback, in his deep baritone, reported coldly. Suspect down, before we could hear his heavy breathing over the radio.

Neptune, Specter, taking fire! yelled Rivers, as she dove to the side as a suspect, in the boardroom that looked down on the garage opened up with a goddamn rifle.

Halfback, took a knee, and sent three quick rounds upwards, before diving to the side as well as another suspect on the ground floor this time, opened up with his pistol. He landed heavily in the bay of the right hydraulic lift, and kept his head down as bullets rained down all around him. Rivers, did the same as she hunkered down next to the corpse of a man who clutched a pistol, and not much else after Halfback’s Beretta finished him.

Specter looked at me, and I could see the Ranger’s mind going into overdrive.

We need to get fire superiority again sir. I’m going to lay down cover and join Rivers. You move to Halfback and get an angle on the ground shooter.

I didn’t waste my breath. I merely nodded and as Specter’s long barrelled M4 barked in response, shattering the window of the upstairs shooter, causing him to duck down, I sprint across and took cover behind a small mound of trash, just behind Halfback.

Going into a half-crouch, I waited for a muzzle flash in the dark offices at the back.

There. Got you, you fucker. I thought as I saw a muzzle flash open up at Halfback from the left office.

Activating the SureFire torch on the suspect with my thumb, and centering the red ring of death on the man crouched in the corner, I felt my M4 bark 4 times.

The man shuddered as the high velocity rounds punched through his chest, and caused his legs to cease working, the limbs sliding out underneath his body, his head lolling forward lifelessly.

Suspect down! Halfback you’re cleared to move! Rivers, you follow him on your side. Specter continue to lay down fire! I’m going to CS!

Halfback and Rivers rose from their bays and charged forwards taking cover by the nearest offices to them. They scanned each other’s respective room on the opposite side with their torches, making sure there were no suspects in them, before nodding to each other and walking down the hall.

Specter’s long M4 continued to provide cover on the boardroom shooter, as I grabbed a CS grenade from my chest, pulled the pin and threw it up and over, into the smashed window.

Specter, move! I yelled as I covered him, sending rounds after the gas, as it spread.

I moved forward as I fired, before kneeling next to Rivers. Flicking out my empty magazine, I topped up with a fresh one, before squeezing her shoulder.

Rivers, moving!

Halfback, moving!

I stayed close to Rivers, clearing the two offices next to us. We paused for a second as we waited for Halfback and Specter to cuff the dead suspect I killed, and spike his pistol, an ugly Hi-Point that probably would have blown up in his face, if I hadn’t killed him.

Looking at the staircase that lead up to the boardroom, where at least 3 more suspects would be waiting for us, I looked down at my ATAK and saw that Gunslinger was busy, listening to our comms and marking off suspects. Hotel 1, 2 and 4 were all killed. I tapped into the drone feed and saw through the thermal cameras that there were at least 4 heat blooms.

Blue team, wait one, they got a goddamn hostage up there.

Specter was the first to hiss his disappointment. Where, boss?

Attic, according to the drone feed. Hotel 3 and 5 are on the floor above us. I think you must have gotten Hotel 5 with your suppressive fire, because he’s on the floor and rolling about a bit. Halfback, Rivers, Hotel 3 is on your left when you breach. We’re going to make entry and use 9-bangs and CS gas to get him to surrender. As for the hostage, Hotel 6 is up in the attic with them. We’ll deal with that later, after Hotel 3 and 5

Solid copy, boss. said Rivers. I got the nades ready, on your go, Halfback.

Halfback nodded and checked his shotgun. Loading a single Hatton breaching round, he made sure the rest of the load was lethal, before racking it in. Let’s do it.

As we climbed the stairs, we kept our heads down, not wanting to expose our heads. Nearing the door, Halfback stayed as low as his huge frame could manage, aiming the shotgun at the door. Rivers pulled the pin on her 9-bang grenade. Reaching up above her, I pulled the stock of my rifle as far out as it could go, before reversing it and smashing a window open. Without hesitation, Rivers threw in the 9-bang and following it up with the CS gas seconds later.

As the grenades exploded, Halfback blew the hinges off the door and kicked the door open. Before Halfback’s leg even landed, I rushed through, with Specter right behind me. My gun up, I immediately made for the left room, where Hotel 3 was waiting, his eyes blinded, his lungs filled with noxious gas. Slinging my rifle to the side, I whipped out my taser and shot the suspect without hesitation, sending 30,000 volts through his nervous system and causing him to collapse face first on the ground, shuddering. I slammed my knee on his back, and wrenched his hands back behind him, slamming white plastic flexicuffs on.

