Noir [3/7] (Fiction)

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Eveline Winston looked at her rear-view mirror and pressed her lips together. 

The crimson stained her lips and turned the natural pout into a more sensual gloss.

Sighing, she looked over at her outfit, the same uniform that she was wearing yesterday, the only difference being the dark grey turtleneck she was sporting underneath her coat.

Touching her neck, Eveline ignored the tired look in her blue eyes, before flicking back her onyx hair and opening the door to her BMW sedan.

Opening the latch to the small fence at Alex’s house, Eveline saw that the door was open and she slowly creaked it open, knocking as she did so.

“Alex?” she half yelled to the empty house.

As she moved to take off her shoes, before venturing further, she looked down and saw a thin trail of blood.

Fear blossomed rapidly in her mind and Eveline found herself morbidly curious as she followed the trail into Alex’s kitchen.

~ Earlier

Alex was sitting in his office, entranced and desperate to see whether the CCTV footage would reveal anything of use.

Looking down at the program, he noted that he was only an hour and a half in. He had already poured through the damning excel spreadsheet, his mind abuzz with Joel’s ingenuity and the prospect of a proper Maltese Falcon hunt. Excitement was rampant and Alex could not believe he had scored such a case.

Alex, as he stared at the video, noted the hour and time when a garbage truck arrived in frame and two men began to go about their business, their actions looking small and decisive as they threw bag after bag into the back.

Looking down at his note pad, Alex placed down a question mark regarding the number plate. If he could pull the plate off the truck, there was a good chance he could track down the route and work out where this footage was taken.

However, it was around the 2 hour and 45 minute mark, that Alex finally found why Joel had kept this footage.

It was his alibi to the current crime he was accused of. However the only problem was … it showed Joel doing something else that would raise a lot more questions, and thus lead to the discovery of the elusive Maltese Falcon gambit that now everyone was looking for.

Joel, casually dressed in a polo and slacks, had pulled up in his gold Renault Megane and gotten out, his hands grasping a rolled cylinder. Opposite him, unseen off screen, another car’s lights were extinguished and a man stepped out, large and muscular, dressed impeccably in a suit and overcoat.

The two were seen animatedly talking, Joel using many hand gestures and casually waving the large cylindrical roll in his hand. The muscular stranger was much more tense, his body language still and taunt, hands buried deep in his pockets, his face overcast by the night shadows of buildings.

Alex, wishing he could hear what was going on, paid close attention to the proceedings and the damning date, time, camera type information in the corner of the screen.

The conversation, went on for a full 3 minutes, Joel gesticulating and placating, the stranger menacing and frozen. Joel, exasperated, made a fruitless gesture with his hands, before shouldering the cylinder and walking away.

The stranger stared at Joel’s retreating Renault, before taking out a phone and making a brief 30 second call and then spinning around to his car off-screen.

Alex looked at the time and his emerald pupils widened at the implications it did to his mental timeline.

They widened further still, when he heard a knock at the door.

Alex, assuming it was Eveline got up and opened the door.

The door swung inward violently, breaking Alex’s nose.

Instantly disoriented and stumbling backwards, Alex barely felt the hand that grasped his shirt and register the second blow, which cracked into his cheek and sent him tumbling to the floor.

A boot came and smashed into his abdomen. Alex would have vomited, but there was nothing to give in his wretchedly empty stomach.

Dazed and in more agony than he could remember, black gloved hands lifted him up from under his armpits and Alex could see the yellowed wooden floor of his house lift away from him, in a bizarre surreal experience, as he experienced weightlessness, his feet dragging along the floorboards.

He felt his arms being strapped to a chair in his kitchen, the ripping sound of duct tape burning across his hands and wrists, the sensation followed by a resounding slap across his other cheek that knocked him back into a painful reality instead of a haze of stars.

The two men that stared at him, looked liked modern gangster gentlemen. Both had professional, cold miens that showed, despite their youth, they were confident and experienced at their jobs.

Undercut haircuts, three-piece suits and tattoos that sneaked past their expensive watches and cuff-links, indicated that these men weren’t your average run-of-the-mill street gangsters.

They were adept and proficient. Apex predators that had risen up the food chain and were now in command of everything … sartorially and criminality. They viewed Alex as a means to an end. Nothing more. Nothing less. Nothing personal mate. It’s just pure business.

On Alex’s end, his mind was furiously berating him for not spotting these two men who were most likely watching Joel McNamara’s house. His paranoia was only going to be ratcheted up further by this incident.

“Alex Ryder. Private Investigator.” stated the professional with a flat cap on his shaven head, his tone hinting at derision.

“It’s a cool name innit?” inflected the professional whose Liverpool accent came thick, strong and proud.

“Not bad at all. Myself, I would have gone with Private Detective. But, I’m old fashioned that way.” critiqued Flat Cap.

“Aaah well. Either way, little cunts like you always end up running into guys like us. Nosy little buggers aren’t you?” smiled Liverpool.

“Ain’t that the truth” intoned Flat Cap.

“Look mate, between you and me? I’m not really into this sort of stuff. Myself? I’m more a whiskey and cigar man. These hands?” Liverpool smacked his right tattooed knuckles into the palm of his left.

“They prefer to cut the tips off Cubans, not widdle fingers like yours, eh?

Flat Cap punctuated Liverpool’s speech with a dry and bored statement “So give us what you found.”

“And any notes you might have made yeah? We really prefer not to have this sort of shit whizzing around the suburb.”

Alex coughed and tasted the metallic tang of his own blood. Defiance still glittered behind his emerald eyes, as his mind raced to salvage the situation.

“Look mate” said Liverpool gently, “We’re professionals you and I. Just give us what we want, and we’ll be on our way, like the darkness before dawn. We’re not gonna hurt ya. You don’t have to say nuthin if you prefer it. Just point, and we’ll take care of it for you. Easy as that sunshine.”

“By Order of the Peaky Fookin Blinders and all that rubbish” said Flat Cap with amusement.

Alex, stared at these two men, confused and wondering what the hell they meant, by Peaky Blinders, until it clicked that it was a pop culture reference.

“Mate, you’ve confused the bloke by that last statement” despaired Liverpool.

“Sorry mate. Thought it was a cool line to say.” demurred Flat Cap.

“Come on man, a bit of professionalism here.” tutted Liverpool.

Flat Cap raised his hands in a placatory manner.

“Right, so Mr Ryder. Where is it?”

Alex, feigning defeat, nodded to the study and Flat Cap went inside. Alex hid a smile,  remembering that he religiously backed up the files on his personal google account whenever and wherever he could. Everything he worked on was always on the cloud. Even the CCTV footage and the Excel spreadsheet.

To his regret though, the laptop was probably going to be lost forever. Just another financial loss that he would have to live with. Perks of the job.

Flat Cap came out with the laptop and the notes that Alex had written down about the case. Thankfully the manilla folder that Eveline had given him was hidden in a hollowed desk drawer and he couldn’t see it in Flat Cap’s hand.

“Anything else?” said Liverpool to Flat Cap.

“Unlikely. His office is more sparse than a monastery.”

“Well, Mr Ryder, this is your first and final warning. Please don’t go peeking about again yeah? If you do, you’ll probably run into us again. I hate being a proper twat about it, but this is our job yeah? Here, as a gesture of good will, I’ll reset your nose.”

Liverpool grabbed Alex’s nose and with a sickening crunch, slammed it back into its proper place. Tears sprung to Alex’s green eyes and he kept the groan that was coming up, down in his throat.

“Next time, I’m afraid we won’t be so judicious OK? So please mate, for your own sake, just stay out of this.”

Liverpool placed a placating gentle glove hand on Alex’s shoulder and patted him gently.

“It’s only business mate. Perks of the job yeah?”

Alex nodded and agreed. “Perks of the job. Right.”

“Attaboy. I knew he would understand. Well, these tapes should loosen up soon, so keep struggling lad.”

Liverpool and Flat Cap gave Alex mock salutes and silently exited the house as suddenly as they came in.

Alex could only watch them go and wriggle uselessly against the duct tape.

“Shit” muttered Alex before he cynically decided that there wasn’t much point to struggling. After all, Eveline said she would be coming soon. So Alex allowed his head hang down, and took a nap.

It felt like ages later, but when he woke up, he saw Eveline staring at him, and her arm shaking him violently awake. He glanced at the elegant silver TAG Heuer watch on her arm and noted that he had only been sleeping for 25 minutes.

“Oh my god Alex. Are you OK? What happened? Who did this to you?” rushed Eveline as she checked over him, her hands running over his face and body.

“First things first. Can you get a knife and cut me loose first?”  said Alex, exasperatedly.

“Right. Sorry.” Walking over to the kitchen, Eveline pulled out the first knife she found in the knife slots, and cut Alex loose, who gasped as blood rushed back into his hands, pinpricks of pain erupting all over his nerves.

Eveline watched as Alex tore off strips of duct tape from his wrists and winced as he took a glass of water and rinsed the blood out of his mouth, the pain evident on his face.

Alex looked at her and shrugged. “This comes with a lot of jobs. I’ll explain everything soon. You got a laptop? They took mine.”

Eveline nodded and went back to her car, and took out her work laptop.

Powering it up, in Alex’s office, she listened as Alex explained what happened, why he was tied up and what he found in Joel’s house.

“And so that’s the basics. Did you know anything about where Joel was on the night of the murder?”

Eveline thought back to the case and replied “He said he had an alibi. That it was impossible to link him to the murder case, because he was somewhere else at the time. Joel even mentioned that he think he could get evidence that he wasn’t there, the night that Candice died.”

“Do you know what time Candice died?”

“It was 8.10pm. Reports stated she died with 4 stab wounds in her abdomen. The knife that was used apparently corresponded to the ones in Joel’s kitchen.”

Alex frowned and checked the virtual gallery he took. Sure enough, there was an empty slot in the knife holder on the bench.

Angered that he had missed it, Alex stayed silent for a moment.

Eveline, with a hint of nervousness in her voice, asked “What did you want to show me? Why did you need my laptop?”

Alex, still angered missed the tone. “When I was searching Joel’s house, I found something. It was in my laptop, but I backed it up on my google drive. It was an SD card with just 2 files on them. An excel spreadsheet and CCTV footage. I’ll show you the footage first, because that is what proves Joel’s innocence. He was meeting someone the same night that, the prostitute Candice died.”

“Which reminds me, what’s so special about Candice?” queried Alex.

“She was his favourite.” replied Eveline with a strange quick dismissiveness.

“Do you know which brothel she belonged to?”

“The Pink Palace.”

Alex raised an eyebrow and made a note on his phone.

“OK, well, here …” Alex spun the laptop around to the point where Joel was wielding the cylindrical sphere and he frowned when he saw Eveline gasp at the footage.

He waited for her to finish, and crossed his arms before asking her direct.

“What do you know about the Cezanne?”

Eveline looked down.

“Enough” she said softly.

“I don’t need to show you the excel spreadsheet do I? Joel already told you about it all already.”

“What excel spreadsheet?” asked Eveline confused.

“It’s the blueprint to the Ashmolean Job.” said Alex with a smile on his face. “I didn’t know I was chasing an art thief. It’s very bizarre that he kept this kind of evidence. But then, it was his greatest job. A proper turn of the century heist.”

“But what I can’t figure …” said Alex wonderingly, “is where you fit in all of this, Eveline. What’s your real relationship to Joel? If that is, of course, his real name.”

Eveline stayed silent. Alex, stared at her, questioning why all the sudden, he was feeling more and more attracted to this sad woman in front of him, her hands in her lap, tears streaming down her cheeks.

Damn it thought Alex. Every time. 

He stood up, grabbed his peacoat and placed it over her shoulders.

He sat on the desk in front of her, his face close.

“Tell me the truth Eveline. I can’t help you, if you don’t.”

Eveline sighed and looked up at Alex. His green eyes piercing through hers.

“I don’t know his full name. He just goes by Francois.”

Eveline’s voice became softer as memory grew stronger.

“I met him a year ago through a mutual girlfriend. I had just gotten out of a 5 year relationship and was desperate for something new …”

“At first, he was shy and awkward, but once I got to know him a bit better, he showed me that was all an act. The real Francois, is genuinely confident and smart. He’s … everything a European man is meant to be.”

Alex’s eyes narrowed in slight jealousy.

Eveline gave a bitter laugh. “He promised me a lot. Some he delivered. A lot he didn’t. But on our first holiday together to Europe, he showed me the Ashmolean Museum in Oxford and made jokes about the security of the place. I remember being so confused as to how much he knew about the place. So later that night, I googled it and put two and two together.”

“Did you confront him straight away?” interjected Alex.

“No” replied Eveline. “I knew I had this on him now. I wanted to save this for the right moment.”

Alex scoffed to himself. “What a lawyer you are.”

“I’m a good one” shot back Eveline. “I didn’t work my way out of a shithole for nothing. You don’t know what I’ve been through to make it to where I am now.”

Alex raised his hands in an act of surrender to calm her down and concede the point.

“Anyway, you would have done the same.” said Eveline defensively. “Francois opened a new world for me. There was no way I would have shut it down early. I had everything I wanted for the first time in my life. I didn’t care he was an art thief. I just wanted him to love me.”

Alex looked around at his sparse house, the lack of trappings and decor and privately agreed. He would have done the same. Living on the edge of ruin wasn’t a lifestyle, it was a cycle that never ended.

To break free of that cycle would be liberating.

“Anyway, about a month ago, he came to me, telling me about a mercenary that knew about his past. Francois desperately needed money and he only had the Cezanne left. The mercenary offered him 11 million. Francois agonised over it for days. He really didn’t want to part with the painting.”

“Did you know who the mercenary is?” asked Alex slightly urgently.

“Francois never told me.” said Eveline. “He just said that somehow the mercenary tracked him down somehow and that if Francois didn’t do as he was told, he would kill someone close to him.”

“When Francois heard about that, he told me to go into hiding. So I went to Brisbane to stay for a while with my aunt before coming back. But when I did, Francois had disappeared and his case actually turned up at my legal department. He was contacting us remotely, saying that he did not kill Candice, the prostitute he must have been seeing behind my back.”

Eveline said with hatred “I didn’t know about Candice of course, but …”

“You were too far in.” said Alex quietly.

Eveline nodded. “What Francois did, doesn’t matter anymore. All that matters is that Cezanne. So I investigated the case for a week. But I couldn’t find anything.”

“And that brings you to my doorstep, promising money you don’t have.” said Alex amused.

Eveline looked up at Alex. The feminine sapphires locked into the masculine emeralds with a strange intensity.

“You need to help me find it Alex. If we find the painting, then we can both be free.” Eveline grasped Alex hands imploringly. “I promise you, if we find the painting, then the money will allow us to disappear. We won’t have to worry about anything.”

Alex felt his resolve weakening. His paranoia screamed at him, but he cast it aside. He wanted to feel liberated. He needed a break from the prison he had created for himself.

Alex searched for words to answer Eveline’s pleas. “OK. Let’s find this Cezanne.”

