OTO-SAN (Fiction)

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The Twilight Samurai nee Tasogare Seibei (2002)

The train lost momentum through the frozen country. 

Snow descended like a beautiful rain, as it dusted the the myriad of buildings around the train station.

The father looked out, his breath misting the shinkansens window as he stared at an elegant woman in a traditional kimono slowly shuffle her way onboard.

The vibrant colours of the kimono, crimson and ivory with a rich lilac sash reminded the father of the one he had at his home, forever untouched for over a year now.

Hung on a wooden frame, it was the centerpiece of his cupboard at home, and with his two daughters, they regularly brushed and maintained the kimono, ensuring every strand of fabric was shimmering in its splendour.

The father felt his breath catch, as he beheld the beautiful woman in the elegant kimono, slowly walk past him, her alabaster skin, nearly matching the perfect bone-white make-up, and the deep rose lips. Her brown eyes were sculpted to an inhuman level, the deep dark pencil stroke accenting the shape of her eyes and brows.

The raven hair was held up in a fan-style, supported by an ornate lacquered comb, an the father found himself catching and inhaling the soft feminine perfume as she  moved past him and sat down.

The beauty of the woman caught in his mind, the father found himself lurching forwards, as the shinkansen began its slow acceleration again, before flinging itself headlong past the city outskirts and into the countryside proper.

Peering out, he watched as the landscape change from countless buildings, to  natural scenery, as bamboo groves flashed by, their green leaves tempered by snow, frozen lakes resting dormant at the base of mountains and the ever shifting snow, as it fell in the distance, and on the window, only to be whisked away by speed and replaced by another flake.

The father saw the reflection of the beautiful woman in his mirror, and pondered on her ghostly appearance across the landscape of his country, the woman perfectly still as she sat on mountains, trees, lakes and hills.

To his surprise, her face slowly morphed and he was reminded of his great love, his wife of years ago.

Tears welled in the corner of his eyes and the father felt himself short of breath, as he stared out at the woman of his dreams, her serene smile haunting him.

His hand touching the glass, he longed to hold her, but knew such a desire was impossible to fulfil.

So he held it up and stared out at her, the glass barrier invisible to them both and he imagined what she would say, when he met her again.

But her voice, silent for so long, did not come to him.

All he remembered was her shy giggle and the way how she used to make soothing sounds when they slept together in their small cold apartment.

The father’s reverie was broken, when he felt his phone vibrate in his coat pocket.

Shaking himself out of it, he looked at the script across the tiny screen and a smile replaced the haunted look on his face, as he read his daughters’ text messages.

He missed them terribly, the long winter having separated them for months now, and both of them looked after by a kind neighbour.

At 12, his eldest daughter was almost a grown woman, her maturity belying her years, as she learned to be a responsible and serious mother to her baby sister, at 7 years of age.

She tidied up after her sister, would whisper soothing songs to calm her when she was afraid or hurt, and when they missed their father, the eldest sister would do her best to imitate his deep, soft voice and both would invariably hug and stay together as they slept the loneliness away.

She even knew how to cook rudimentary meals and would do her best not to bother her father when he was working, only doing so when she truly struggled with something, like a particularly bothersome maths sum or how to respond politely to the mailman when he delivered their father’s gifts to them.

The father looked down at his wallet and took out the cheap Polaroid he had taken of his daughters, and he kissed his fingers and pressed them to the faces of his children.

The shinkansen sped its way through the countryside, and the father stared out, his brown eyes slowly losing their tired and haunted edge, as he began to recognise more and more landmarks of his hometown

When the train finally slowed to his stop, he picked up his bags and stumbled out, pausing briefly to acknowledge the presence of the beautiful woman, who silently stared out at the station.

The chill clapped his cheeks and the father pulled his jacket lapels closer to his neck, as he pulled up the handle on his suitcase and shouldered his overnight bag across a shoulder.

Rolling his shoulders into his jacket more, he made his way down the old staircase of the station and slipped the ticket stub into the gates and began to make his way through the provincial town.

His feet crunched softly under the snow, and the father kept his pace steady and calm, as he nodded in recognition to the friendly street vendors who called out his name and welcomed him back.

Stopping briefly by a convenience store, he purchased his daughters their favourite candy, ignoring the forlorn lack of notes and coins in his wallet, and placed them in his pocket, alongside hand warmers and the origami paper figures he had made.

Walking back out into the snow, the father saw an elderly man struggle in his garage with boxes and bins.