Specter kept moving, clearing the rooms, with Rivers right by him, and Halfback taking my side of the room. A sixth instinct warned the Ranger, honed by years of combat experience that something was about to happen.

Without hesitation, he fell backwards, his left hand grabbing River’s plate carrier, tripping her. Landing heavily on their backs, Specter turned his head sideways, as a huge barrage of bullets came blasting through the air, entering the space he was just standing at. Rolling on his belly, Specter simultaneously grabbed a grenade off Rivers’ plate carrier and tossed it into the boardroom, where it landed right next to the prone suspect who was shooting blindly through the double doors.

The grenade, a unique and special explosive known as a Stinger, delivered hundreds of painful tiny rubber balls in every direction when it detonated. With the grenade so close to the suspect, it acted like a claymore mine, shredding his face instantly. If anything was still alive, it was ended soon after, when Halfback, thinking his fellow officers had been shot, sent 4 rapid shotgun blasts through the door and into the remnants of Hotel 5 bloody, headless corpse.

Officer down! yelled Halfback in a panic.

Hearing the gunfire, and the panicked voice, I got up instantly and ran over, checking both Specter and Rivers for any holes, but thankfully, there was nothing.

You guys are good. I said in a relieved tone.

Thanks Specter. I owe you one. said Rivers in a bit of shock. Specter shook his head and tapped the side of her helmet. You’re good Rivers. Don’t worry about it.

Knowing that we still had a job to do, despite how shaken we all were, I gruffly brought them back to reality.

OK Blue team, rally. Let’s sort out the final guy. The one we are really here for. Remember, there’s a hostage up there. Top up.

We all reloaded our guns, with Halfback making sure he had solid slugs, instead of buckshot. The attic was going to be extremely difficult to breach. It was an enclosed space, with only way in or out.

The ladder to the attic was the only way up and the first person up there, was going to be absolutely shredded with gunfire.

It’s a suicide breach boss said Specter coldly.

Then we’ll go around. I said curtly. Specter, Rivers, take the live suspects back to the BearCat and grab the assault ladder. Coordinate with Gunslinger. You’re going to make entry from above, and smoke him out. If you got a shot, take it. Halfback and I are going to be down here, and we’re going to see what we can do. This is going to take timing. You know what I am thinking, so let’s do it.

Without a word, Specter nodded and looked down at the few C2 breaching charges in his pouch. Nodding back at me, he left with Rivers, whilst Halfback and I began to consult our ATAKs. The thermal feed still showed Hotel 6 moving with an outstretched hand towards the ladder, the cold steel of his submachine gun barely discernible. His other arm was around the throat of a woman, who was wriggling furiously, but he kept an unsteady grip around her throat to keep her compliant.

The attic was small, barely 5 metres by 5 metres. The two pairs of feet stood approximately 4 metres away from the ladder, and there was no way Halfback or I could see up and over to spot them.

But it didn’t matter. We had a plan and we were going to execute. Halfback looked at me and nodded. He was ready. His hands, normally gripping a Beretta, had two flashbangs in them instead.

Whilst Specter and Rivers were getting ready, I tried the negotiation route.

Hey pal, this is the LAPD SWAT. My name is Damon Hayes. We don’t anyone else to get hurt here. So please put the gun ….

Shut the fuck up cop! If you come any closer, I’m going to cut you up to tiny pieces. I’m going to kill you and then I’m going to kill this bitch!

Come on man, it doesn’t have to go down this way. We can settle things peacefully. Just put the gun down and let the woman go. We don’t want any more ….

I already told you, you dumb pig fuck! I’m going to kill you all, and then I’m going to cop this bitch. I swear, if you try anything, I’m going to …

Before Hotel 6 could finish his sentence, Halfback, who had snuck up halfway the ladder, tossed both his flashbangs into the tiny attic.

As Hotel 6 eyes registered what they were seeing, a C2 breaching charge exploded in front of him, ripping right through the thin, weak roof of the abandoned garage. Hotel 6 raised his hand at the sight of bright daylight pouring through, and tried to squeeze the trigger of the gun, but the flashbangs went off and caused him to drop the gun, and clutch at his eyes instead.