Eveline gasped and hugged him, her arms tight around him. Alex’s mind flashed an image of a pen signing another contract, in servitude to this beautiful, desperate lawyer.

“Thank you Alex.” she whispered.

Then, in a moment of desperate spontaneity, she kissed him.

Alex, reeling from the recent injuries, emotions and revelations, pushed her back momentarily. Looking at the half closed eyes, the sensual lips and the glistening tracks that her tears left down her cheeks, Alex gave in and pulled her close.

They scrabbled at each other, tearing clothes off in a frantic bid to release something that they both held tight within.

Author’s Note

At 3088 words, this is the longest chapter I’ve written. This was done, because I needed to follow the structure I’ve written for myself, as well as believably build up to the final climax of this chapter (pun fully intended).

In particular, this is Eveline’s chapter. I wanted to flesh her out as a character, to give her motivation and go beyond the cool, cold professional that I originally set her out to be.

She had to be vulnerable, yet manipulative, as per the femme fatale style that she always was meant to inhabit in this narrative. For those fans of film noir if you read a bit deeper into her actions and words, it should all be familiar tropes.

I was going to delve deeper into writing a proper sex scene, but I liked how I ended it too much, so I decided to scrap it, in service to the story.

Part 4 will be coming soon.

~ Damocles.

Noir [2/7] (Fiction)

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Alex stared out of the 96 tram, the smooth electric light train cresting a small hill to reveal the beach and the iconic ivory St Kilda Sea Baths building.

It was the day after he had received the investigative case from Eveline Winston, the lawyer who he suspected was in love with her client.

But such qualms were not any of his business. So instead of pondering further, Alex spent the entire night reading and rereading the dossier that she had given him, memorising the details and feeling the old excitement of a new job slowly take over his thoughts.

It was so infectious, that Alex ended up only getting 2 hours of sleep, before jerking awake and taking a quick warm shower and walking to the tram stop to change onto the 96 at 4am in the morning.

In the early hours of the morning, St Kilda was a sleepy and lonely place, with morning mist rolling in and grey clouds adding to the strange surreal atmosphere. Beaches were emptied, with only a few early risers walking their dogs along the footpaths of the beach, their thoughts wrapped in woolly beanies and puffer jackets, little puffs of breaths fighting to escape the chilly air.

Even on board the tram, the vibe was quiet and still, Alex leaning his head against the glass, mirroring the forlorn look the other 5 passengers had.

Deciding to stop by the McDonalds for a quick brekkie, Alex got off a stop earlier, atop the hill and looked around, admiring the Esplanade, the huge mouth that was Luna Park and the classic art-deco exterior of the Palais Theatre.

Checking behind him, to ensure no other lawyers would ask him for business, Alex crossed the empty road and along the lawn, remembering the childhood dreams he had of owning one of these beach apartments when his parents used to take him here often.

After making a quick stop to grab a couple of Hash Browns, Alex left the McDonalds and continued his way deeper into St Kilda, towards the true heart of the suburb, the strip at the end of the Esplanade.

Dressed the way he was, with his all black outfit; peacoat, chinos and dress shoes, Alex might have looked out of place in other parts of Australia, but in Melbourne, such was the norm; overdressing for the beach.

Victoria … the only state where the beach is an optional extra to the Australian lifestyle.

Alex wandered slowly past the bakeries that sold fresh Turkish delights and baklava, the thrift stores that had discount retro hippy clothes and the cafes that were slowly opening up for brunch. He peered into shops and made mental notes about everything and nothing, as he slowly ambled his way down the street, familiarising himself with the lay of the land.

By the time he reached the end of the street, the time was nearly 7am. The morning dew and mist was beginning to clear, and people were beginning to awaken and start their daily routine.

Alex, deciding he had enough acclimatisation, began to pick up his pace and start for the address of Joel McNamara, the missing innocent man.

Located only a few blocks away from the heart of St Kilda, Joel’s house was a handsome affair down Foster Avenue. With its handsome limestone exterior, the home was accompanied by a small palm tree that stood guard on the front lawn. A single-storey affair, it reflected the beach vibes that was prevalent across the entire block, and after picking the lock, Alex discovered the interior was equally affluent.

A strong French motif was prevalent across all the interior design choices. Joel was clearly a Francophile, with multiple tri-colour themed decor and mugs. Taking the centrepiece was a large model of the Palace of Versailles on a coffee table.

Alex found himself, remarkably confused and impressed. On the wall, were several Monaco Grand Prix inspired posters, the eye-catching use of colour and fast cars adding more talking points about the living room.

Treading carefully through the living space, Alex slipped on cheap latex gloves and began to examine the L-shaped couch that framed the Palace of Versailles. Noting there were no rise or indentation in the soft rich leather, Alex moved to the kitchen. The sink was meticulously clean, with all the dishes placed away and even a layer of dust on the metal basin itself.

With the obvious hot-spots not providing dividends, Alex decided it was time to move to the bedroom.

Cracking open the door, Alex frowned when he saw the state of the bedroom.

It was ransacked.

Clothes were strewn everywhere, from coats to shirts to pyjamas. Underwear was heaped over the side table, a post-modern lamp thrown casually on the floor, the cable reaching desperately behind it to the socket. The double sized mattress was flipped off its bed-frame and was leaning against the wall.

The wall was open, the large mirrored sliding door agape, revealing a cavernous wardrobe that had all of its content on the floor or haphazardly strewn against one another on the hanger.

Alex was standing in the only clean corner of the room, with the only other relatively intact item being a life-sized replica of the Venus de Milo, a pair of grey and white Calvin Klein underwear over her head, leaning provocatively opposite to him.

Alex stared at the room, trying to deconstruct the mess and piece together what the room might have looked like before it was ransacked.

The bed was central and against the wall, with the large mirrored wardrobe opposite, next to Alex and the Venus. When the ransacker had come in, they had flipped the bed first, assuming whatever it was that Joel was hiding, was under there. Once it was obvious nothing much was there except mothballs, the ransacker had torn through the wardrobe and probably left empty handed.

Alex wondered whether any other room was trashed. He stepped out and saw that the house had one extra room, the study, in which a large ornate mahogany desk had its drawers opened, but was relatively undisturbed. None of the books on the shelves were on the floor, and things were ruffled but still neat.

Confused, Alex walked back into the bedroom, thought hard and long for a good few minutes, before smiling.

Walking over to the Venus, he flicked off the underwear and looked at her, admiring for a few seconds the workmanship of the sculptor that did such good work for a replica.

Running his hand over the marble, Alex found what he was looking for.

A switch, in the area just beneath her navel, and beautifully disguised as part of her robes.

The Venus statue’s knee popped open.

On a very small tray, was a SD card.

Alex peered at it and frowned at the myriad of questions it raised. Pocketing the SD card in his coat, Alex closed the tray and waited for the responding click before walking out, leaving everything as exactly as he had found it.

As he stepped into the hallway, he took out his phone and began snapping photos. He had just finished collating a gallery on the living room, when he saw a strange clue tucked to the side of the couch, in the corner of the room.

Walking over, he found a red brasserie. Checking the label, he noted the Agent Provocateur label and the bust size. Taking a photo of the bra, he placed it gently back where he found it and continued his work, doing his best to stop his wandering mind from delving further into possibilities and suspicions.

A half hour later, satisfied with the gallery he had built in his phone, Alex walked back out the same way he came in, quietly and unobtrusively, another voyeur capturing the essence of a person without their knowledge.

As Alex waited for the 96 tram to take him back to the city, he pulled out the business card that Eveline had left in the dossier, and punched in the numbers.

Eveline’s cool, professional voice came through after the second ring.

“Eveline Winston speaking.”

“It’s Alex.”

“Alex. Why did you call me?” queried Eveline coldly

“I paid a visit to Joel’s place. Found something of interest there. Care to meet me at my office?”

“You what?” Eveline asked incredulously. “What did you find?”

Alex milked the moment for a second unnecessarily. “Just meet at my office.”

“I’m tied up at work. But I’ll come straight away when I’m free.”

“OK.” stated Alex bluntly, before hanging up.

Alex spent the tram ride home, looking through the pictures he had taken on his phone, combing through the house, recreating a virtual tour in his mind and realising a little too late, that he hadn’t check whether Joel had owned a car. He flicked over to the front of the house photos and noted, there was nothing in the driveway.

Wherever Joel was, he had taken his car with him. Recalling the details of the dossier, Alex knew that Joel owned a bright honey gold Renault Megane hatchback, with the registration number being 9KM 78L. Thinking back, Alex knew that he hadn’t seen any such vehicles along the road either whilst walking there.

The ransacking would have taken place between the period when Joel went missing, so within 2 weeks. Alex patted his peacoat’s pocket to reassure himself that the SD card he had found was still there.

Back at home, Alex turned on his laptop and glanced at his cheap watch. There was still a good 2 hours before Eveline could arrive at his house. Plugging in the SD card, Alex felt a brief moment of panic about password protection, when to his relief, the files aboard could be opened without any security.

To his surprise, there were only 2 files onboard the card.

The first, was a long CCTV footage reel, that went for 4 hours. Black and white, with heavy grain, the camera was locked to the back entrance of some restaurant, showcasing dumpster bins, and staff cars. It was largely still footage, with the occasional movement of staff throwing things in the bin, and curious feral animals wandering around.

Alex stared at the grainy footage, for the first half hour, trying to figure out why this footage was on the SD card, and where this could be, before restoring it into a small window, and leaving it aside for him to occasionally peer at while he looked at the next file.

The second was an excel spreadsheet, that when Alex looked at it, seemed to be encrypted. Numbers,symbols and letters were juxtaposed, smashed and joined together in seemingly random combination with each cell seemingly more incoherent than the next.

However, when he looked at it closer, he noted that there was a full stop at the end of each row. Indicating some kind of sentence that could be made.

There were 4 of these sentences, of varying length, at the top of the excel sheet, and then when he scrolled further down, a large block of white empty cells appeared, accompanied by a caption that ended with an exclamation mark.

Alex stared at the sheet before flicking over to the next 3 sheets, which to his shock, was un-encrypted and instead displayed details of a heist. Names of associates with their contact numbers,

“Joel, Joel, Joel. What the hell were you up to?” asked Alex to the air.

Author’s Note: 

Part 2 of 7 part series, proved to be a much smoother write for me, now that I’ve established some basic rules about the world I am building. I’ve made a couple of basic character traits for each of the main players, and I admit, I am now starting to fall in love with the world I’ve built.

It probably also helped that I am assisted by some excellent dark/noir jazz playlists on Youtube that provide par excellence ambience for me to write.

Part 3 will be coming very soon. Hopefully later today.

Please note that a recurring theme will be exploring a new part of Victoria in each part of the series.

~ Damocles.

Noir [1/7] Fiction)

North Melbourne

The Private Investigator cradled his precious cargo on his lap as the green and white tram rattled along the wet road.

Hot, warm, protein and carbs heavy, the cheap Chinese meal was a luxury that his bank protested. But the P.I. was sick of living off board-like pasta and failed disasters in his kitchen. 

He needed this meal, like an addict needed his fix. It would keep him sane enough to function for a few more days, before he would relapse again. To hell with financial consequences when there were a lot more pressing matters at hand like his growling stomach. 

The P.I. was readjusting the meal on his lap, finding a spot where it wouldn’t burn him, when a woman sat next to him. 

He shuffled inwards towards the window, the Melbournian in him eager to get away and establish some personal space.  

Briefly checking her over, he noted the expensive cut of her coat, the thigh high boots that were slightly splattered by rain and the heady scent of her perfume. 

The face was angular, with sharp cheekbones, gaunt cheeks and heavy kohl applied across her piercing blue eyes. Dark raven hair cascaded down her long neck and buried itself deep into the collar of her coat. 

Blocking out the attraction that stirred his heart, the P.I. turned up the music on his phone and looked out the window, the jazz accompanying the rain drops that splattered the glass and casting the world in hues of blurry grey. 

The rhythm of the tram’s movement was sleep-inducing, the slow acceleration that would briefly propel the wheels, creating a soothing mechanical cacophony that dulled the senses. 

Then a bell would chime, as one of the weary, cold and self-occupied passengers would pull the string that ran along the upper handrail and indicate their stop was next. 

The tram driver would gently apply the brakes, letting the tram slow to a strangely abrupt stop that would make everyone lurch forward a little. The doors would issue their strange rattle and vibrate as they shook open in their hinges and passengers would shuffle off and more would waddle on, their faces a similar moue of quiet isolation to everyone else. 

Occasionally the P.I. would hear a muffled curse, as a passenger door refused to open, courtesy of an older model tram, and the driver would begrudgingly unlock the door to his cabin, straggle down to the door, undo a latch and force it open with a twist of a key. 

The P.I. ignored most of this, a familiar routine on the 59 Airport West route, and instead watched the suburban landscape roll past, the classic houses with their brick roofs and square windows slowly being encroached by tall eucalyptus trees and vines that crept ever upwards. 

As the tram climbed the hill, the P.I. sensed, rather than felt, the woman next to him, begin to shift a little uneasily. He looked at her out of the corner of his eye, and deduced that this tram ride was alien to her. She was peering out his window more, checking the number of the stop, and slowly counting down. 

To his concern, as the 59 tram slowly came to a stop, near the Church where it would turn past the Royal Children Hospital, it seemed like she was getting off at the same stop as he was. 

The P.I., suspicious and paranoid, decided that he would get off one stop early, even if it risked getting his precious dinner cold.

The tram rattled onwards, oblivious to the tension that was being ratcheted inside of it. 

As it serenely passed another tram, a long number 57 to Flinders Street Station, emblazoned with advertisements for a new Marvel film, the P.I. saw the iconic highway that stretched overhead, it’s circular frame illuminated by thousands of LED lights that shone red and yellow.

As the lights passed over his head, he wondered whether he was being overly paranoid. The woman might just be lost. She might not have any relation to him. Hell, he should ask her, where she was going. Be polite and offer her guidance.

But the P.I. did none of those things. He had been burned too many times now, to afford to make any mistakes.

The amber and crimson glow awashed over both of them and he waited for the tram to roll to a stop at the Flemington Community Centre, near Debney’s Park. 

Getting off a stop early, but knowing that he could cut through the park and make it to his small home on Princes St Street, the P.I. waited for traffic to pass, before running through and jumping the low fence that separated the park and the footpath.

He instantly regretted it, as the grass turned to slush and mud under his foot, and began to kick up flecks of mud on his pants. Scowling at the laundry disaster that awaited him, he kept running anyway, his dress shoes squelching with every step. 

The rain only grew stronger, as a wind berated him for being outdoor and paranoid, nearly sweeping the dinner out of his hands. But he held on tight and was grateful when his feet finally hit pavement.

Rushing up High Street that adjoined his home’s street, he took out his house keys from his peacoat and ran left of the first roundabout, trying to ignore the sensation of water running down his neck, as the rain intensified. 