Looking at his watch, knowing he was late to meet his daughters, the father sighed and set down his bags on a relatively dry patch of ground and offered his assistance, the old man smiling in toothy appreciation as the father lifted the heavy box and set it down, labouring quietly to help the clean up.

The old man placed a hand on the father’s shoulder and offered him a bowl of miso soup but the father politely deferred and promised he would come back to help. The old man, nodding understandingly, let the man go and waved goodbye as the lonely figure of the father trudged his way through an empty street, the white snow blanketing him.

The eldest daughter, sat in the pristine old apartment, the lamp glow casting an amber light across the room, as she and her sister fussed over the simple meal of grilled cod and warm rice and the small cup of sake that she had heated up for her father. Worried, that he was so late, the eldest daughter had just finished reheating the sake, when she heard the the doorbell ring.

Placing the small cup down gently, she and her sister ran to the door and watched as the door gently opened and their father came in.

Both of them bowed low and the father laughing, gathered them up and they both laughed and squealed in joy.

Kissing them both and holding them in his large arms, the father deftly shut the door behind him and set his bags down, his happiness restored as he beheld his beautiful daughters, the very images of his long great love, proof of their time together.

As per his custom, whenever he walked through the apartment, he stared briefly at the beautiful kimono that was hers, and always made the same vow again and again to protect and care for his daughters, the same way he did for her.

Author’s Note

A slightly different approach to writing, I wanted this piece to be a bit more poetic in its word use and reflective in its style. I strive for “slice of life” moments, like when you notice something that is strikingly beautiful amidst a lot of common things. Such things could be a beautiful woman who just happened to put a bit more care into her style and thus stand out from everyone else.

Or when you notice something interesting amongst a lot of boring things.

This was largely inspired by the movie The Twilight Samurai, easily one of my all time favourite samurai films, and I tried to emulate that realism approach the film had to an ordinary man who misses his wife but loves his children dearly.

~ Damocles. 

 

URBEX

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Contemporary Art? Chair in Wall. Photo taken from an abandoned reception hall, near my home.

Last night, got me indulging in URBEX (Urban Exploration). 

It’s been almost over a year since I last went on my last trip to do something similar, the previous one being an abandoned drainage tunnel far and away from my home.

This time, it was much closer, the first being literally 2 blocks away from my home, and a 10 minute drive in my car to the second location.

I’ve done enough of URBEX to be aware that if a place has been locked away for a good while (i.e. 3 months), people would have already gone and trashed the place.

Most importantly, they would have already created an entryway for people like me to get in.

The first location, which I will not reveal where it is exactly, for the sake of anonymity, was an abandoned Reception Hall, formerly owned by Chinese investors, who essentially used the place as a storage unit and then let it fall into disrepair and ruin.

Right in the middle of suburban Melbourne and an endless supply of curiosity for me.

I decided that enough was enough, with the COVID-19 restrictions lifting, and me being able to see my best mate again, we would celebrate us seeing each other by exploring the two spots I picked out.

So I got geared up. Heavy combat boots, dark navy cargo pants, a long sleeved Henley shirt and thick dark blue fleece. Beanie, and a neck gaiter to conceal my identity and help with any prevailing dust and particles in the air.

A small bag with all my EDC (Every Day Carry) needs, from tissues, to a multitool in case I need to free myself or cut something, and a tourniquet in case of any serious injuries. I packed my Pelican torches, two in case one went down (they are both very bright, at 500 lumens and 1000 lumens) and a monocular, so that I could scope out the place for cameras and security.

I packed my Ipod full of tense music, just to enhance the atmosphere of it all. Splinter Cell Blacklist, Blade Runner 2049, Deus Ex Human Revolution & Mankind Divided just to name a few.

Meeting my friend at night, we walked to the Reception Hall, and went round the back, where there was a well trodden pathway that the community used for bike riding.

Pushing our way through the bushes, we came across a hole in the fence, that led directly to the rear of the Reception Hall.

It had been temporary cyclone-fenced off, but I knew that there had to be a way in, because it had graffiti and mess everywhere. At the very edge, there wasn’t a block, so you could swing open the fence quiet easily.

Cautious about using our torches, because they were a dead giveaway and you could see them from the road, we stepped through the back door and entered the prep room, where there was broken glass and rubbish everywhere.

I honestly missed the crunch of broken glass beneath my boots.

It’s the sound of thrills, because you know what you are doing is illegal, but your curiosity and desire to explore trumps all of that.

It’s worth the risks, to finally quell the curiosity and to see parts of a building that were previously unknown.

To sum up, the place was a mess. There was a pile of shit close to the entryway we came in, graffiti was literally everywhere and broken glass from the window and ceiling was scattered everywhere.