Rivers, light and fast on her feet, dropped through the hole first, whilst Specter placed his LPVO’s red dot squarely on Hotel 6’s head. Rivers took mere seconds to cross the threshold, and tackle the hostage out of the way to safety. As she did so, Halfback, his taser drawn, popped up from the ladder’s entrance and sent the electrified prongs through the air and right into Hotel 6’s chest, where they dropped him like a sack of shit.

As I waited below, watching the drama from my ATAKs, I smiled when I saw Rivers flip Hotel 6 on his back and slam a pair of flexicuffs on.

Grabbing my radio, I sighed All elements, this is Blue Team lead. We are code four. All clear. Suspects are bagged and tagged.

Gunslinger was the first over the radio.

Neptune, that was the most ballsy play I’ve ever seen. A rooftop breach? You had us driving the BearCat right next to the goddamn building, then making poor Rivers and Johnathan walk across the support beams to breach from above ….

Bro, you’re fucking wild. But out-fucking-standing work Blue Team. This one is for the ages.

As Rivers, Spectre and Halfback brought down the hostage and Hotel 6, I clapped them all on the shoulders, our relief apparent.

Great work Blue. Good job y’all. Let’s get these guys back and call in our shifts at the Short Stop.

Amen to that boss. said Rivers wryly.

As we walked back to the BearCat, I looked out on the street and saw the final vestiges of the sun disappear behind the horizon of LA. With the light gone, the city was now entering a new phase, one that was going to get a lot more violent, dark and terrifying.

With that disturbing thought on my mind, I looked over at the flames that were still flickering a few blocks away, where the riot was still ongoing.

Job isn’t done yet. I thought. But that’s a problem for another team, for now.

Closing the door on the BearCat, I shut my eyes like the rest of my team, and started to run through everything we’ve done. There’s always shit that can be improved.

~i~

At close to 9000 words, this is definitely one of my longer pieces. I started this draft ages ago, but never got around to finishing it, until I had an eureka moment that solved how I was going to end the arrest. I’m starting to get the hang of writing things more in advance now, and it’s a nice feeling to actually end a draft that has been sitting around for far too long.

It’s been good practice, since I am about to start a new novel on a much more intimate LEO story.

See you at the next one!

~ Damocles.

The 2024 Formula 1 Rolex Australian Grand Prix

A Ferrari 1-2 at home, for my partner and I’s first grand prix together …. what a perfect weekend.

2024 will always be remembered as the year I took a break from my marshal duties to stop and smell the fumes of high octane racing petrol.

Whilst last year, my partner was unwittingly roped into the world of Formula 1 by her fanatic boyfriend via a free general pass, this year I wanted to focus on enjoying the actual race weekend by her side.

And what a difference it made, being an attendee instead of staff.

Gone were my 5am starts that required me to don athleisure underneath orange jumpsuits. Gone were the stale lunches that were all I ate to last 12 hour days. Gone are the struggles of getting back to my car, fighting patrons who didn’t understand how tired I was.

Gone too were the best views on the track, the whip of air that would ruffle my hair every time a race-car blast past me at 150km/h and the heady rush of staring at million dollar cars only metres away from me.

But it was worth it, to actually take a break, dress how I want, arrive when I want and be with a person I love.

Because there is no point in me being excited and invested in the world of Formula 1, if I can’t share that passion with my girlfriend.

It was also extra fun because we could both wear the same team colours and really coordinate our looks throughout the weekend. Look back on the photos we took still make me smile, because we really do pull off the Ferrari’s Rosso Corsa well and I felt so much tifosi pride as we walked around.

Add on top of that, I actually allowed to really help her dive in the world of motorsport better. As cars zipped around the track, I was able to point out finer details and watch as she got more and more invested, as she understood more. It also helped massively that the Australian crowd were excellent hype intensifiers, which meant that my girlfriend was riveted by what was happening on track. Questions after questions followed every mood of the crowd and I loved seeing how much she was enjoying herself and how fast she was acquiring knowledge so rapidly.

It was also a joy to reconnect with an old friend for his first Grand Prix. Waking up at an obscene hour, hauling camping chairs & snacks over my shoulder, whilst kissing my sleeping partner goodbye so that I could secure her seat early on race day, was just the cherry on top.