Undoing the latch at his small red and white picket fence, he held the dinner plastic bag between his teeth as he ducked under overgrown trees and opened the door, before setting down the bag on the hall-table and starting to shrug out of his wet shoes. 

Kicking them off, he stripped off the wet black chinos he had on and threw it in a washing machine, before wriggling out of his peacoat and dress shirt.

Now nearly naked, he grabbed a towel and began to dry his hair, before slipping on a fresh polo shirt and chinos and addressing his dinner.

He kept a paranoid eye on his front door, afraid that, at any second, the woman would come through and ruin his life with her problems.

Plating the combination noodles, he had just gotten through 4 bites, when he heard the dreaded bell at the front door ring.

The P.I. looked forlornly at his dinner, the habit that kept him sane every week, and sighed, before pushing it aside and walking to the front door.

There, standing in the doorway of his home, with an umbrella over her dark hair, was the woman from the tram.

Her eyes widened in shock, as she recognised him. He was the man sitting next to her on the tram, who kept glancing over at her in suspicion. The gaunt guy who, in another lifetime, would be considered handsome, but instead was unhealthily skinny and tired, his sharp cheekbones a knife’s edge across his face and his thin mouth more of a slash than anything attractive.

But despite his emaciated appearance, the emerald eyes were still alert, sharp and intelligent. They pierced hers like a spotlight shining on a stage.   

The P.I. on his part, acted as if all his dreams were turning into boring hellish realities, and motioned her in.

“How did you … I’m sorry, I …” she started, confused and surprised.

“It’s OK. My name is Alex. Come on in to my office.”

The woman nodded silently, and placed her umbrella off to the side of the door, and began to take off her shoes. 

Alex nodding, walked through the tiny hallway that led to his kitchen at the rear and instead opened a door off to the right, which had a tiny study room.

Bare and clean, with a simple desk, notepads and a laptop, the office was Alex’s domain, where he ran his P.I.’s business, a venture that had seen very little clients.

The jobs were scarce, but there was just enough money to ensure that bills were paid.

It was fortunate that the house was already paid off. If it weren’t for that happenstance, he would be homeless.

Pulling out a chair for the woman, Alex sat down on the other side of the desk and powered up the laptop and arranged the notepad. He turned on the nearby CD player, and inserted a custom CD that had mellow songs to induce better memory recall.

Whether it worked, was up to debate, but it was a tip given to him by a friend who was no longer around, and he was doing it out of habit and remembrance now.

The woman from the tram peered around the door and sat down gratefully when Alex gestured.

Sparing one last thought for his Chinese dinner, Alex pushed the regret away and looked attentively at the attractive woman who, in the span of less than 20 minutes had steered his life in another direction. 

“So, what’s your name?” started Alex. 

“I’m Eveline Winston. I work as a lawyer at the local magistrate court. I need your help with a case of mine. “

“A lawyer huh?” said Alex dismissively. “Don’t you guys usually have your own in-house investigators for these sort of situations?”

“We do, but this case is … different.” replied Eveline coolly. 

Alex raised an eyebrow and raised his pen in anticipation. 

“My client has gone missing. He’s been away for 2 weeks and we suspect he’s on the run. But the evidence all suggest that he’s innocent of the crime he’s supposedly guilty of. So we’re not sure why he’s disappeared.”

“I’m going to need a name Ms Winston.”

“Call me Eveline. I’ll give you the name once you agreed.”

Eveline reaches into her coat and hands him a piece of paper. 

Alex, looking down at it, scans it quickly and finds his heart racing a bit quicker. It’s a sizeable amount of money. At least 9 months worth of bills paid off here. He could eat out more often. Afford better clothes. Live like a person with a stable income. 

But the fine print says a voice in Alex’s head. Reading further, Alex isn’t allowed to market this case if things go well. He’ll have to make this case a first priority. 

At first, Alex refuses to accept the job. He hates conditions and stipulations and strings attached to a job. And there are many on this contract. But … he was poor and when would be the next time he would see this amount ever again? 

Alex gritted his teeth and took out a pen and signed the dotted line on the bottom. To hell with financial consequences. He also provided the bank details for his account. 

Handing it back, he watched as Eveline kept the carbon copy and handed him back the original. 

“Thank you, Alex. Here, this is my dossier on the case. Read through this and it’ll explain everything.” Eveline passed him a manilla folder and made to get up. 

“Hold on”, said Alex, raising his hand in a stop gesture, “I want to hear it from you first.”

Eveline sigh. She’s a busy woman. She would rather be elsewhere than here, in a stranger’s office. But Alex’s green eyes compel her to stay. 

“Fine. What do you want to know?” said Eveline with exasperation. 

“Tell me your client’s name. I also want his stats. The usual like, height, weight, eye colour, hair colour.”

“It’s all in the bio I gave you.” said Eveline coldly. 

“I want to hear it from you. You’re a lawyer aren’t you? Surely your memory is as good as they say.”

Eveline rolls her eyes and recites mechanically “His name is Joel McNamara. He is 176cm tall, with blue eyes and sandy coloured hair. He weighs around 80 kilograms and his main distinguishing feature are a pair of winged tattoos on his arms.” 

Alex scanned Eveline’s blue eyes. She was acting like every other professional doing their job. But the way how she answered, seemed to hint at something more. 

He didn’t like it. 

“What’s Joel like?”

“What do you mean, what’s Joel like?” 

“As in, he’s a nervous kind of guy? A funny larrikin? A sarcastic prick? That’s what I mean by what’s he like?” 

Eveline pauses for a second and Alex continues to scan her eyes. He senses there’s something more to this. 

“He’s sweet. But also shy and awkward. He’s an innocent man accused of doing something he didn’t do.” 

Alex grunts, his suspicions confirmed. But now that he has deduced it, it’s of no more interest to him. 

“Where was he last seen? I’m also going to need his address.” 

Eveline skips a beat again. Alex doodles a small love heart next to her name. She’s fed up with this interrogation. 

“He was last seen at the courthouse. His address is in the dossier. Read it. Give me a call when you got something.”

Standing up, she glares at Alex and walks out, pausing only to put on her shoes and collect her umbrella. 

The sound of rain pitter-patter and the smell of petrichor wafts through the open door, before being punctuated by the front fence’s gate being slammed shut.

Alex, watching her from the doorway, made no mental apology for his paranoid questioning. No courthouse would offer the sum he had just signed just to get some random Joel back. They would let the police handle it. This was Eveline’s doing and she was doing it out of love. 

Scoffing slightly, Alex closed the door and remembered his cold Chinese meal. Grimacing at the taste, he endured for 5 bites before tossing the rest of it into a bin, his appetite gone. 

OTO-SAN (Fiction)

the-twilight-samurai-seibei-sanada-and-his-girls

The Twilight Samurai nee Tasogare Seibei (2002)

The train lost momentum through the frozen country. 

Snow descended like a beautiful rain, as it dusted the the myriad of buildings around the train station.

The father looked out, his breath misting the shinkansens window as he stared at an elegant woman in a traditional kimono slowly shuffle her way onboard.

The vibrant colours of the kimono, crimson and ivory with a rich lilac sash reminded the father of the one he had at his home, forever untouched for over a year now.

Hung on a wooden frame, it was the centerpiece of his cupboard at home, and with his two daughters, they regularly brushed and maintained the kimono, ensuring every strand of fabric was shimmering in its splendour.

The father felt his breath catch, as he beheld the beautiful woman in the elegant kimono, slowly walk past him, her alabaster skin, nearly matching the perfect bone-white make-up, and the deep rose lips. Her brown eyes were sculpted to an inhuman level, the deep dark pencil stroke accenting the shape of her eyes and brows.

The raven hair was held up in a fan-style, supported by an ornate lacquered comb, an the father found himself catching and inhaling the soft feminine perfume as she  moved past him and sat down.

The beauty of the woman caught in his mind, the father found himself lurching forwards, as the shinkansen began its slow acceleration again, before flinging itself headlong past the city outskirts and into the countryside proper.

Peering out, he watched as the landscape change from countless buildings, to  natural scenery, as bamboo groves flashed by, their green leaves tempered by snow, frozen lakes resting dormant at the base of mountains and the ever shifting snow, as it fell in the distance, and on the window, only to be whisked away by speed and replaced by another flake.

The father saw the reflection of the beautiful woman in his mirror, and pondered on her ghostly appearance across the landscape of his country, the woman perfectly still as she sat on mountains, trees, lakes and hills.

To his surprise, her face slowly morphed and he was reminded of his great love, his wife of years ago.

Tears welled in the corner of his eyes and the father felt himself short of breath, as he stared out at the woman of his dreams, her serene smile haunting him.

His hand touching the glass, he longed to hold her, but knew such a desire was impossible to fulfil.

So he held it up and stared out at her, the glass barrier invisible to them both and he imagined what she would say, when he met her again.

But her voice, silent for so long, did not come to him.

All he remembered was her shy giggle and the way how she used to make soothing sounds when they slept together in their small cold apartment.

The father’s reverie was broken, when he felt his phone vibrate in his coat pocket.

Shaking himself out of it, he looked at the script across the tiny screen and a smile replaced the haunted look on his face, as he read his daughters’ text messages.

He missed them terribly, the long winter having separated them for months now, and both of them looked after by a kind neighbour.

At 12, his eldest daughter was almost a grown woman, her maturity belying her years, as she learned to be a responsible and serious mother to her baby sister, at 7 years of age.

She tidied up after her sister, would whisper soothing songs to calm her when she was afraid or hurt, and when they missed their father, the eldest sister would do her best to imitate his deep, soft voice and both would invariably hug and stay together as they slept the loneliness away.

She even knew how to cook rudimentary meals and would do her best not to bother her father when he was working, only doing so when she truly struggled with something, like a particularly bothersome maths sum or how to respond politely to the mailman when he delivered their father’s gifts to them.

The father looked down at his wallet and took out the cheap Polaroid he had taken of his daughters, and he kissed his fingers and pressed them to the faces of his children.

The shinkansen sped its way through the countryside, and the father stared out, his brown eyes slowly losing their tired and haunted edge, as he began to recognise more and more landmarks of his hometown

When the train finally slowed to his stop, he picked up his bags and stumbled out, pausing briefly to acknowledge the presence of the beautiful woman, who silently stared out at the station.

The chill clapped his cheeks and the father pulled his jacket lapels closer to his neck, as he pulled up the handle on his suitcase and shouldered his overnight bag across a shoulder.

Rolling his shoulders into his jacket more, he made his way down the old staircase of the station and slipped the ticket stub into the gates and began to make his way through the provincial town.

His feet crunched softly under the snow, and the father kept his pace steady and calm, as he nodded in recognition to the friendly street vendors who called out his name and welcomed him back.

Stopping briefly by a convenience store, he purchased his daughters their favourite candy, ignoring the forlorn lack of notes and coins in his wallet, and placed them in his pocket, alongside hand warmers and the origami paper figures he had made.

Walking back out into the snow, the father saw an elderly man struggle in his garage with boxes and bins.

Looking at his watch, knowing he was late to meet his daughters, the father sighed and set down his bags on a relatively dry patch of ground and offered his assistance, the old man smiling in toothy appreciation as the father lifted the heavy box and set it down, labouring quietly to help the clean up.

The old man placed a hand on the father’s shoulder and offered him a bowl of miso soup but the father politely deferred and promised he would come back to help. The old man, nodding understandingly, let the man go and waved goodbye as the lonely figure of the father trudged his way through an empty street, the white snow blanketing him.

The eldest daughter, sat in the pristine old apartment, the lamp glow casting an amber light across the room, as she and her sister fussed over the simple meal of grilled cod and warm rice and the small cup of sake that she had heated up for her father. Worried, that he was so late, the eldest daughter had just finished reheating the sake, when she heard the the doorbell ring.

Placing the small cup down gently, she and her sister ran to the door and watched as the door gently opened and their father came in.

Both of them bowed low and the father laughing, gathered them up and they both laughed and squealed in joy.

Kissing them both and holding them in his large arms, the father deftly shut the door behind him and set his bags down, his happiness restored as he beheld his beautiful daughters, the very images of his long great love, proof of their time together.

As per his custom, whenever he walked through the apartment, he stared briefly at the beautiful kimono that was hers, and always made the same vow again and again to protect and care for his daughters, the same way he did for her.

Author’s Note

A slightly different approach to writing, I wanted this piece to be a bit more poetic in its word use and reflective in its style. I strive for “slice of life” moments, like when you notice something that is strikingly beautiful amidst a lot of common things. Such things could be a beautiful woman who just happened to put a bit more care into her style and thus stand out from everyone else.

Or when you notice something interesting amongst a lot of boring things.

This was largely inspired by the movie The Twilight Samurai, easily one of my all time favourite samurai films, and I tried to emulate that realism approach the film had to an ordinary man who misses his wife but loves his children dearly.

~ Damocles. 

 

URBEX

20200527_192755.jpg

Contemporary Art? Chair in Wall. Photo taken from an abandoned reception hall, near my home.

Last night, got me indulging in URBEX (Urban Exploration). 

It’s been almost over a year since I last went on my last trip to do something similar, the previous one being an abandoned drainage tunnel far and away from my home.

This time, it was much closer, the first being literally 2 blocks away from my home, and a 10 minute drive in my car to the second location.

I’ve done enough of URBEX to be aware that if a place has been locked away for a good while (i.e. 3 months), people would have already gone and trashed the place.

Most importantly, they would have already created an entryway for people like me to get in.

The first location, which I will not reveal where it is exactly, for the sake of anonymity, was an abandoned Reception Hall, formerly owned by Chinese investors, who essentially used the place as a storage unit and then let it fall into disrepair and ruin.

Right in the middle of suburban Melbourne and an endless supply of curiosity for me.

I decided that enough was enough, with the COVID-19 restrictions lifting, and me being able to see my best mate again, we would celebrate us seeing each other by exploring the two spots I picked out.

So I got geared up. Heavy combat boots, dark navy cargo pants, a long sleeved Henley shirt and thick dark blue fleece. Beanie, and a neck gaiter to conceal my identity and help with any prevailing dust and particles in the air.

A small bag with all my EDC (Every Day Carry) needs, from tissues, to a multitool in case I need to free myself or cut something, and a tourniquet in case of any serious injuries. I packed my Pelican torches, two in case one went down (they are both very bright, at 500 lumens and 1000 lumens) and a monocular, so that I could scope out the place for cameras and security.

I packed my Ipod full of tense music, just to enhance the atmosphere of it all. Splinter Cell Blacklist, Blade Runner 2049, Deus Ex Human Revolution & Mankind Divided just to name a few.

Meeting my friend at night, we walked to the Reception Hall, and went round the back, where there was a well trodden pathway that the community used for bike riding.

Pushing our way through the bushes, we came across a hole in the fence, that led directly to the rear of the Reception Hall.

It had been temporary cyclone-fenced off, but I knew that there had to be a way in, because it had graffiti and mess everywhere. At the very edge, there wasn’t a block, so you could swing open the fence quiet easily.