The kitchen was an even bigger mess, with pipes and toilets and sinks smashed completely. Even more apparent was how cheap the whole place was. Lots of the walls were made of plaster and were smashed in, revealing hollow spaces and the ballroom floor, once made of beautiful wood panels, were now torn up to reveal concrete.

The stage was still intact however, and even featured a decrepit old, dusty lounge couch.

I didn’t sit on it.

For obvious reason.

Next to it, was the chair in the wall, and oddly, when we ventured closer to the entrance, we found a stack of chairs in a space that was oddly clean.

Even VIP cards from the place were placed atop the chairs.

My friend took one. As a memento.

Beyond the relatively small ballroom area, there wasn’t much to the place. As a reception hall, it was tiny by a lot of other standards, and didn’t have much to offer.

As a primer for our night though, it was good. Crawling out from the dense bushes and the small hole in the fence, we made our way back to my car and drove to another, much larger compound that was strangely next to a retirement village.

This place, looked a lot more formidable and was on a sizeable plot of land. It also had claims that it was protected by security, but the front fence had a gaping hole in it.

A former corporate headquarters, this compound had literally everything.

A basement that led to a giant maintenance area, with filing cabinets everywhere.

A ground floor that had a reception desk and a huge cafeteria.

An upper floor that led to another set of offices and staff conference rooms.

A laboratory with pneumatic machines and left over lab experiments.

A blueprint cabinet with all the floor plans to the entire compound, next to the abandoned generators.

Long strings of fire hoses, strewn everywhere.

A garage where deliveries were taken, where huge storage units had fallen over.

It had everything.

Graffiti was a lot more sparse too. Which meant this place hadn’t been taken over as much. But there were a lot more holes in the roof and the railings for a lot of the balconies had fallen away, leaving them bare and easy to fall off.

We spent over 2 hours there, treading on glass, envelopes, party decorations that were abandoned, manoeuvring our way past hundreds of desks, papers, CPUs, computers and filing cabinets.

It was eerie and incredible. I had never been through an office space like this before.

We both wondered about the people who worked there, who had spent time to decorate their office spaces. What sort of work went on in the labs, what use the machines were for.

There was ancient tech everywhere. Old fat PCs, floppy disks, CD-ROMs, even the decor felt old and 90s-esque.

Weirdly this was all right up till 2018, because we found 2018 newspapers left behind with a cup of old McDonalds coffee, in the basement.

Further research at home, meant that I discovered this place was shut down in 2017 and everyone had moved to a new location. The Chinese investors had done nothing with the place since.

A recurring tale.

Gotta thank the Chinese for these URBEX opportunities.

Throughout this whole compound, it was surrounded by people in their homes. We had to pause and freeze a few times, when we saw people on the couch, on their upper floor, watching TV.

We stayed low and moved quietly, staring through the monocular, hoping they didn’t spot us.

But we avoided torch light for a while, which made every step tense, careful not to slip and slam my hand on glass or trip on chairs or hoses.

We even got to access the roof, via a ladder.

Overall, it was amazing to fully explore this compound. It made the whole night experience utterly worth it. The moon was providing just enough light to see but was also dark enough to cast us into darkness without fearing visibility.

Afterwards, my friend and I discussed what we saw and we stood around our cars for hours on end, catching up.

I’m really glad I got to do this again. It’s a timely reminder that just because I feel a bit dull, a bit boring thanks to my work routine, it doesn’t take much for me to get that sense of fun, inspiration and thrills.

I just got to keep searching, keeping my eyes open and actually getting out there and doing it.

I’ll probably make a short story round this soon too.

~ Damocles.

 

 

Just Aged By A Decade (Screenplay)

Ishizuka – Melbourne CBD. One of the best designed basement restaurants to grace Melbourne streets.

INT. JAPANESE RESTAURANT – EVENING

A high-end Japanese restaurant, with ultra modern aesthetic. It’s cold, utilitarian, dark and sterile, like the sushi that is currently being eaten by the two men.

The whole setting is intimate, with a sharp bright light over the two men like a halo, casting the rest of the restaurant in shadow and it is very quiet, only the tinkle of sake cups against tables, chopsticks scraping against ceramic, small sighs of satisfaction.

One is younger, slick, slim, and sharp. He has an intelligent face, and oozes confidence, maturity and ruthlessness. A man at the top of his game.

The other man is older, mysterious and quiet. Salt and pepper mark his dark hair, crow-feet at the edges of his eyes. A professional on the verge of retirement. They are both suited and serious.