Even though I woke up incredibly early and met my friend at the tram stop, we were still the 600th group to arrive at Gate 8 by the time 0700 rolled around. Still, it did nothing to dampen our spirits and we caught up as we shivered in the early morning cold.

But that chill dissipated pretty damn fast the moment the gates opened and suddenly we saw a surge in the line and people were absolutely hauling ass across the green grass of Albert Park to secure the best spot. The moment we got our ticket scanned, I immediately took off, grateful that I had been training with my plate carrier for the past month, so the additional weight did nothing to slow me down.

To our delight, we actually secured a good spot atop the small hill that overlooks Turn 9, facing the huge TV screen opposite us. Campers chairs were deployed and we immediately got comfortable, two breathless, excited 30 yos grinning like schoolboys at our antics. Then it was time to settle in for the wait and entertain ourselves until some track action started.

Seeing the huge grin across my friend’s face as the cars roared around the track for the first time just made me nostalgic for the first time I went to F1 and got entranced by the speed, smell and atmosphere of motorsport events. In a way, seeing it live just does the concept of “speed” justice. On TV, everything looks slow, it’s obvious that the ability of the camera operators allows you to appreciate the cars more, but it looks too smooth, too slow even.

But in person, they are an actual blur. They whip past you in a blink of an eye, able to change directions faster than you can anticipate and disappear beyond the next corner before you can even register them.

And it’s also far more obvious the speed difference between the classes of cars. From the Porsches to the Supercars, to the F2 and F1, it’s abundantly clear just how fast Formula 1 cars are and how difficult they are to control.

That acknowledgment of difficulty then, made us all more appreciative of the moment when Carlos Sainz, number 55 of Scuderia Ferrari, overtook Max Verstappen for the lead of the race.

Seeing it live was exhilarating. The crowd went ballistic, their excitement at seeing the World Champion struggling and the chance to see a new race winner.

My partner and I hopped for joy, overjoyed to see a RED car in front for once, where she truly belongs.

For the rest of the race, we held hands, praying that nothing would throw a curveball in Sainz’s path to victory. Which in typical F1 fashion, there was nearly an incident, but thankfully we saw the first Ferrari 1-2 cross the line in a very long time together.

Seeing the beautiful red cars cross the line in the best two positions was just a euphoric feeling.

Add on top of that, I managed to find time to catch up with my cousin, who was a spectator marshal this year, but unfortunately at an awful corner with zero context to the rest of the race. That being said, Albon chose his corner to crash at, and my illustrious cousin definitely took home some Williams carbon fibre as a trophy for all his boredom at Albert Park. It was also lovely to have a double date with his partner too, who had flown down in support.

So all in all, this was a weekend to remember. I strengthened the ties between my friends and I at Albert Park, took a lot of amazing photos that focused more on the atmosphere than the cars this time, and overall, just had an amazing weekend where I spent more time with my girlfriend, saw our team win decisively and just soaked up a whole lot of sun.

2024 may still end with Max Verstappen winning the World Championship, such is his incredible form and synergy with the RB20, but it was nice to have a bit of hope for once, in an upset caused by Scuderia Ferrari.

I just pray next year when the boys in red come by again, they are dominating the timesheets and the leaderboard.

~ Damocles.

Anyone But You (2023) – Cinema Review

Y/N? Yes

Director: Will Gluck

Stars: Sydney Sweeney, Glen Powell, Alexandra Shipp, GaTa, Hadley Robinson, Michelle Hurd, Bryan Brown, Rachel Griffiths & Dermot Mulroney.

Review by Damocles.

Short, Sharp, Slick & Sexy … Everything one could ask for in a romcom.

When was the last time a romcom did well? Recently it seems like there is a push from Sony to produce fun B-movies that will return decent profit on relatively cheap budgets. No Hard Feelings with Jennifer Lawrence, now Anyone But You are both raunchy, fun movies that are very clear about what they are.

This isn’t a complicated, Oscar-defining art film that will challenge the way how people view cinema. If anything, Anyone But You is extremely simple, with a focus on setting a romantic, tourist backdrop in Sydney, Australia and the way how the chemistry between two extremely attractive leads sizzle in the foreground of that backdrop.

Sydney Sweeney and Glen Powell shine as the two leads. They are effortlessly charismatic, charming and fun together. It’s hard to not like the two actors who are clearly enjoying their working holiday in Australia. They are having fun, soaking up the gorgeous scenery and the light-hearted nature of the shoot and it’s infectious.