Cautious about using our torches, because they were a dead giveaway and you could see them from the road, we stepped through the back door and entered the prep room, where there was broken glass and rubbish everywhere.

I honestly missed the crunch of broken glass beneath my boots.

It’s the sound of thrills, because you know what you are doing is illegal, but your curiosity and desire to explore trumps all of that.

It’s worth the risks, to finally quell the curiosity and to see parts of a building that were previously unknown.

To sum up, the place was a mess. There was a pile of shit close to the entryway we came in, graffiti was literally everywhere and broken glass from the window and ceiling was scattered everywhere.

The kitchen was an even bigger mess, with pipes and toilets and sinks smashed completely. Even more apparent was how cheap the whole place was. Lots of the walls were made of plaster and were smashed in, revealing hollow spaces and the ballroom floor, once made of beautiful wood panels, were now torn up to reveal concrete.

The stage was still intact however, and even featured a decrepit old, dusty lounge couch.

I didn’t sit on it.

For obvious reason.

Next to it, was the chair in the wall, and oddly, when we ventured closer to the entrance, we found a stack of chairs in a space that was oddly clean.

Even VIP cards from the place were placed atop the chairs.

My friend took one. As a memento.

Beyond the relatively small ballroom area, there wasn’t much to the place. As a reception hall, it was tiny by a lot of other standards, and didn’t have much to offer.

As a primer for our night though, it was good. Crawling out from the dense bushes and the small hole in the fence, we made our way back to my car and drove to another, much larger compound that was strangely next to a retirement village.

This place, looked a lot more formidable and was on a sizeable plot of land. It also had claims that it was protected by security, but the front fence had a gaping hole in it.

A former corporate headquarters, this compound had literally everything.

A basement that led to a giant maintenance area, with filing cabinets everywhere.

A ground floor that had a reception desk and a huge cafeteria.

An upper floor that led to another set of offices and staff conference rooms.

A laboratory with pneumatic machines and left over lab experiments.

A blueprint cabinet with all the floor plans to the entire compound, next to the abandoned generators.

Long strings of fire hoses, strewn everywhere.

A garage where deliveries were taken, where huge storage units had fallen over.

It had everything.

Graffiti was a lot more sparse too. Which meant this place hadn’t been taken over as much. But there were a lot more holes in the roof and the railings for a lot of the balconies had fallen away, leaving them bare and easy to fall off.

We spent over 2 hours there, treading on glass, envelopes, party decorations that were abandoned, manoeuvring our way past hundreds of desks, papers, CPUs, computers and filing cabinets.

It was eerie and incredible. I had never been through an office space like this before.

We both wondered about the people who worked there, who had spent time to decorate their office spaces. What sort of work went on in the labs, what use the machines were for.

There was ancient tech everywhere. Old fat PCs, floppy disks, CD-ROMs, even the decor felt old and 90s-esque.

Weirdly this was all right up till 2018, because we found 2018 newspapers left behind with a cup of old McDonalds coffee, in the basement.

Further research at home, meant that I discovered this place was shut down in 2017 and everyone had moved to a new location. The Chinese investors had done nothing with the place since.

A recurring tale.

Gotta thank the Chinese for these URBEX opportunities.

Throughout this whole compound, it was surrounded by people in their homes. We had to pause and freeze a few times, when we saw people on the couch, on their upper floor, watching TV.

We stayed low and moved quietly, staring through the monocular, hoping they didn’t spot us.

But we avoided torch light for a while, which made every step tense, careful not to slip and slam my hand on glass or trip on chairs or hoses.

We even got to access the roof, via a ladder.

Overall, it was amazing to fully explore this compound. It made the whole night experience utterly worth it. The moon was providing just enough light to see but was also dark enough to cast us into darkness without fearing visibility.

Afterwards, my friend and I discussed what we saw and we stood around our cars for hours on end, catching up.

I’m really glad I got to do this again. It’s a timely reminder that just because I feel a bit dull, a bit boring thanks to my work routine, it doesn’t take much for me to get that sense of fun, inspiration and thrills.

I just got to keep searching, keeping my eyes open and actually getting out there and doing it.

I’ll probably make a short story round this soon too.

~ Damocles.

 

 

Just Aged By A Decade (Screenplay)

Ishizuka – Melbourne CBD. One of the best designed basement restaurants to grace Melbourne streets.

INT. JAPANESE RESTAURANT – EVENING

A high-end Japanese restaurant, with ultra modern aesthetic. It’s cold, utilitarian, dark and sterile, like the sushi that is currently being eaten by the two men.

The whole setting is intimate, with a sharp bright light over the two men like a halo, casting the rest of the restaurant in shadow and it is very quiet, only the tinkle of sake cups against tables, chopsticks scraping against ceramic, small sighs of satisfaction.

One is younger, slick, slim, and sharp. He has an intelligent face, and oozes confidence, maturity and ruthlessness. A man at the top of his game.

The other man is older, mysterious and quiet. Salt and pepper mark his dark hair, crow-feet at the edges of his eyes. A professional on the verge of retirement. They are both suited and serious.

Their dialogue’s tone is serious and respectful.

YOUNG MAN

What do you think?

OLD MAN

What do I think? I think you should take it.

YOUNG MAN

Reason?

OLD MAN

It’s too lucrative not to. Jobs like these come once in a lifetime. You’d be a fool not to take it.

YOUNG MAN

I’d be a dead fool if I do.

OLD MAN

You’ve done jobs. You’re aware of the risks. Mitigate them.

The Young Man falls silent. He stares down at his plate. Pondering. The Old Man continues eating his sushi, thoughtfully dipping the raw fish into a soy sauce plate, savouring the flavours.

YOUNG MAN

If you were me, would you do it?

OLD MAN

I am you, just aged by a decade. Why else do you think I am telling you to do it?

A sharply dressed WAITRESS swings by with a bottle of sake

WAITRESS

Would you like a refill gentlemen?

Both men nod and wait for the Waitress to finish pouring before resuming their conversation. The Young Man fishes into his blazer and takes out a nicotine patch, applying it on the inside of his wrist, just past his expensive watch.

The Old Man nods approvingly.

OLD MAN

How is it going?

YOUNG MAN

Withdrawal symptoms are abating. The doctor says I’ll be off these inside of 2 months.

OLD MAN

Impressive, considering your habit.

YOUNG MAN

*grunts dismissively* This job proposal isn’t helping me.

OLD MAN

We’ve done this routine before. What’s gotten you spooked this time?

YOUNG MAN

It’s Zurich. Rules are different when you deal with gnomes.

OLD MAN

Reason?

YOUNG MAN

Did you read through the dossier I sent you?

OLD MAN

Of course.

YOUNG MAN

That’s your reason.

The Old Man pauses for a moment and looks off, recalling the important details in the brief the Young Man made. The Young Man fidgets with the nicotine patch, his discomfort with the job obvious.

OLD MAN

Your main concern, are the people?

YOUNG MAN

Yes. Zurich isn’t a place where you can be anonymous. The gnomes that guard the gold, aren’t just bankers. They got families that help them. Secrecy and privacy aren’t just nouns over there, they’re a religion and a culture. I might get past the front door, but there’s no way I can sneak out the back door, because the back door is a whole goddamn country.

The Old Man stares through the Young man and gives a small knowing smile.

OLD MAN

You’ve never tried a long con?

YOUNG MAN

No. *pauses* How long are we talking here?

OLD MAN

Enough for those patches to be gone forever.

The Young Man raises his eyebrow in bewilderment and amazement. He stops fidgeting with the nicotine patch.

YOUNG MAN

Just so we are on the same page here … you want me to plan a job that will last 2-3 months?

OLD MAN

It’s been done.

YOUNG MAN

Doesn’t this just increases my chances of getting caught?

OLD MAN

It can also decrease your chances.

The Young Man mulls the thought over. The patch is forgotten. His hands are still. The Waitress swings by again.

WAITRESS

Would you gentlemen like dessert?

The Old Man smiles at her.

OLD MAN

I will have a couple of your freshly made mochi rice cakes. Green tea and red bean. My colleague here, will have a serving of Yamasaki Whiskey strawberries. Thank you.

The Waitress curtsies and walk away. The Young Man begins to ponder more on the Old Man’s proposal, his curiosity getting the better of him.

YOUNG MAN

2-3 months. That’s basically double the length of my normal jobs. Planning and execution. I’m going to need funding.

OLD MAN

The client shouldn’t complain, if they want you in Zurich.

YOUNG MAN

This is something I’ve never attempted before. A long con, in a foreign country. There are lot of things that could go wrong and not to mention the inexperience involved.

OLD MAN

Throughout my career, I’ve lost a lot of blood to cover for any mistakes you might make.

YOUNG MAN

In this length of time, I could do 4 scores.

OLD MAN

This is a lifetime opportunity. A career definer. Men like us, can do these jobs and become legends. Stories that ring for eternity. How else did you find me?

The Young Man thinks back to when he first met the Old Man. He smiles in recognition.

YOUNG MAN

The Windsor Job. Are you implying, that this will be my Windsor Job?

OLD MAN

*shrugs* Depends on your gnome’s French and German.

The Waitress comes around and plates the desserts in front of them.

WAITRESS

Enjoy gentlemen.

The Young Man feels inspired after taking a bite of the whiskey-soaked strawberries. He looks up at his mentor with renewed respect and a cunning expression creeps across his intelligent face.

YOUNG MAN

What would you do?

The Old Man nods approvingly. Now they were getting somewhere. Progress was being made.

OLD MAN

Always start with a woman …

Author’s Note

A big piece of criticism I got from my previous screenplay was the lack of dialogue and the fact that if felt too much like a novel.

I took that to heart and got to reading more screenplays. Especially a lot more Tarantino.

Reading his work, really allowed to realise that I should just trim, trim and trim more and more, until it becomes a very bare-bones affair. Screenplays are stories that have the bare minimum, but maximum impact.

So I tried to work on dialogue and really flesh out the characters more.

I feel like this reads a bit clearer than my first attempt and am praying my dialogue isn’t too stilted.

I still got a long way to go before I can match anything written by Baumbach, Sorkin or Tarantino.

But I feel like I got a better grasp of what it takes to write a screenplay.

I think?

If not, it’s back to reading more and more. Because the only way to improve writing is to read.

~ Damocles.

RIDER (Screenplay)

The Girl with the Dragon tattoo (2011)

BLACK SCREEN

RIDER (V.O.)

Give me the time, give me the location. I’ll be there.

FADE IN:

INT. BEDROOM – NIGHTFALL

We see a map of a coastal Mediterranean town, and weapons on the table. The RIDER is talking on the phone, his face obscured by a distinctive black helmet. He is a lean figure in black motorcycle leather with red accents. He is standing at the window, staring out at the town and the ocean.

There is a hint of annoyance in his posture and voice. The room is darkly lit and a TV plays in the background, flashing strange shadows and lights across his helmet. It has an air of a cheap motel room. Temporary and anonymous.

RIDER

No. I don’t require backup.

Muffled sounds come from the phone, as the RIDER packs his things.

RIDER

No. I’m going dark now.

The RIDER hangs up and switches the phone completely off. Tossing it into his duffel bag, he lifts it onto his shoulder and leaves the room, closing the door behind him.

EXT. ROAD

The RIDER is weaving smoothly and deftly through traffic. The European city is beautiful, picturesque and traditional. Old-styled houses reflect off his helmet and there is only a hint of his narrowed green eyes beyond the visor.

His all-black motorcycle is quiet and powerful, and he takes a sudden turn off the main road and goes up a cobblestone alleyway, slowly making his way to higher ground.

INT. LUXURY YACT

The yacht is expensive, modern and tacky in all the right ways. Onboard, there are sounds of revelry and good times. It is anchored in the sea, lit up and loud.

A trim, fit, tanned, brutal RUSSIAN is dressed casually in shorts and a loose polo. He is expensive, rich and tough, eyeing his birthday party with a cool, professional eye. Women in glamorous dresses come up and wish him well. Men offer handshakes. He gives them all iron smiles.

Behind him, stand 3 bodyguards, suited and alert. The RUSSIAN nods to one of them. He is done with the party. He wants to come ashore. BODYGUARD 1 touches his earpiece.

BODYGUARD 1 (in Russian)

The Wolf wants dinner.

EXT. DOCKS

CHAUFFEUR, smoking a cigarette out of boredom, touches his earpiece and hears the call in his slick Mercedes and sticks his hand out the open window.

CHAUFFEUR 2 does the same. The two of them turn on their headlights and stand outside the doors, waiting for the RUSSIAN to arrive.

EXT. ROAD

RIDER watches them, from high ground and scans the route from the docks to the restaurant with his binoculars. A loud ship horn blares and he watches as the RUSSIAN leave the ship, and walk to the two Mercedes, where BODYGUARD 1 climbs into the first car with the RUSSIAN, whilst BODYGUARD 2 and 3 climb into the second with CHAUFFEUR 2.

Putting away the binoculars, RIDER kick-starts his bike and begin riding down. We see a compact suppressed MP5K submachine gun strapped to the side of his bike and side view of him weaving through traffic at dizzily fast speed.

We see the distinct headlights of the two car convoy ahead. The RIDER closes in.

INT. MERCEDES

The RUSSIAN looks out of his window. The lights of the city is attractive and a shopfront catches his interest. He looks back and sees the RIDER pull alongside the second Mercedes behind him, and open fire.

THUD. THUD. THUD.

A brief pause, as the RUSSIAN tries to process what happened, during which CHAUFFEUR 2 slumps over and crashes into a series of parked cars, deafening the previous silence with car alarms. The RUSSIAN turns to CHAUFFEUR 1 with a cold, and serious expression.

THE RUSSIAN (in Russian)

Go. Safehouse Alpha.

CHAUFFEUR 1 (in stressed Russian)

Alpha. Copy.

BODYGUARD 1 (in Russian)

All Units. Wolf convoy is under attack. I repeat, Wolf Convoy is under attack. All units converge of Alpha Safehouse NOW.

The RUSSIAN reaches into the door of his car and pulls out a P90 PDW, and permits himself with a smile.

BODYGUARD 1 does the same and the three of them duck, as the RIDER fires into the car, rounds shattering the rear lights.

EXT. ROAD.

We see helmet view of the RIDER, as he merges, ducks and weave through traffic.

Cut to gun-cam, as the MP5K continues to fire, punching holes through the rear window.

Cut to helmet-cam as the RIDER ducks his head as he sees return muzzle flashes from the interior of the car, as the RUSSIAN fires back.

The perspective changes again, as we watch the RIDER take evasive action against oncoming traffic, trying to move his bike ahead of the Mercedes.

The Mercedes suddenly swerves off the main road and hightails it up the hill.

RIDER

SHIT!

Cut to helmet-cam. Yanking his bike hard to the side, he chases after them, but looking down at the centre of his bike, he looks at the GPS and instead of following them down a fork, he goes an adjacent route.

INT. MERCEDES

The RUSSIAN looks behind them and frowns.