Their dialogue’s tone is serious and respectful.

YOUNG MAN

What do you think?

OLD MAN

What do I think? I think you should take it.

YOUNG MAN

Reason?

OLD MAN

It’s too lucrative not to. Jobs like these come once in a lifetime. You’d be a fool not to take it.

YOUNG MAN

I’d be a dead fool if I do.

OLD MAN

You’ve done jobs. You’re aware of the risks. Mitigate them.

The Young Man falls silent. He stares down at his plate. Pondering. The Old Man continues eating his sushi, thoughtfully dipping the raw fish into a soy sauce plate, savouring the flavours.

YOUNG MAN

If you were me, would you do it?

OLD MAN

I am you, just aged by a decade. Why else do you think I am telling you to do it?

A sharply dressed WAITRESS swings by with a bottle of sake

WAITRESS

Would you like a refill gentlemen?

Both men nod and wait for the Waitress to finish pouring before resuming their conversation. The Young Man fishes into his blazer and takes out a nicotine patch, applying it on the inside of his wrist, just past his expensive watch.

The Old Man nods approvingly.

OLD MAN

How is it going?

YOUNG MAN

Withdrawal symptoms are abating. The doctor says I’ll be off these inside of 2 months.

OLD MAN

Impressive, considering your habit.

YOUNG MAN

*grunts dismissively* This job proposal isn’t helping me.

OLD MAN

We’ve done this routine before. What’s gotten you spooked this time?

YOUNG MAN

It’s Zurich. Rules are different when you deal with gnomes.

OLD MAN

Reason?

YOUNG MAN

Did you read through the dossier I sent you?

OLD MAN

Of course.

YOUNG MAN

That’s your reason.

The Old Man pauses for a moment and looks off, recalling the important details in the brief the Young Man made. The Young Man fidgets with the nicotine patch, his discomfort with the job obvious.

OLD MAN

Your main concern, are the people?

YOUNG MAN

Yes. Zurich isn’t a place where you can be anonymous. The gnomes that guard the gold, aren’t just bankers. They got families that help them. Secrecy and privacy aren’t just nouns over there, they’re a religion and a culture. I might get past the front door, but there’s no way I can sneak out the back door, because the back door is a whole goddamn country.

The Old Man stares through the Young man and gives a small knowing smile.

OLD MAN

You’ve never tried a long con?

YOUNG MAN

No. *pauses* How long are we talking here?

OLD MAN

Enough for those patches to be gone forever.

The Young Man raises his eyebrow in bewilderment and amazement. He stops fidgeting with the nicotine patch.

YOUNG MAN

Just so we are on the same page here … you want me to plan a job that will last 2-3 months?

OLD MAN

It’s been done.

YOUNG MAN

Doesn’t this just increases my chances of getting caught?

OLD MAN

It can also decrease your chances.

The Young Man mulls the thought over. The patch is forgotten. His hands are still. The Waitress swings by again.

WAITRESS

Would you gentlemen like dessert?

The Old Man smiles at her.

OLD MAN

I will have a couple of your freshly made mochi rice cakes. Green tea and red bean. My colleague here, will have a serving of Yamasaki Whiskey strawberries. Thank you.

The Waitress curtsies and walk away. The Young Man begins to ponder more on the Old Man’s proposal, his curiosity getting the better of him.

YOUNG MAN

2-3 months. That’s basically double the length of my normal jobs. Planning and execution. I’m going to need funding.

OLD MAN

The client shouldn’t complain, if they want you in Zurich.

YOUNG MAN

This is something I’ve never attempted before. A long con, in a foreign country. There are lot of things that could go wrong and not to mention the inexperience involved.

OLD MAN

Throughout my career, I’ve lost a lot of blood to cover for any mistakes you might make.

YOUNG MAN

In this length of time, I could do 4 scores.

OLD MAN

This is a lifetime opportunity. A career definer. Men like us, can do these jobs and become legends. Stories that ring for eternity. How else did you find me?

The Young Man thinks back to when he first met the Old Man. He smiles in recognition.

YOUNG MAN

The Windsor Job. Are you implying, that this will be my Windsor Job?

OLD MAN

*shrugs* Depends on your gnome’s French and German.

The Waitress comes around and plates the desserts in front of them.

WAITRESS

Enjoy gentlemen.

The Young Man feels inspired after taking a bite of the whiskey-soaked strawberries. He looks up at his mentor with renewed respect and a cunning expression creeps across his intelligent face.

YOUNG MAN

What would you do?