You can’t help but smile and laugh along with them, as they go through their will they, won’t they hijinks. After all, romantic comedies like this are a breath of fresh air. They aren’t pretentious, they just want to make you believe in love again, despite all the obstacles thrown in the characters’ way.

And the plot is exactly that … a series of obstacles, misunderstandings, complicated emotions and eventually the sweet endorphin rush of seeing our main leads share their final kiss on screen. Perhaps because I watched this film with my partner, I enjoyed it even more than I thought I would, but that aside, Anyone But You was genuinely a fun time, despite how predictable it was.

Cinematography wise, the film was essentially a tourism ad for Sydney. The shots throughout the film were showcasing the very best the town had to offer … gorgeous beaches, beautiful skylines, icons like the Opera House, the Harbour Bridge and even nature walks. It made you want to travel there and that is definitely something to commend. It’s obvious that they really wanted to showcase how romantic Sydney is as a location and whilst I am a proud, stubborn Melburnian who will always say Sydney is a shithole, I am still happy to see an Australian location whenever I can.

The shots didn’t really push any artistic limits, but I did appreciate a lot of framing.

Score wise, the film is dominated by one catchy song and at the very least it was used well, to define a character moment than to enforce any scene. It was largely forgettable, typical soap music that is the same across all romcoms.

Costume wise though, I have to commend the stylist, as I really enjoyed seeing all the summer styles that both leads were in. From flowing dresses that Sydney Sweeney wore, to Glen’s slick cream suit, they perfectly suited the hot weather Australia is known for, without sacrificing style.

Overall, this is a movie that is about the two leads. The rest of the characters purely exist to draw out character moments from the leads. They encourage, tease, bully, guilt-trip and grow the characters throughout the entire film constantly. In fact, the whole reason why the two leads even reconcile, is because the brides who invited them to their wedding, wanted them to.

Anyone But You isn’t trying to be something it isn’t. It’s a fun, movie with very attractive people and gorgeous scenery. It’s a rip on Shakespeare’s play, Much Ado About Nothing, and it isn’t trying to reinvent the wheel.

Nor does it have to, because sometimes, it’s not about trying to create something new, it’s about executing something to perfection.

And Anyone But You, nails ell the things we want in a romcom.

Sexy leads, fun side characters, beautiful backdrops, a safe and fun story and mostly importantly … a genuine expression from everyone involved in the film-making process to say to us, as the audience … love is not dead, love is crazy and love always wins.

So if you want a short time but a good time, go check out Anyone But You.

A scene to recall: When Glen Powell’s character, Ben was arguing with his friend along the famous Goerge St in Sydney CBD, right in front of the very pretty Queen Victoria Building. It reminded me of the last time I was there, and I couldn’t help but go in the cinema … “Hey I know that place!”

A Consul’s Record – 22-04-2024

FIT Lvls: BMI 27.4 // 83kgs

Work is not fulfilling and I’m eager to quit.

The past couple of weeks have been taken over by a lot of chaotic issues. Primarily, the chaos around employment … my initial and slow decision to truly get back into job-hunting. It has taken me too long to come to this conclusion that I was not fulfilled by my current job at Messina.

It’s back to that old adage that I have stated so many times on this blog. My brain is rusting away in my job. I haven’t truly found a job that tax my mental capacities to its limit and now it’s back to job hunting.

But at the same time, I’m also looking at things in a new light. Yes, I have a lot of down time, yes, this job isn’t pushing me, but …. I have a lot of breathing room to do things whilst being paid. I can use my working hours to do things that I’ve always wanted to do.

My boss herself, literally told me …. “I know you are not being kept very busy, but live your best life whilst being paid.”

I took that line to heart. Because now, when things are finally stable, my routine is now more manageable and most importantly … I can truly establish and remove the thorn in the side of my desired work-life balance.

What this has resulted in is … a happier relationship with my partner.

More time to exercise.

Less stress in my daily life.

An actual moment in my life where I can wrestle control and truly focus on the things I want to.

It feels so amazing to actually commit to an exercise routine, to know that Mondays, Wednesday and a Weekender is dedicated to physical health. This has in turn alleviated my mental strain and boosted my confidence. I’m now able to actually write, destress with some time set aside for gaming, my hobbies, and actual start reading again.