RUSSIAN (in Russian)

He’s gone. Drive faster.

CHAUFFEUR 1 does as he is asked, punching the gas and the car blasts along the alleyway at speed.

Everything seems OK, with BODYGUARD 1 even relaxing a little, when he is suddenly splattered with blood.

CHAUFFEUR 1 slumps over, a neat hole in the side of head and BODYGUARD 1 realising what is about to happen, tries to grab the wheel but it is too late.

EXT. ROAD

The Mercedes crunch into a tree, and the body of BODYGUARD 1 smashes through the windshield and lay on the smashed bonnet. The engine is still ticking over. There is no sign of the RIDER, but you can hear his motorcycle engine getting louder and louder.

The RUSSIAN, gasping and shocked, undoes his seatbelt and kicking open the door, staggers out.

He is still clutching the P90 and shaking his head, hearing nothing at all, taps the side of his head.

Suddenly the roar of a motorcycle becomes all consuming and he looks up …

Cut to helmet-cam, the RIDER is bearing down on the RUSSIAN and with a hard brake, does a forward wheelie and SMASHES the RUSSIAN hard across the face with the still spinning back wheel, and sending him flying back into the crashed Mercedes.

The RUSSIA, slumped over and shocked, looks up at the RIDER, clad entirely in black, and aiming a MP5K a him, and asks a slurred question.

RUSSIAN (in Russian)

Why?

The RIDER says nothing and cut to gun-cam, shoots him twice in the chest and once in the head, before strapping the gun to his bike and accelerating away.

The attractive Mediterranean coastal town yellow lights cast over the RIDER’s helmet and we slowly pan away and up, as the opening credits show the RIDER slowly disappear and merge into the city.

OPENING CREDITS.

~

Author’s Note:

So this is my first ever attempt at a proper screenplay.

It was very difficult to adequately tell a story, as well as convey little emotional notes for actors and express technical details on how a film should best tell this story.

I have absolutely zero experience in film, or film writing. This is just a mental exercise that I thought would be fun to attempt. So I looked up some screenplays from movies I liked, such as Gone Girl (2014), The Bourne Ultimatum (2007), and The Dark Knight (2008) for inspiration.

It was very difficult for me to apt the style of screenplays, because I usually let my stories take control of themselves. But this time, it was a conscious effort to dictate the pace and style of the events instead of running rampant with certain details that I would normally embellish if I was telling this kind of story.

A lot of details I skipped, because screenplays are meant to do that. We do not need to pain a picture of the world. The film is meant to do that for us. It is a visual medium after all. So a lot of it is meant for the director to put in his/her imagination and decide what location, cast, crew, camera angle, type of bike, exact colour of clothes etc.

The screenplay just helps visualise the sequence of events that you can “play” in your mind.

This was a lot of fun, so I will probably attempt more of these in the future. Especially if I want to participate in the 48Hrs Film Project again.

~ Damocles

COVID-19 Ways How I Learned to Stop being Bored and Love to Cook.

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Dr Strangelove or How I Learned to Stop Worrying and Love the Bomb (1964).

If I had to pick the number one enemy, the bane of my existence, I would not hesitate to choose boredom. 

7 hours of dull, repetitive, gatekeeper work at retail.

5 days in a row.

10am to 5pm.

The first few days can be summed up like this:

Go on your phone, Damocles. 

Watch Youtube for hours, Damocles. 

Annoy your friends and chat to them incessantly on Facebook, Damocles. 

Eat McDonalds for the 5th straight lunch in a row. 

Serve customers and then go straight back to the incredibly urgent Office video I am watching for the 9th time. 

But … I soon got tired of myself and the routine that my week had turned into.

It started with food.

My favourite type of meat is the undeniably boring chicken.

McDonalds … has an extremely limited menu when it comes to poultry and when you’ve had the same McChicken or Nuggets combination for the 9th time in a row … you end up perceiving lunch the same way you would an unavoidable family gathering.

Why not eat beef? 

Just not a fan if I am honest. Something about the McDonalds beef patty puts me off eating altogether.

It was also around this time, that my girlfriend, equally bored at home and at work, began to crave certain dishes and meals. So whenever we got together on Fridays, we would try making something.

It took 4 or 5 middling successes to get the cooking crave.

Our dishes haven’t really been perfect, but they’ve been edible and far more enjoyable than a lukewarm chicken burger.

I started binging – Binging with Babish videos, eager to try and make recipes. Only last week, I made pasta Aglio e Olio for my girlfriend, to surprisingly OK results.

I say surprisingly, because usually whenever I am in the kitchen, things have a habit of going tits up.

But just like shooting, the more time and experience you gain, getting exposure to the gun, or in this case, chopping and gas burners, you start to get the knack of it.

So I’ve discovered cooking, because of how boring my lunch meals were becoming. I wanted tasty food. I craved something substantial that would help make my retail shifts a bit more palatable.

Which leads to my current obsession: sandwiches.

In particular, a cubano sandwich.

Because I started watching more Babish, I felt compelled to check John Favreau’s Chef (2014), a pleasing, fun, feel-good movie about a chef who turns his career around.

The cubano being the very bedrock in which he manages to transform himself, and me falling in love with the fun that John Leguizamo is clearly having on set.

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“Best Cuban food in all of South Beach. If you need it more authentic, you can swim 90 miles that way!” 

This obsession with a sandwich, ended up with me, trying something I have not done since high school.

Learn a language.

Spanish of course.

This was probably unhealthily reinforced by repeated viewings of Senor Chang on Community Season 1, completely massacring the Spanish language with his ridiculous pronunciation and unhinged racism.

Thus far, I’ve learned how to say ….

Hello, apples, goodbye, thank you, man, boy, woman, girl and water.

Hola, manzana, adios, gracias, hombre, nino, mujer, nina, and aqua.

I only started yesterday with the duolingo app.

But it’s fun. It’s also been interesting to see how much more prepared my mind is to learn a language, versus that of my juvenile state in high school.

I can see myself actively striving to remember words and phrases, instead of dismissing them.

Learning is always intriguing.

That motto, only came about because of my previous What If?, where I realised that to make my own life more interesting and genuine, I should be trying to learn more things, than just blindly follow the easy route.

Follow my interests and actually research topics instead of just dismissing names and ideas.

A key example of this was revealed to me, when I read a headline that said: Elon Musk hates Warren Buffet.

I was aware of Elon Musk (who isn’t) but was completely in the dark about Warren Buffet. I knew he had to be rich, of some importance, to warrant the ire of Musk, but beyond that, I had nothing.

So I did a little bit more digging on wikipedia.

I was astonished to learn about Forbes’ Billionaire list, which showcases the richest men in the world, and how much each is worth.

I couldn’t help but go through each of those names, their net worth and exactly what sort of empire they ran. My personal interest, dismissed a lot of those running computer systems, like Larry Ellison’s Oracle Corporation, or Bill Gates’ Microsoft and the more obvious contenders like Jeff Bezos’ Amazon, Mark Zuckerberg’s Facebook or the Walton’s Walmart. 

Instead, I looked into fashion industrialists, like Bernard Arnault’s LVMH (Louis Vuitton Moet Hennessy) and Amancio Ortega’s Zara. 

Why?

Because to get into fashion, you need to cultivate sophistication and oftentimes, I can sense that rich European types edge their American counterparts in terms of taste and how they spend their money.

And in Arnualt’s case, he chose to create a Museum.

The LVMH Museum, which showcases Arnualt’s personal collection of artwork, is a fascinating piece of French modern history and personally, in my opinion, an affront to common design tropes.

My revulsion to the design of the LVMH Museum led me down to my secret passion for architecture.

For the longest time, I’ve always entered and stared at buildings. They still retain some of that whimsical wonder than gripped me as a child, when I saw giant 747s at an airport take off.

How the fuck do they do that?

In particular, what I love about architecture is the blend of creativity, expressionism and science that goes into it. Everything about it, is exacting, unique and undeniably complex.

I cannot truly ever grasp architecture, because in my mind, it’s the same thing as wondering how we managed to light up a city grid with electricity and allow everyone to have 24/7 access.

Its amazing.

So instead, I just go off, an instinctual reaction to buildings.

Some are boring, some are interesting but stale, some reward you with study, and some repulse me.

The LVMH museum is one such Gehry design that I cannot say I am a fan of.

To say that Frank Gehry is a genius, is a fact.

But to say that I like everything of his?

It’s more like a love-hate relationship.

I love his work on the Guggenheim Museum – Bilbao in Spain, the Walt Disney Concert Hall in Los Angeles and New World Centre in Miami, but absolutely loathe his work on the Museum of Pop Culture in Seattle.

And the less said about the Dancing House in Prague, the better.

However, he is the product of our contemporary times. He serves as a reflection of modern taste, a master of shaping and bending metal, glass, plastic and glass, that we all love to use in our modern construction.

But I love the understated work of Rem Koolhass more. The sharp lines, the way how he manipulates angles and showcase windows, is a lot more definitive and interesting.

The beyond gorgeous Seattle Central Library is amazing, as is the China Central Television Headquarters in Beijing.

How he envisioned the CCTV Headquarters is nothing short of incredible in my opinion.

To me, architecture provides such an unique opportunity to showcase your city’s character and personality.

Melbourne’s architecture is rather plain, but I’ve walked the streets long enough to know about the hidden nuggets here and there. I love my town, but it isn’t flawless.

However look hard enough and you’ll find buildings of very interesting design

And I’m not referring to the hideously designed Federation Square either.

Instead, I direct you away from the dull, commanding, and dome-less Parliament House of Victoria, and towards more respectful and a homage to an Ancient Wonder, the Shrine of Remembrance in South Melbourne.

A national war memorial, it is a Mausoleum, made of granite, and can be seen directly down the centre of Melbourne’s CBD when standing at the proper angle. It is also a callback to Ancient Wonders, like the Mausoleum at Halicarnassus and the Parthenon in Athens.

Once you’ve admired and paid respect to the Museum, look across the street and stare at one of my favourite Melbourne apartment designs, the Melburnian, with its iconic and strange curved design.

Ignoring the Eureka Tower, and the Rialto, I advise you to observe the gargoyles on the Gothic Bank (ANZ) and the beautiful stained window designs.

Also nearby is the amazing 333 Collins St, a former banking chamber, with baroque overtones and an incredible roof and classic alleyway design. It was also featured prominently in the time travel thriller Predestination (2014), a surreal viewing experience for me, as I know that building so well.

Venturing further, one must always visit the skyway that link the Emporium and Melbourne Central and marvel at the traffic below.

But before doing so, you must treat yourself to an intriguing green lantern roof, in the St Collins Lane. Alas the intriguing green lounge rooms, with their grunge roofs and black wall decor, have disappeared, replaced by dull shops. I have many fond memories of the lounge area, and relaxing with my girlfriend there, after long trips around the CBD.

However, my favourite places to visit, will always be hotels.

There is something magical about visiting a luxury hotel. It’s a strange mixture of temporary and permanence, your home away from home, but it’s always perfect, still and dead, despite you living in it.

The couches aren’t quite as good as the one at your home, but the toilet and shower are better. The bed is perfect, soft, clean but never as warm as your own.

But beyond the rooms, I adore the lobbies. I love the perfect facade, and how people come in and out, stay and leave, resting or waiting. There’s a unique ambience in them that I love, and the architecture has to reflect that.

Books are placed in a certain place, windows are designed to showcase the world outside, elevators are hidden away, floors are marbled, convention rooms are subtly labelled and even the receptionist must blend with the surroundings.

I personally adore the Park Hyatt Melbourne lobby and design, with its magnificent staircase.

Equal contenders are the Westin Melbourne with its marbled, grey and white interior, the Grand Hyatt Melbourne with its beautifully dark, dimly lit atmosphere, where I’ve hung out for hours on their outdoor chairs, and eaten at its restaurant, and the antique Victorian styling of the Hotel Windsor that opposes the Parliament House for classicism.

Yet, the most hotel experience I’ve ever had, still remains the Sofitel Melbourne on Collins with its actual structure built into an office complex, complete with an incredible Japanese restaurant, Kenzan, and my favourite cinema theatre: Kino – Palace Cinema.

The valet and taxi rank area is circular, with the actual lobby overlooking it, and a beautifully calm, relaxed and comfortable lobby/cafe section that has the best couches to sink into.

I love the tall roof, the circular doors for the convention rooms and level 35, which boasts the best bathroom view in all of Melbourne and an incredible airy, Middle Eastern styling for the Atrium Bar.

It is arguably my favourite place in the city.

But I’ve digressed enough on my passion for architecture and hotels.

This is the week where I’m going to learn how to cook more, learn new things to say in Spanish (Hola, mucho gusto! Mi nombre es Damocles.), and keep on writing.

My next big style to perfect is actually a screenplay.

So look forwards to that. I’ll be using the Gone Girl (2014) screenplay by the author herself, Gillian Flynn, who I am a big fan of.

Until next time, when boredom strikes again.

~ Damocles.

What If? Damocles was a better conversationalist.

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Blade Runner 2049 (2017)

I’m staring at Facebook.

Wondering, out of the 94 people that are on the friends list, how many of them do I talk to?

How many of those friends have I neglected? How many have I not gotten to know better?

Would any of them pick up, if I were to call them? What would I say to them?

There are 94 unique individuals on that list. Each with their own desires, needs, wants and personalities.

How well do I know them?

My mind says, I know them enough.

Enough to remember their names. Recall their faces.

The particular way how they pronounce words.

Their style of walking. Their style, clothes and accessories.

I can even recall how they laugh and how they react to me.

But is that all there is to a human being? Is that all I need to call them a friend, to be familiar with them?

My heart says, no.

I can’t help but feel the art of conversation inside of me is … dead. Whatever happened to proper discussion? What happened to lengthy text posts? Why is it all so lazy?

And … Have I really gone so far, as to discuss why I am such a bad conversationalist with myself instead of with another actual human being?

I can always place blame on social media. The conversations I have with those I do keep in contact with on Facebook, are mostly memes. I find something that amuse them, share it and we have a quick back and forth before ignoring each other again.

The fact that it is so low maintenance, so utterly forgettable, and such a quick pro quo, and this is for someone who I actually want to talk to …

Makes it quite sad in retrospect.

This is not even mentioning, the 90 other people who I don’t even bother doing that to either. I have gotten so slack, so undeniably lazy that even with people I place greater stock in than the rest, I don’t put any real effort in.

There are so many times, when I would see other 90 people’s names, and wonder how they are doing, but never bother to click on the little bubble and genuinely ask them.

Am I afraid of them, that somehow it would be strange to ask out of the blue? Or am I too lazy to care anymore?

I wonder which is the worse question.

But I can’t really blame social media. I can’t pin all my ills on Facebook and claim that, that website is the reason why my conversation skills suck.

Social media is just a tool. How you use it and be defined by it, is your choice alone.

So if I choose to be friendly, open up conversations with the other 90 people on that friends list, I run into another common excuse.

What do I talk to them about? 

The answer to that, is frankly, quite obvious. I just need to recall what we share or liked together and go off that common ground.

However, this is where my personal and professional life clash.

I have spent so long being a leader, being a boss, that I have genuinely forgotten to ask what are a lot of my friends’ interests actually are.

Because of that attitude, I am certain that is why everyone treats me like a leader, not a true friend. I am not someone that they can call upon for help or hang out regularly.

Nor a person that they can have a long, sparkling discussion about interesting subjects because … we don’t have subjects to discuss about in common.

What a sad realisation I’ve just had.

In a lot of ways, I can’t help but feel that a lot of my “friendships” are a lot like the iconic scene from Blade Runner 2049 (2017) … a facsimile of real connections.

A sensation of me reaching out, and seeing all there is to my friends, but instead touching nothing but thin air.

Aware of all things physical, but unable to truly comprehend the metaphysical.

There is a terrible loneliness that has come with this understanding. The idea that I’ve met so many people, but never really found out a key tenet of their personality, is such a loss on my part.

Meeting people and finding out more about them, should be an exciting and novel prospect. I should be more receptive to the idea about engaging with people on a deeper level, instead of sticking to shallow topics.

Questions about the weather, work and daily life, should be swapped for more personal explorations, open invitations to discuss and interesting hypothetical(s).

A good conversationalist should remain interesting and be interested if they ask and answer everything with a certain light gravitas.

It may be exhausting, it might be tiresome and no doubt it can and will be a turn-off at times, but is it not always better to show effort than display none?

There are billions of people on this planet, six-thousand years of civilisation and the two of those combined, give anyone a trillion things to discuss, from how an Archaeopteryx fossil became the face of a Canadian outdoor company, Arc’teryx to why Google is called Google.

A good conversationalist, is a curious person from the start.

A person who asks why instead of how and is happy to create thousands of why for something, as outlandish as they might be.

Which leads to another personal revelation … I’ve lost my sense of curiosity.

I lost sight of what makes my life interesting. I think, feel and believe like I know everything that happens in my circle. No-one presses my button, no-one disagrees with me, no-one wants to discuss things with me.

So I get complacent. I feel I am the Alpha and Omega of my little world.

But that simply isn’t true. I could ask my girlfriend better questions. I could check up on my friends and see if they need help. I could this, I could that.

I could actually be curious about my friends and the people I know.

What a novel concept.

What If, Damocles was actually curious about the world again?

To that, I say …

Damn.

~ Damocles.

 

 

The Machine. (Fiction)

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Den of Thieves (2018)

They called themselves, The Machine. 

Precise. Violent. Ruthless.

The scourge of the city.

They didn’t bother with pretending to dress nicely, like criminals in a film.

No suits. No hiding. No illusions or allusions to something honourable or respectful.

This was a war, and they were the apex predators.

And in any war, like any fighter, they dressed accordingly.

Head to toe, they looked like a professional military fighting force.

Black long sleeved garments, cargo pants, heavy protective plate carriers, war-belts and open carry holsters.

They were a SWAT Team, armed to the teeth with assault rifles, pistols, breaching shotguns and dozens of cable ties.

The only difference were their masks. All criminals needed a mask.

Each of them, had a unique all steel ballistic face mask.

The leader was Clown.

A garish mixture of red, white and blue. Red lips and tears streaked down and past the jolly red nose, staining the ghostly pale white face. Blue shadows were sprayed around the eyes. Tragic and terrifying.

The medic was Roman.

Solid gold, it cut a stoic expression, with narrow eyes slits, a patrician nose and expressionless lips. It featured curls atop, to mimic hair and ridges that resembled a legionnaire’s cheek shields. Inscrutable and indomitable.

The support was Oni.

A visage of the Japanese underworld, the mask was sheer obsidian with red accents. Scarlet short stout horns curled towards the sky from the top of the mask, that contrasted the large flared onyx nose, and gave prominence to the large mouth, with flared crimson tusks. Demonic and dangerous.

The scout was Alien.

An elongated heart shape, with an over-sized forehead, the mask was a gradient of midnight blue to jet black, with the darkest part of the mask ending at the chin. The eyes were two diagonal tear-drops that glowed a night vision green and occasionally thermal white. Fear-inducing and frightening.

No one knew where they had come from, or how they got all their equipment. They left no traces of their identity anywhere. The countless shell casings were all devoid of prints. The boot prints only indicated their size. Witnesses couldn’t even place their voices, because they used voice modulators.

They moved and behaved like a former Special Forces unit, but all leads concerning their identities died, the moment queries started. No one was listed as missing, killed or having gone rogue. All men were accounted for in the military. None of the branches had any clue who these men were.

Even attempts to track their movements fizzled out. The police found themselves  getting desperate. They shook down prostitutes, drug dealers, other thieves … none of the major gangs knew who this crew was. Whoever they were, they didn’t associate themselves with the riff-raff.

They were exceptional professionals, disciplined to a fault, and tactful enough not to boast about their exploits. These men left no trace except their name and signature at the start of every robbery.

Every single witness reported the same speech, whispered about the same monotone delivery, and the instant fear it bought upon deliverance.

Good Evening ladies and gentlemen … 

We are the Machine. We are here for money, not lives.

You are to be restrained and immobilised. If you are experiencing distress, breathe and relieve yourself on the spot. 

Everything in these premises is insured, so you will not lose anything. The system will provide. 

If you allow the Machine to do its work, you will be unharmed. 

Interfere, and this will occur.”

Witnesses would report that at the end, the Clown would execute the cuffed security guard on the spot, with three shots. Two to the torso. One to the head.

Screams would emit throughout the bank and several hostages would faint on the spot. No one would try to be a hero. Hostages wet themselves on the spot. The other security guards felt like doing the same. Managers didn’t resist or ask stupid questions. Complete compliance was ensured.

Every single crime committed by these men ended with a single dead security guard. Every single robbery took place in under 9 minutes, from breach to extraction. Every details of every branch they hit, they knew intimately.

The Machine knew where the vault door was, who the bank manager for the day was, what type of coffee the cashiers liked, the time-locks, the trucks that would deliver the cash, the schools that the daughter of the manager attended … every aspect was covered, every detailed dotted, and every fact checked.

There was a modus operandi. A play-book they never deviated from. Every single survivor report would corroborate it.

Alien would secure and sweep the premises and keep an eye on the response time.

Oni would disable the cameras with quick bursts from his massive machine gun, before training them on the hostages.

Roman would pressure the manager, displaying photos of his family, friends, ex-lovers … and gain access to the vault.

Clown would execute the guard, before securing the hostages phones, and cable tie their hands, then place hoods over their heads.

Then he would leave and begin rifling through the deposit boxes, the vault and prepping the money alongside Roman.

Once everything was complete, all of the best valuables stored away in duffel bags, each member of the team would take one and sling it over their shoulders.

Alien would run out, and secure the car, a nondescript but powerful vehicle that was capable of outrunning any cruiser but never the same make and model as the heist before.

He would pull up, and Oni would fire a long burst from his gun, causing everyone to press their faces even harder into the ground, and the three men would pile into the car and be out, before the squad cars could turn up.

Not a single word would be exchanged between the men. No one would say anything, unless things went wrong. They would let the guns do the talking and Clown to his speech. Actions spoke louder than words.

The only true sounds that would be heard, as they drove away, were the constant screams from the hostages, as they wailed and begged, terrified that they had died after Oni’s machine gun rampage.

It was textbook. It was violent. It was efficient. It was deadly.

And it worked every time.

The only time, it had ever gone wrong, was when there was a pair of squad cars that arrived earlier than they had anticipated.

The resulting firefight was brief. Over in a matter of minutes.

4 officers dead, 240 rounds of ammunition expended. The cars had come away like Swiss cheese, the officers not much better off.

The police had sworn revenge for their fallen brothers and sisters. But no opportunity came.

The Machine was too efficient. Too cautious. Too disciplined to make any error. They had found their groove. Their niche.

Even when a mistake was made, they had come out with superior readiness and firepower.

They were the apex predator in town, and soon the entire city knew it, when robbery after robbery went unpunished.

Security guards application went down. No one wanted to be a statistic after a Machine crime. Banks found themselves seeing more resignation forms than applications.

Which left them more vulnerable.

Copy-cats began to appear everywhere, causing even more work for the police.

Most were sloppy. They didn’t possess the right gear. They weren’t disciplined. They forgot to shoot cameras, confiscate mobile phones, adequately use the right cable ties.

They used cheap guns; home-made shotguns and small calibre pistols. They would spent too long at the scene of the crime, trying to take everything instead of escaping with something.

Most couldn’t kill the security guard. They weren’t ruthless enough to set an early precedent to the rest of the hostages. They weren’t scary enough.

But the deed was done. Bank robberies were now in vogue. Everyone wanted a piece of the action.

Soon discussions were being made, about bank managers being armed, in case of an emergency. This backfired spectacularly, when a manager wounded more hostages than the copy-cat robbers did.

Gun instructors found more ways to make a living in this time of chaos, as more and more people sought their knowledge. Banks began organising training programs and funding support classes for their staff.

One branch even went so far as to simulate a robbery for realistic teaching purposes.

The mayor, desperate to fix his approval ratings, began the slow militarisation of the police. Now officers began to carry heavier firepower in their squad cars.

Shoot-outs between criminals and police reached an all-time high. It reached a tipping point where policemen were doing more property damage than the criminals, with their firepower.

Bystanders got caught in the fray more often.

Then it was gun stores who found themselves out of stock, as people began to believe in their own ability to protect themselves than the law.

A defining example was expressed, at a local small bank in an outskirts neighbourhood to the town, where 3 copy cats came in with stockings over their heads and tried to rob the place. 2 patrons drew their concealed carry pistols and began to fire at the robbers.

Both patrons died, along with one of the criminals, and 3 hostages were wounded in the fray. The other two impersonators died, when the police arrived and opened fire.

It was a time of chaos. Cops grew more and more aggressive as their brethren grew tired of being over-worked, under-appreciated and under-mined. Corruption within the force, an all-time high in the country, shot higher still.

Extra judicial justice was now more and more common. Patrols took bribes more often. Cops started pulling rifles out more than their pistols.

Atop of all this, the Mayor watched as his city tore itself apart. He was furious. The delicate balance that he had worked so hard to maintain between cop and criminal, was now completely erased.

He had played each other against one another and profited from it for so long, but now, the money was drying up. His anger and fury led to poor leadership.

Inefficient governance from the Mayor crippled the town and allowed the Machine to do its work under the cover of anarchy.

And work they did.

Heist after successful heist soon made them millionaires. They could now afford to do one last raid and be financially secure for the rest of their lives.

But the Machine knew that they couldn’t just do any ordinary robbery. It would have to reflect their status as the apex predator. It would have to be a message.

So they bid their time. They stopped taking down small banks and branches. They allowed the copy-cats to sow more discord in the town they had made their own.

The cops were bewildered by their sudden departure.

But they were grateful in a strange way. These men were untouchable. At last, they could salvage something akin to reputation from this mess. The break gave the beleaguered men and women in uniform some confidence back.

Rumours began to spread among the force that the Machine had finally stopped their crime spree.

One outlandish officer claimed he killed them. Another said they had moved on to another country, and began taking down targets there. Even more theories were circulated that the Machine had taken each other out in their greed.

For the Mayor, he didn’t care. This was his chance. He went out and claimed a victory for the city without truly announcing that they had actually caught the Machine robbers.

Now, he claimed, they could focus on the real crime.

The Mayor went into fanatic leader mode. He diverted even more money to the police force and began to ignore and overlook certain cases that were too brutal.

In every press conference and media outlet, the Mayor promised to be tough on crime. He swore that he would regain control of this town. Affirmed that he was the boss. Vowed to bring justice back.

Soon the police were cracking down hard on all types of banks. They reduced their response time from 10 minutes to 6 minutes. They came armed and ready. Countless copy-cats were arrested and many more killed in this moment of reprieve.

The city could breathe again. The Mayor could breathe again, with tributes pouring in from criminals and policemen alike, adding zeros to his account. Things were beginning to be normal again.

The Machine merely noted all these improvements and continued their preparation for their final heist. The end-all signature on their legendary chapter.

Their target was now the Mayor.

This had always been the plan from the get go.

The Machine against the System.

There were 4 common links among the men of the Machine.

Each had been presumed KIA (Killed In Action) by their respective foreign military and sought refuge in a foreign land. Only Clown belonged to the country that they had bought terror to.

Each man had grown to love the country they had adopted. But the flaws and lack of governance had become all too apparent after years of settlement. Every single one of them had conducted multiple types of vigilantism justice after a crime touched them. All of them had lambasted and blamed the Mayor for years about the corruption.

Each had lost all their relatives or contact with them, since their last military action. None had any strings that held them to any part of society. But that didn’t stop them from looking out for their families from afar.

And each man had his own personal score to settle with the Mayor.

Oni blamed him letting a murderer free, after he killed Oni’s niece.

Roman had lost his only daughter in an understaffed hospital.

Alien was a direct and tragic consequence of immigration laws.

The biggest grievance however, belonged to Clown.

Clown knew that the Mayor was responsible for his “death”. A former squadmate who had betrayed Clown’s squad and left them for dead in the desert.

A traitor who used his “tragic” story to win sympathy and votes and gain control of a city, where he had run it into the ground with his corruption. Clown and the men of the Machine were a direct consequence of the Mayor’s corruption and incompetence.

Each member of the Machine crew, were completely focused on the Mayor. It was he, who was responsible for their actions.

It was all on the hands of the Mayor. The Machine was merely life’s response to the system the Mayor had created.

The robberies, the new-found riches, was mere compensation for these men who had lost so much and wanted to build anew.

Outside of the robberies, the four men barely spoke to each other. Their native languages were too diverse from each other, but years of military training had taught them basic commands.

And that was all they needed. Each knew of each other’s story, but privately considered it insignificant to their own personal tale. However such justification didn’t matter when taking a score together. All that mattered was that each member was aware of his job and were to execute it well.

To take down the Mayor, they were going to have to make it past a veritable platoon of  bodyguards, not least of all, take into consideration the Mayor’s past as a soldier.

Clown had dismissed that idea. The man was soft. Spineless. If he was a true soldier, he would not have betrayed Clown’s squad.

The others nodded in agreement.

In addition, terrain was on their side. The Mayor had purchased an ultra-modern forest retreat that was situated well away from the town that he governed.

A beautiful and stylish house, the retreat featured a large clearing surrounding it and a nearby private lake, that generated a moody mist that enveloped the entire area.

Tall pines and birch on hilltops, surrounded the compound, with a single road that lead to a major highway to the town, some 6 miles away.

A security booth was situated at the road, to allow the police to check visitors and there was a permanent sniper’s nest for the Mayor’s bodyguards to use.

An expensive speedboat was docked at the lonely pier, and there was even a private helicopter pad that allowed the Mayor to park his private black and white McDonnell Douglas MD-900.