I’m speaking from a position of privilege. I’m sure thousands of people would love to get paid to do nothing but their interests, so I’m not taking this for granted. This is just a temporary reprieve, a calm moment in time where I can actually focus on me and get paid doing so.

I can take more Fed Square shifts, dedicate hours to reading, tune in to youtube and learn more geopolitics, and destress from everything with a gaming session that helps me reset for the week.

It took me a while to get to this point, but the struggle was worth it. I know I put in a lot of time and effort to get this work-life balance in my favour, and so I’m going to actually sit back and reap the awards while I can.

Sometimes life isn’t all about work and I need to take advantage of this moment to really focus on other things that will make me happy.

This moment reminds me of my yesteryears, where I had so much energy to do all the things I wanted, because I had the time. I could hang out with my friends more, devote myself to a rigorous exercise routine and just develop myself more as a person.

Only this time, I got the love of a girl that I truly adore and she is pushing me just as hard as I am.

Life is good at the moment. There’s no denying that. I’m so much calmer, so much more relaxed and happier. I can do the things I want and get paid.

It truly doesn’t get better than this and for once, on Consul’s Records … I just want to say I’m happy with where I am at.

Yes, things could be better, but right now … I’m cruising and there ain’t nothing wrong with that.

~ Damocles.

The Beekeeper (2024) – Cinema Review

Y/N? Yes.

Director: David Ayer

Stars: Jason Statham, Josh Hutcherson, Emmy Raver-Lampman, & Jeremy Irons

Review by Damocles

The escalation of the plot in this movie … is hilarious and brilliantly evocative of cocaine-fuelled script-writing that ruled the 90s action movies schlock.

To describe the Beekeeper in one word is easy.

Fun.

To describe it in two words is even easier.

Fun & Dumb.

The Beekeeper as a movie, is one of the most aggressive, relentless and stupid films I have ever watched. It is a throwback to the 90s where films just had the most insane scripts and treated it as seriously as possible. Because the only way to actually get the audience onboard is to commit to the joke, take it as seriously as possible and dare to try and pull it off.

And I’m happy to say that the Beekeeper does that extremely well. It never once tries to wink, or act like it is in on the joke that is the script. Instead, it commits in a way that can only be described as the David Ayer style.

To describe the style of David Ayer is a complicated task. On one hand, it’s clear that Ayer has real, genuine knowledge of the streets, due to personal experience. This street knowledge can been seen in every single film Ayer has ever been involved in. He showcases gang violence, corruption, and ordinary people in ways that not many other film directors are able to.

But he always struggle to piece together the overall story. His films are like vignettes, implausibly put together by a tiny plot that struggles with pacing and emotional investment. You catch glimpses of a violent, tragic world, but it’s not quite compelling enough to keep you in your head till the end of the movie.

Bright, End of Watch, Street Kings, Sabotage, Suicide Squad …. these are all gritty crime dramas that never quite breathe beyond the murky, dark lens that Ayer loves to shoot in.

In Ayer’s eyes … the whole world is dark, grimy with truly garish splashes of colour. Think the dark backdrop of Suicide Squad contrasting with Harley Quinn’s bizarre outfit, or in this film, the use of gold colours mixed in with random splashes of purple or red.

If I had to point out the signatures in an Ayer film, it would be bizarre costuming with garish colours, gritty, grimy urban landscapes, and loose characterisations that barely drive protagonists or antagonists forward.

However, in the Beekeeper, all of this actually works. Statham’s character is as simplistic and one dimensional as it gets. He can kick ass, he is on the side of good and he’s out for revenge for an elderly black woman who literally gets about 5 minutes of screen time.

For you see, this movie isn’t really concerned about character development. In fact, it speeds through that, just enough to justify the next insane plot point and why the characters are behaving like they are.

To illustrate that point, the dog which features in John Wick had more screen time and impact than the motivation for Statham’s character, Adam Clay, to go on his killing spree.

It’s that kind of movie and I absolutely adored it.

To continue the John Wick comparison, the world of “Beekeepers” is nowhere near as intriguing as the assassin world of John Wick, but it does serve a different function and that is to keep the insane plot developing even further.

As you are probably aware, it is the Beekeeper’s plot that truly sells the movie. The implausible leaps that this film takes is so ludicrous that it becomes fun. The action too, keeps escalating, with a bizarre escalation of threats that keep getting more zany.

Fellow beekeepers, gangsters, FBI HRT, Tier One operators, Secret Service, crazy cowboy mercenaries …. never once does the movie stop to explain nor further charaterise these villains. They exist solely to up the stakes and be cannon fodder for Clay to beat down.

He is also ridiculously inconsistent with how he kills or incapacitate people. At first, it seems he is above using guns, but by the end of the movie, he’s has no issue with using them.

The rules in this movie are just tossed aside for whatever purpose the plot needs. Much like the side characters, who barely rate any mention. Even the villain, played by Josh Hutcherson, is too boring, bland and obviously a take on Gen Z tropes warrant any interest.

Even when it comes to the rules of film-making, there are several strange goofs that puzzle me. Such as a scene where the background of two characters talking is extremely distracting due to the actions of the extras in the back. Or the colour grading of the film, which veers from ugly dark colours to excessively bright locations with a very obvious yellow tint.

Nothing really stood out visually either. The framing of every shot was relatively bland, the action was serviceable but in a fun, iconic Statham way and the music definitely did not impress either.

While it may seems like I am saying that this film is very vanilla, it is not to the detriment of the film. It’s one of those perfectly serviceable action films with no illusions about what it is. And for that lack of pretension, I actually admire the fact that it knows it fits squarely in the B-action movie category and is unashamed of itself.

Much like those trashy, fun, silly action movies in the 80s, where a man goes on a killing spree, just because he happens to be the right man, in the wrong place and time, the Beekeeper is slotting itself right in that genre with aplomb. Things just keep escalating, and the stakes keep getting higher, and whilst it makes no sense as to how one solitary black woman who took her life due an online scam, led to the conclusion of the movie …. it sure was fun along the way.

Watch this movie with your friends and a couple of drinks, and it promises to be a good time.

A scene to recall: When Adam Clay decided that subtlety was out of the question, walked right up to a squad of FBI HRT operators and just incapacitated them singe-handed, whilst regular FBI agents nearby took no notice of this insane rumble literally metres away until one of these poor cops was slammed on a car.

Honestly …. how did they not notice multiple gunshots, yelling, screaming, punching and kicking …. but as I’ve clearly stated in the review above … these kind of questions are not the ones you should be asking in a movie as dumb as this.

Training for War

Lately, my motivation for fitness has become solely revolved around combat readiness.

Perhaps it’s the constant geopolitical and “gun-tuber” content that constantly updates itself on my social media feed, but there is a niggling concern in the back of my mind about the state of the world.

As a child of refugees, there is always this small anxiety that lives in the lizard part of my brain. It’s the fear of losing everything due to human conflict.

Security. Comfort. Possessions. Home. Friends. Family. Lover. Country.

It happened once to my parents. Why can’t it happen to me too?

In what seems like back to back years, I’ve seen the eruption of warfare in two different regions of the world.

Ukraine & Gaza.

These two conflict zones are indicative of a strong change in the winds of warfare.

Drones rule the battlefield now. Whoever has the ability to command cheap disposable drones and use them to maximum combat effectiveness, now control the area of operations.

From using them in kamikaze attacks, conducting small, immediate searches of dangerous areas, to precise, minute by minute reconnaissance, drones have made the modern battlefield an uglier fight than it already is.

In what seems like a bizarre twist of irony, despite the advances of technology, weapons that were common in World War 1, are now being fielded again to use against drones. Fixed machine guns, rapid shotguns are now being used to take down drones, instead of their ancient counterparts (balloons and biplanes). Those same weapons are also being fielded in the trenches of Ukraine, or the tunnel systems of Gaza.

Warfare it seems has regressed and advanced at the same time. It’s bizarre, fascinating and horrifying to see history repeat itself.

All this knowledge about the state of contemporary warfare has left an undeniable mark on my psyche.

My paranoia about the world has been subtly increased due to all the information I am processing about wars and geopolitical clashes across the world.

This paranoid mindset has created a very dark motivation for me to get fitter and stronger.

For as the man in the photo above is often fond of quoting …. if you don’t get fit, you die.

Being functionally strong isn’t enough though. I need to be able to run long distances, possess good reflexes, sharpen my hand-eye coordination and be able operate my mind in high-stress situations, whilst trusting or overriding my body’s natural reactions.

It is about being as well-rounded a person I can become. Improving everything overall, not just focusing on one element.