All in all, it would be challenging for the Machine to infiltrate and kidnap the Mayor, especially when he had three potential escape routes ready to go at any given time.

But to finally retire, the Machine had to go through with this. There was simply no other way they could walk away, knowing that the Mayor was still running the city, and sitting atop 200 million dollars worth of illicit sales, bribes and dirty information.

Money that would secure the men’s future until death.

Information that would protect them from any reprisal.

Bribes that would loosen any obstacle that stood in their way.

It was the perfect score.

It was to be a whole month after the city had died down that the Machine finally got its gears moving again.

When the hour of final raid came, it was twilight and the sky was beginning to darken and soften into black.

In the Machine’s safe-house, Oni, Alien and Roman were quietly nursing beers, wrapped in their thoughts.

Oni, sitting silently on the couch, his huge frame taking up half the space, stared at the TV, allowing the visual and noise to wash over him like ambient distractions.

Alien was contemplating the dart board, with multiple knives embedded in the centre bullseye, wondering if he could pin another one.

Roman was hunched over the kitchen table, scratching his chin and staring at the sudoku puzzle that Oni had designed for him, only reaching for his beer once he solved a line.

As Alien threw the knife, Oni switched channels on the TV and Roman solved a square, they all heard the sounds of sirens nearing.

Oni reached under the large coffee table in front of him, and drew out a large assault rifle, standing up to his full frame and aiming it squarely at the door.

Roman and Alien, both drew pistols from their waistbands and stood to the sides of the door, their weapons held close to their chest, ready to engage.

The sirens came closer, and closer, before dying out and disappearing.

Relieved, the men lowered their weapons and were surprised when the door was opened and a man in uniform stood there.

Oni, his reflexes the fastest, snapped the heavy rifle up and was about to send two to the head, when he recognised Clown.

Scowling, Oni safetied the weapon and lowered it, motioning to the others that it was OK.

Clown made a mute gesture of apology and gestured to them to ready up.

The time had come.

A month of reparation and training was about to come to fruition.

Upon being given the green light, none of the men smiled or showed any emotion. Instead, they silently padded back to their room, where they began to change and kit-up.

Dark woodland camouflage long sleeved shirts and pants came on, with Alien slipping on extra camouflage scrim and netting to hide his body better. Whilst the others looked ready for war, Alien looked ready to hunt.

Each man tugged their body vests tight around their torso and checked their holsters for fit.

A variety of pistols were slammed into hips, and each man chose their favourite weapon;

Clown with his assault rifle, Roman opting for a nimbler submachine gun, Oni hefting a huge machine gun, and Alien slinging a sniper rifle across his back.

Clown made sure his police uniform was easily torn off in case of an emergency and waited for his men.

In their only ritual, they came together in the living space and presented to each other their masks. Each man would whisper a brief battlefield prayer in their native tongue, before ceremoniously putting their masks over their heads together, as a unit.

Clown led them to the police car that he had stolen and killed for, and they piled in, and silently waited through the long drive to the outskirts of the town they owned.

Amber lights flashed across their masks, as suburbia began to flatten out, landscape,  away from the skyscrapers and high-rises of the central business district.

Looking out, the men saw houses that showcased ordinary men, women and children living together. Some were watching TV, others had a man and his child playing baseball; there was even a couple making out on the couch, their window left open for all the world to see.

Domestic bliss.

The sanctity of a home. The comfort of the ordinary.

Clown, Roman, Oni and Alien stared out, reminded of a quote that they had heard bastardised many times in their military career:

“People sleep peaceably in their beds at night only because rough men stand ready to do violence on their behalf.”

Tonight, the Mayor’s sleep would experience such rough men ready to do violence.

It was nearly 3 hours later, when the houses became sparse and the tall trees more abundant, that Clown began to slow the car down.

He was now taking his time, using the police side-mounted headlamp to scan the dense forestry, eyes peeled for the marker he had placed for Alien.

Spotting it, a surreptitiously placed discarded Coke bottle that leaned against a tree, he signalled for Alien to bail out.

Alien kicked open the door, and whilst the car was still moving at a good clip, half-stepped and half-ran out, his sniper rifle unslung in his arms, disappearing into the dark woodland in less than 5 seconds.

Clown kept going, circling around the Mayor’s compound, looking for the last Coke bottle. Upon its discovery, Oni leapt out, his huge frame hugging his precious machine gun and he ran up the hills, letting the darkness take him.

Roman looked at Clown and they both synchronised their watches, for 20 minutes and both men settled in for the wait, Clown tearing off his police uniform and getting comfortable. Neither men spoke, as they waited by the side of the road.

~

Alien crept through the woods, grateful for the thick mist that was rolling off the lake and providing even more difficult visibility for the sniper nest.

If Clown was correct in his recon, Alien would be coming up directly behind the nest, his job being to secure it and then provide cover for the rest of the team and prevent any escape routes from being used.

The nest was situated on the right side of the lake, closest to the road, to allow the sniper team to cover their VIP en route to the road if the police checkpoint was taken down.

With the retreat situated directly in the middle, the nest was at a relatively high elevated position, almost level with the second storey of the compound, giving the team incredible overwatch over the surroundings and into the building itself.

Alien, aware that there were most likely traps surrounding the nest itself, placed each boot carefully in front of the other, his sense attuned and alert, paranoid about every sound and any movement he could see.

As he moved from tree to tree, creeping ever so closer, he kept scanning his surroundings, his caution paying off when he saw a thin wire run at ankle height between two trees.

Scowling in concentration, Alien followed the wire with his eyes and saw a large Claymore mine staring back at him.

Noting the small metal hook that stretched the wire, he carefully lifted the hook and slowly spooled it back, and stepping into the safe area, behind the Claymore before slightly shifting the angle of the mine and attaching it to an area that would protect his flank if there were any counter-attacks.

Knowing that he was in the right area, Alien kept moving, now in a low crouch, his footsteps silent in the dense undergrowth.

Every few steps forward, Alien would touch the side of his mask, turning the world from night green to thermal white, and scan the floor and trees, unsure if the snipers would be above or below.

His patience was rewarded, when he saw a dark spot in his thermal vision, on the ground not some 10 metres away from him. Flipping over to his night vision, he saw 2 pairs of feet, lying face down in front of him, camouflage netting covering them.

Taking out his suppressed pistol, Alien scanned around to do a final check, to make sure there were no sentries, and that these men had truly only used a Claymore to protect their rear, Alien walked up to the two mounds that were meant to be men, and without hesitation fired four shots, two into each of their heads.

Shoving the bodies aside, Alien settled into their warm sniper pad, and pulled their netting over him, and taking the dead spotter’s night vision binoculars, began scanning over the lake for Oni.

Oni, having encountered no resistance to his side, was approaching from the left side of the lake.

It was his job to take the brunt of the fire. He would find an appropriate spot, suppress the house, draw fire and hope that Alien would take over multiple targets as they came out to attack Oni. Once the initial attack stopped, he would help Alien engage any escape vehicles and be support for Clown and Roman if they needed it.

With a small army of 30 men, the Mayor was extremely well protected, his paranoia about his crimes and corruption evident by the type of men he chose.

They were your standard ex-cop, ex-infantry private contractors. Cheap, disposable and in plentiful supply. They understood basic tactics and were disciplined enough against the criminals that the mayor feared. But push them against the Machine and they would crumble.

The Mayor slept upstairs, with a bevy of prostitutes that he enjoyed soliciting and having fun with, on all his woodland retreats. In the rooms next to him, were his quartet of most trusted and dangerous bodyguards, who were all ex-SWAT officers.

It was Oni and Alien’s job to try and eliminate those first.

The lights of the house shone over the lake, shimmering the water and creating a warm glow.

Oni crawled over the hill and settled down behind the sights of his machine gun and checked his watch. There was still 5 minutes to go. Looking over at where the supposedly sniper nest was, he pressed his radio once and heard a reply squawk. Relieved that the first part of the operation was smooth, Oni squinted his eyes through the tiny red dot and superimposed it onto a security man’s head at the docks.

Clown and Roman waited until the very second that the 20 minute mark ticked over before beginning to flash the lights on the squad car and driving off the highway and into the road that led to the back of the retreat and the police checkpoint.

Oni and Alien saw the sirens light up the forest and began to control their breathing, their feet plush into the leaves and grass of the forest, the cold steel of their guns resting against their masks’ cheeks.

The policeman at the checkpoint, stared at the flashing lights, thought about calling it in, but decided against it and waved the squad-car forward.

Clown lowered his window and the policeman’s eyes widened in shock, before feeling three thuds across his chest.

Clown kept the car moving forwards and Roman flicked off the lights, as they pulled up to the front door of the house.

From above, the head bodyguard, a tall ex-sergeant from an elite SWAT team stared down at the car, and frowned when one of his trusted men shook his head at the radio.

Scowling, he grabbed his rifle from a locker and signalled to the rest to get ready.

Alpha, Bravo, Charlie, Delta.

Simple, smart, and efficient names. They had a combined 15 years of experience in SWAT teams, and many more as regular patrol officers. They had fought cartels, gang-bangers, angry and abusive husbands and mobs. They were hardened fighters, used to street violence, and not above taking a lot of money on the side.

These men were the thugs of any police force, gangster cops that could be expected to take the dirtiest jobs, the highest bribes, and employ the most violent methods.

There was nothing more they loved than a good fight. The Mayor offered them plenty. Political opponents, high-ranking lieutenants, journalists … all were removed at the Mayor’s whim. These men were the foundation of the Mayor’s power, the extension of his will and guardians of the system.

Modern day Praetorians.

Alpha was Clown’s counterpart, a burly, tough and brutal man, whose face was scarred by a cartel bomb years ago.

Bravo was Roman’s analogue. Stout, muscular and possessing skilled hands, Bravo was callous in his application of medication, preferring to twist his knowledge in interrogation techniques.

Oni’s twin was Charlie. Equally big. Equally terrifying. A hulking mass of a man that could bulldoze his way through doors as if he was knocking over a vase. He stood at over 2 metres tall, and once shrugged off a small calibre pistol shot to the chest as if it was an bee sting.

Delta equalled Alien. Wiry, small, sneaky and playful with a knife. He was an expert hand to hand combatant, once taking out 5 gang-bangers who cornered him in an alleyway with just his knife. He adored serrated steel and relished any opportunity to wield it.

Just as Alpha aimed his rifle at the squad car, and his men were slapping on their vests, a single crack split the silence of the night.

What followed was chaos and fear, as machine gun fire streaked across the upper floor of the house and terrace, and shattered windows splintered and showered glass fragments everywhere.

Oni, keeping his finger poised and steady, watched as bright red streaks from tracer rounds flew from the barrel of his gun and laced their way across the back lawn and into flesh, as security guards ran out, guns up, only to be flung backwards by the heavy bullets.

Oni kept up the suppression, the heavy kick of the gun, barely registering in his shoulder, lacing round after round across and around the lawn and house, sighting muzzle flashes and punching bullets into cover, watching men reel back as metal, glass and wooden splinters entered their face and hands.

From across the pond, Alien heard the frantic radio calls from the Praetorian guards as they tried to reach the two corpses next to him. Ignoring them, Alien blew on his trigger finger, and swivelled his sniper rifle onto a man’s head, who was gesturing wildly at the woods, to his team-mates and felt the gentle kick in his shoulders as he pulled the trigger.

The man’s head snapped sickeningly hard and propelled the body into the ground, the dead fingers working the trigger of his gun, spraying rounds in a crazed cartwheel of death.

Several of his compatriots screamed and dove to the ground, where Alien’s crosshairs followed them and stilled them.

Meanwhile, on the other side of the house, Clown saw Alpha’s rifle up at the window and sprayed a burst, through the windshield of the squad car, Roman mirroring his movement, as they kicked open the door of their car and ran to the front entrance of the house.

A hail of bullets smashed through the front doors, splintering wood and causing Roman and Clown to take cover on either side of the door.

Inside, Charlie was laying it on thick, with his assault rifle, as Alpha grabbed the Mayor’s shoulders and with Bravo covering them both with his body, the three of them moved from the upper floor to the lower, as Delta scouted ahead of the three, flicking his weapon left, right, centre and up, down, searching for targets.

Charlie continued firing into the front entrance, until he saw the four of them go past him and into the kitchen where there was another staircase to go below the porch. Peeling off, he narrowly just avoided the counter-fire from Roman and Clown, as they kicked open the door and stitched gunfire across the corners of the room.

Holding for a moment, Roman nodded to Clown about the upstairs floor, and Clown pressed his radio.

Alien heard the radio squawk, and scanned the mostly glass upper floor, noting dispassionately the trio of dead women that Oni had killed in his initial machine gun burst. Scowling, he sighted one more man hiding behind a closet, his gun jutting out from behind the cover.

Pulling the trigger, he shot the man once through the head, and followed it up with two more through the chest as the body fell forwards, blood erupting violently and splashing the wall.

Satisfied there was no-one else, Alien gave a signal back and began eyeing targets on the lawn, most of whom were lying in puddles of blood.

Of the initial 30 men, 12 of them laid in pools of blood. The others had retreated to the darkened interior of the house, where they refused the orders to go back out.

Alpha stared out from the basement of the house, and looked at the simpering man next to him, and disgust entered his mind. Looking away, he stared out and knew that his sniper team was dead.

The main road was blocked.

Only the helicopter, and the boat were the two viable escape options. If they weren’t shot up. Luckily the pilot was still alive, bunking in the basement having saved his life.

But in order to reach them, he needed to remove the sniper.

Looking across at his squad and the remaining 14 men, Alpha pulled Delta close and whispered to him.

Delta nodded tersely, with the beginnings of a confident smile emerging on his face. Motioning for 3 men to follow him, Delta snuck away, and disappeared into the darkness of the night.

Repositioning the rest of the men, he strategically situated them in rooms all around the basement floor. Some stared out glass doors, at the tempting lake, whilst others got comfortable laying prone on the floor, staring at the doorway.

Bravo chose a choke point that if Clown and Roman came down, they would have to confront a three prong assault, tackling the hallway to their rear as they came down the staircase, or dealing with the two doors in front.

In addition, Alpha and Charlie were in the room adjacent to the staircase, ready to shoot right through banisters and railing, with a door behind them ready to exit.

Clown and Roman stared down the staircase, knowing that it was a trap. The gunfire had ceased and receded into silence, and they had found no one on the ground floor.

Pressing his radio, Clown awaited for confirmation from Oni, before looking at Roman. Together, they unhooked 4 grenades and slowly crept down the staircase until they were level with the first gap in the railing.

Pulling the pins, Clown tossed his pair to the two rooms in front, while Roman stuffed his down the hallway.

Sprinting back up, as gunfire roared and nipped at their boots, Clown and Roman surged back out the front entrance and Roman waited by the front door, while Clown went at a full sprint towards the rear of the house, hoping to cut off any runners with Oni.

Oni had already moved forwards and positioned his machine gun at the likely enfilade angle and saw Clown peer around the corner of the house, as they both heard yells and shouts and the sounds of hurried movement.