That is why I do circuit training. I like to hit everything at once, and really push my limits. I never know when I need to push something, run somewhere, drag an object, climb an obstacle or exceed my mental limits. But the point here, is that I am ready to activate the proper muscles when I need to.

And I push myself even further, because my body weight isn’t enough. Yes, I’m already a heavy individual, but adding on the extra 6kg plate carrier that stimulates the normal weight of plates, is just a small taste of the things I need to do when shit hits the fan (SHTF).

After all, if society does truly collapse, there is no point in me being able to just push myself with nothing on me. No, I need to prepare my body in getting used to extra weight, whether it’d be body armour, the hand of my partner and child, or hauling extra supplies across vast distances.

These are important factors that really stick with me, every time I go out to train now. I’m motivated by a paranoid desire to protect those around me, by being strong enough to take care of myself and them.

To invest in my fitness, is to invest in my survival and future.

Even though, I live in a country that has is far away from anything, a city that is beautifully pristine and a house in a safe neighbourhood, I’m always aware that everything can be stolen from me, because of a bully, a dictator, a psychopath or a truly desperate individual.

And it is those desperate people, that I fear the most, because they are the ones who will do absolutely anything to survive, even if it means walking over my corpse.

Where once I was focused on getting lean and fit for a race-car, the motivation now is about being physically strong with a strong emphasis on stamina.

If there is anything I’ve learned about the men who serve in special forces, is that they all possess a freakish level of endurance and pain tolerance.

They come in all shapes and sizes, tall, short, muscular, skinny, lean or having a bit of survival weight on the belly.

But one thing is true amongst them all … they have an unholy amount of willpower to tough it out in the most extreme conditions. That incredible willpower is boosted by an individual’s operator high level of fitness.

In other words, the fitter, tougher and stronger you are, the more willpower you can put aside for when things get really shit.

It’s a performance booster.

Where once, when you were not the fittest, you could only push to a certain limit, now, at the height of your physical prowess, you can exceed and outpace that previous limitation.

This is why most of my exercise lately have been revolving around circuits. I don’t just do the exercise in isolation anymore. Instead I combine them, so I never quite get a rest.

Jump Rope for 2 minutes

x20 Bench Dips

x20 Incline Push Ups

Dead Hang for 1 minute

x5 Chest Dips

x20 Incline Sit Ups

x20 Squats (Bodyweight)

Run 500 metres.

Rinse and repeat for a total of x5 circuits.

Cardio, strength, core and stamina. They are all targeted ferociously in my workout, and I do my utmost to keep all these exercise within a 10 minute window.

The part I hate the most, is the run. It’s uphill, and never fails to rob me of my breath after all the exercises I’ve done before.

But running is the most crucial skill I need to learn. Running will help me run away from drones, artillery, and anything else I need to face in a modern war. Running will keep me alive to fight another day. Running will let me see my family again.

This is why I always throw it in and the distance will continue to grow in the coming months. Soon, it won’t be 500 metres up a hill once, it will be 1 kilometre up a hill twice.

Because there is no point in staying stagnant. If I want to be fighting fit for a war, I need to destroy my personal limits and reach deep for something truly inhuman inside of me.

That is the only way I can protect my partner, my family and my friends.

This motivation to get fit has never felt so sustaining. It’s such a deeply personal reason, that it marries both the caveman brain inside of me and the rational mind that is living in the 21st century.

And nothing will frighten me more to get fit, than the thought of losing everything I hold dear.

To make the record clear, I’m not doing all of this training to fight a war in another foreign land.

I’ve made peace with the fact that I’m too old to enlist, and the fact that I’ve never felt comfortable fighting people who have never done me wrong personally, on behalf of a government who never really had my best interest at heart.

I will never pick up a gun to get into a fight that isn’t on my home soil. If someone comes here, to my home, then I will fight with everything I have.

But to fight overseas and potentially die there, isn’t and will never be on the cards for me.

I’ve got my own home to protect, as do the supposed foreign enemies of the “state.”

No, I’m getting fit, getting strong, getting tough for my own selfish reasons.

I’m here to protect what I have, and that’s all that matters to me.

Life can be simple when we want it to be, and I’ve decided to cast aside all the useless factors that used to cloud my thinking.

The mantra is simple:

Get fit, to protect yourself and those who you holds dear.

That’s the mission. That’s the motivation.

That’s the endgame.

So let’s get strong for those around us. They’re depending on you to do your part.

~ Damocles.