Just a nano-second before the explosions and frag shattered everything, Oni could have sworn he saw bright flashes at the sniper nest.

But it was forgotten, as he saw a man his size smash through a glass door, along with 7 other men, three of which were crouched and running as fast as they could.

Oni aimed his weapon and mowed 4 of them down instantly, bodies shuddering as bullets tore through them.

But the big one was still up and he roared and returned fire, charging straight at Oni.

Oni ducked for cover, as the rounds pinged through his machine gun, one of them cutting through his bicep, as he scrabbled at the ground, trying to hide.

The fire stopped as abruptly as it started and Oni tore at his leg, drawing his pistol, as Charlie appeared over the brim and with his empty rifle, clubbed at Oni, smacking away the sidearm.

Oni rolled to his feet and the two massive men stared at each other, before settling into defensive poses, Charlie adopting a boxer’s poise, while Oni hunched into a defensive jiu-jitsu stance.

Clown’s eyes widened in shock as he saw the two of them settle into their stances, but by then, the Mayor, and Alpha had reached the helicopter, the pilot desperately trying to spin up the rotors.

Emptying his magazine into the helicopter cockpit, which soon became splattered with the blood of the pilot, Clown ran forwards, towards his revenge, his pistol outstretched, the slide rocking back and forth as round after round entered the helicopter.

Elsewhere, just before the grenades had gone off, Bravo had recognised the distinctive noises and charged headlong up the stairs, screaming and firing in desperation, and colliding head-first into Roman.

Both men fell to the ground, as the explosion rocked the house and placed all the defenders out of commission except for the Praetorians and the Machine.

Scrambling back, both men went for their pistols and began firing wildly at each other, not truly aiming, just squeezing the trigger as fast as their fingers would allow. On their backs, and wriggling from side to side as bullets impacted near and on them, they looked like bizarre break dancers, desperate to avoid death.

Blood immediately began to pour, as surface wounds appeared across both men’s arms and legs, before together they ran out of ammunition.

Exhausted and desperate, Bravo pulled out a surgical knife from his chest rig and threw it at Roman, who caught it square in the face.

His head snapped back, and laid still.

Moments passed, before eerily, Roman sat back up, the knife sticking out of his stoic, expressionless mask.

He pulled the knife out, and Bravo opened his mouth to scream, but were unable to find the sounds, as the knife entered his throat and blocked them from coming out.

Groaning, Roman fumbled for his pistol, managing to just slam in a reload and angrily shoot Bravo three more times, before slumping back, clutching at his arms and legs and pressing the radio three times, to indicate his wounded state.

~

Alien heard the distress call, above the sounds of a man choking to death, his death rattle emptying into Alien’s ear. Rolling off to the side, he released the choke-hold on the man he had caught trying to ambush him and ducked as an explosion went off near him, the Claymore mine shredding the two men who dared to set it off.

Alien looked around, his senses nearly overloading him, as he stared through his mask, scanning around furiously.

As he stepped around, he suddenly tripped and the movement saved his life, as Delta rushed from the shadows, his arms outstretched, knife in hand.

Grabbing nothing but air, and tripping over Alien, as he kicked out his feet, Delta lashed out with the knife and narrowly missed stabbing Alien’s head.

Rolling away, Alien pushed himself up and drew his own knife.

Both men stared down at each other, weaving their knives slowly, their hand movements like snakes eyeing down threats, jabbing forward with terrifying speed.

Circling one another, Alien felt fear and adrenaline coursing through his body.

Delta, with a serious grimace across his face, lunged forwards with a yell.

Alien side-stepped and blocked the knife-hand sweeping in towards his stomach. Turning his torso, he let Delta in closer to him, to prevent him from getting distance, and stabbed down hard with his own knife.

However, Delta, reading his intentions, jerked backwards and spun around in Alien’s grip, breaking free and stepping away.

Both men took deep breaths, and charged in again.

Like mirror images, Delta’s support hand grasped Alien’s knife hand, with Alien mimicking the same defensive move.

They stood still, like statues, tense sinews and strained muscles, fighting each other, unwillingly to give up pressure. Desperate to avoid death and the killing move that would follow. Alien stared through the night vision green to scan Delta’s eyes, who showed immense concentration.

Suddenly remembering his advantage, Alien swiftly shifted the pressure down, instead of up, and Delta buckled, as the Alien mask smashed the bridge of his nose, stunning him.

Reeling back, Alien cut away at Delta’s knife hand, causing him to drop it, before severing the man’s armpit and then slicing out the tendon at the ankle.

Delta, his legs splayed out and on his knees, stared up at the Alien that was going to kill him.

Burying the knife back of Delta’s neck, and slicing through, Alien watched as the blood poured out and stood back, as the body fell forward limply into the dirt.

Gasping slightly, he picked up his rifle again and aimed through the scope, desperate to get back into the fight.

~

Down at the lake, Oni and Charlie mirrored the fight at the sniper nest.

Charlie was throwing punch after punch, with Oni ducking and weaving, his huge mass slowing him down, as he tried to get close the distance.

Their styles were radically different.

Oni needed to defend and tackle Charlie onto the ground, before he took too much damage from Charlie’s powerful boxing moves.

He had already absorbed too many jabs, grateful that he mostly just had to protect his face and throat, as he could rely on his chest rig to soften body hits. Even with his mask softening the hits, the force was immense.

Oni was also desperately trying to read Charlie’s moves, to avoid the devastating uppercuts that could end the fight.

He kept his elbows up, hands out, blocking and ducking like a madman under the onslaught.

In the end, when the fight wasn’t going your way, it was time to improvise.

Oni saw his damaged machine gun on the ground behind Charlie and began to subtly move him towards it.

Charlie, focused too much on landing satisfying punches, kept up the flow. A jab to the right, followed by a feint, that transformed into a straight left. Haymaker that he knew would miss, but could follow it up with 2 jabs into Oni’s chest and then a big swing into the side of his head.

Only the final swing didn’t occur, because he stepped into Oni’s machine gun, breaking his concentration, and Oni immediately rushed forwards, wrapped his arms around Charlie’s legs and swept him onto the ground.

Charlie’s eyes buckled as Oni wrapped his legs around his torso and squeezed them together in a vice like grip. Charlie desperately tried to punch at Oni’s face, but with his movement limited and with most of the power coming from the hips, the punches were ineffectual and beginning to weaken under the immense pressure that Oni was applying to him.

Feeling Charlie was close to a blackout, Oni squeezed even harder, and heard a sickening crack as Charlie’s spinal cord snapped and immediately resistance went limp and weak.

Holding on for just a few more seconds, Oni stumbled away from Charlie, sweating profusely, his breathing, ragged and raspy. Picking up his discarded pistol, Oni walked over to Charlie and delivered a coup de grace to the back of his head, before sinking to his knees in exhaustion, staring at Clown.

~

With the helicopter destroyed, the pilot killed, Alpha was forced to move the Mayor down to the docks. The final option. Everything had gone completely wrong, even in his protection duty, as the Mayor had gotten hit in the leg by Clown’s pistol fire.

Half carrying the limping Mayor, Alpha gritted his teeth in anger, and fired his pistol back at Clown, who took two to the chest, dropping him hard onto the floor.

Gasping for breath, Clown shuddered as he opened up the chest rig and pulled the ceramic plates from beneath to stop the huge deformation of the rounds from pressuring his body.

Rolling off to the side, as more pistol fire slammed into the ground near him, Clown reattached the chest rig correctly and got into a crouch, his eyes watering from the pain.

Cursing, he saw that the Mayor was already in the speedboat at the pier, and tried to fire his pistol, except he couldn’t see the sights through his blurry vision.

Struggling upwards, Clown got to his feet and tried to rub his eyes, only to touch his mask.

Shaking his head instead, he cleared the tears, dropped the magazine in the pistol, racked the slide and pressed on, cold fury in his eyes.

Alpha saw him move down and fired at him, as behind him, the Mayor struggled to operate the speedboat through the pain in his leg. Above the gunfire, Alien looked through his scope and finally settling his breathing, centered the crosshairs on the boat itself, and began firing methodically.

Bullets ripped themselves into the control panel, causing sparks and the Mayor to shriek in pain, and duck for cover in the boat. The engine spluttered and sparked as rounds after round continue to slam into the boat.

Alpha, realising what was happening, dove off the side of the boat and towards the docks, where he pulled himself up, just as Clown came charging down and drove them both into the lake.

Alien looked up and swore under his breath, and remembered the distress call. Coldly speaking over the radio to Oni, he told him to head over to Roman and see to his wounds, as he continued to suppress the Mayor, hoping Clown was alright.

In the dark water, Clown and Alpha struggled together, their arms clutched in each other’s chest rigs. The cog in the Machine, against the elite of the system.

Seeing Alpha’s pistol come out, Clown let go and scrambled away, watching as the pistol barked underwater and the bullet coming towards him, only to drop suddenly off, robbed of its momentum.

Seeing the pistol run dry, Clown swam for the surface, taking a quick breath, before Alpha pulled his leg under. Opening his eyes in the murky water, Clown punched Alpha in the groin, and watched as he reeled back.

Taking out his knife, Clown stabbed at Alpha, only to get kicked in the face as Alpha tried to get away.

Losing his grip, he made for the surface again and saw that Alpha had begun swimming for the pier. Swearing, Clown did the same and go to the pier, just as Alpha had climbed up and was spinning back around, trying to reload his pistol.

Boosting himself up, Clown grabbed the Alpha by the chest and threw him back into the water. Taking a massive breath, Clown dove down and this time, stabbed manically through the water, slashing at anything that resembled Alpha’s form.

Alpha screamed as his arms took the brunt of the attack. His training was trying to kick in, to remind him to keep up his defence, but by then the terrifying Clown mask was so close that terror took hold of him.

Clown stabbed the knife into Alpha’s chest, and strangled him savagely with the other, watching as large air bubbles erupted from the mouth, mute with horror and fear. He kept going, working the blade methodically, tightening his grip on the neck until finally the last gaggle of bubbles came billowing out, and the eyes turned glassy.

Bursting through the surface again, Clown swam back to the pier and exhausted, hauled himself onto the sand, lying flat on his face, dead to the world.

~

It seemed ages later that Alien came running down, and began slamming his fists into Clown’s chest, waking him. Clown struggled up and went mute with horror for a second, when he saw a Roman, a Demon and an Alien stare at him, before recovering and remembering where he was.

Getting up, Clown saw that the Mayor was zip-cuffed to a lawn chair and was pleading with his eyes, his mouth having been stuffed with his own socks.

Looking over at the Machine, his squad, they nodded and Oni handed him a knife.

Clown remembered the speech, that he had rehearsed and reaching under the mask, he deactivated the voice modulator.

Good Evening Mayor … 

We are the Machine. We are here for money, and your life. 

You have been restrained and immobilised. If you are experiencing distress, breathe and relieve yourself on the spot. 

Everything in these premises is now ours. Nothing you own is sacred to you any-more. The system no longer exists for a man like you. Only the Machine will spare you any attention.

If you allow the Machine to do its work, you will be spared further pain. 

Interfere, and this will occur.”

Clown punctuated the speech with a swift knife into the Mayor’s thigh and dismissing the muffled scream, pulled out a pen and paper from his chest rig and wrote the word “PASSWORD.” in block letters.

Ripping the socks away, the Mayor began spilling out all his secrets, Oni standing by with a tape recorder, whilst Clown wrote them down.

Once he had finished, the Mayor slumped in his chair, exhausted, staring dully at the knife that stood out from his thigh.

“I just want to know one thing before I die. Who the fuck are you guys.” he murmured.

Clown tucked away the notepad and pen in a waterproof sleeve. Raising the mask briefly, he stared into the Mayor’s eyes.

“You! You …”

The Clown sealed his mask shut and stepped back.

Roman, Clown, Oni and Alien stood side by side, as the Mayor looked up at them.

The Machine drew their pistols as a unit, and fired together.

4 bullets. 4 attempts at redemption that had been destroyed. 4 men that had been turned into something else, something mechanical.

Turning around, the Machine walked towards the house, to their prize among the dead, silent and emotionless, their masks betraying nothing of how they felt inside.

Author’s Note:

Quite easily the longest story I have ever written in a single sitting, clocking in at around 8400 words.

I started it yesterday, taking a break around the 1500 words mark, before finishing it off today at 10.30pm. in between serving customers at work and taking breaks here and there.

The inspiration for this, mostly came from the film Den of Thieves (2018) which to me, was a decent attempt to pay homage to the legendary film Heat (1995).

I used the basis of extremely violent, highly trained thieves, and originally wanted to describe a bank robbery, but it ended up turning a lot more interesting and reminiscent of the 007 short story by Ian Fleming, For Your Eyes Only which I stole the entire basis of a cabin retreat, surrounded by dense forestry and a lake.

If you are struggling to imagine what the retreat look like, I took inspiration from the film Gone Girl (2014) when crafting together the overall look of the Mayor’s home. In particular, I referenced Desi Collings’ cabin retreat, where Amy seeks refuge.

Obviously for the Machine, I didn’t really intend for it to be about how the “system” failed these men, but I needed a recurring theme as to why these men were so driven, so ruthless in how they operated and performed in bank robberies.

This was also inspired by why in fiction, you seem to see so many iconic masks for bank robbers but not many other criminals. I don’t really know the reason myself, but I was pondering that question and wanted each member of the team to stand out and have an identity for him.

Clown, was obviously American based, with his colour scheme and the fact that creepy clowns are a very iconic American pop culture reference. His masks resembles that of the clowns in Payday 2 (2013).

Oni, my personal favourite, was Japanese-influenced and meant to be the antithesis of typical Asian depictions, him being the biggest and strongest guy, akin to a sumo wrestler, of the quartet.

Roman, was based on the video game designs seen in Ryse: Son of Rome (2013), in which I also took the idea of Praetorian guards to design the counter-SWAT team for the Mayor and of course the Centurion character in For Honor (2017). Of course, this indicates Italian origins for the character.

Alien’s mask, was actually designed around a custom mask I made in the game Payday 2 (2013), in which it was called Alienware and I made a very similar colour scheme, only the mask’s eyes didn’t glow green or white. He is a rather obvious nod to the US-Mexico border problems.

Another writing technique I tried was seamlessly merging the four separate fights. I don’t think I had ever written anything quite like this, where I was trying to create connective tissues between the 4 different locations, as well as create something unique for them all.

Of the 4, I struggled with describing Alpha and Clown’s fight the most, as trying to make a water fight sound interesting is difficult to pull off, when your vocabulary is limited to words like “splash, swim” etc. I hope what I managed to do, did convey the chaos, but at the end of the day, action … is inherently better suited to film, than writing.

Maybe I should read more Matthew Reilly to get a better understanding of action. I can always visualise his scenes perfectly well, when reading his books.

That’s it for now, I hope you didn’t mind the long read.

Expect some reflective stuff soon.

~ Damocles.

P.S. This is now officially, 9000 words long. Not bad eh?