The Old Man nods approvingly. Now they were getting somewhere. Progress was being made.

OLD MAN

Always start with a woman …

Author’s Note

A big piece of criticism I got from my previous screenplay was the lack of dialogue and the fact that if felt too much like a novel.

I took that to heart and got to reading more screenplays. Especially a lot more Tarantino.

Reading his work, really allowed to realise that I should just trim, trim and trim more and more, until it becomes a very bare-bones affair. Screenplays are stories that have the bare minimum, but maximum impact.

So I tried to work on dialogue and really flesh out the characters more.

I feel like this reads a bit clearer than my first attempt and am praying my dialogue isn’t too stilted.

I still got a long way to go before I can match anything written by Baumbach, Sorkin or Tarantino.

But I feel like I got a better grasp of what it takes to write a screenplay.

I think?

If not, it’s back to reading more and more. Because the only way to improve writing is to read.

~ Damocles.

RIDER (Screenplay)

The Girl with the Dragon tattoo (2011)

BLACK SCREEN

RIDER (V.O.)

Give me the time, give me the location. I’ll be there.

FADE IN:

INT. BEDROOM – NIGHTFALL

We see a map of a coastal Mediterranean town, and weapons on the table. The RIDER is talking on the phone, his face obscured by a distinctive black helmet. He is a lean figure in black motorcycle leather with red accents. He is standing at the window, staring out at the town and the ocean.

There is a hint of annoyance in his posture and voice. The room is darkly lit and a TV plays in the background, flashing strange shadows and lights across his helmet. It has an air of a cheap motel room. Temporary and anonymous.

RIDER

No. I don’t require backup.

Muffled sounds come from the phone, as the RIDER packs his things.

RIDER

No. I’m going dark now.

The RIDER hangs up and switches the phone completely off. Tossing it into his duffel bag, he lifts it onto his shoulder and leaves the room, closing the door behind him.

EXT. ROAD

The RIDER is weaving smoothly and deftly through traffic. The European city is beautiful, picturesque and traditional. Old-styled houses reflect off his helmet and there is only a hint of his narrowed green eyes beyond the visor.

His all-black motorcycle is quiet and powerful, and he takes a sudden turn off the main road and goes up a cobblestone alleyway, slowly making his way to higher ground.

INT. LUXURY YACT

The yacht is expensive, modern and tacky in all the right ways. Onboard, there are sounds of revelry and good times. It is anchored in the sea, lit up and loud.

A trim, fit, tanned, brutal RUSSIAN is dressed casually in shorts and a loose polo. He is expensive, rich and tough, eyeing his birthday party with a cool, professional eye. Women in glamorous dresses come up and wish him well. Men offer handshakes. He gives them all iron smiles.

Behind him, stand 3 bodyguards, suited and alert. The RUSSIAN nods to one of them. He is done with the party. He wants to come ashore. BODYGUARD 1 touches his earpiece.

BODYGUARD 1 (in Russian)

The Wolf wants dinner.

EXT. DOCKS

CHAUFFEUR, smoking a cigarette out of boredom, touches his earpiece and hears the call in his slick Mercedes and sticks his hand out the open window.

CHAUFFEUR 2 does the same. The two of them turn on their headlights and stand outside the doors, waiting for the RUSSIAN to arrive.

EXT. ROAD

RIDER watches them, from high ground and scans the route from the docks to the restaurant with his binoculars. A loud ship horn blares and he watches as the RUSSIAN leave the ship, and walk to the two Mercedes, where BODYGUARD 1 climbs into the first car with the RUSSIAN, whilst BODYGUARD 2 and 3 climb into the second with CHAUFFEUR 2.

Putting away the binoculars, RIDER kick-starts his bike and begin riding down. We see a compact suppressed MP5K submachine gun strapped to the side of his bike and side view of him weaving through traffic at dizzily fast speed.

We see the distinct headlights of the two car convoy ahead. The RIDER closes in.

INT. MERCEDES

The RUSSIAN looks out of his window. The lights of the city is attractive and a shopfront catches his interest. He looks back and sees the RIDER pull alongside the second Mercedes behind him, and open fire.

THUD. THUD. THUD.

A brief pause, as the RUSSIAN tries to process what happened, during which CHAUFFEUR 2 slumps over and crashes into a series of parked cars, deafening the previous silence with car alarms. The RUSSIAN turns to CHAUFFEUR 1 with a cold, and serious expression.

THE RUSSIAN (in Russian)

Go. Safehouse Alpha.

CHAUFFEUR 1 (in stressed Russian)

Alpha. Copy.

BODYGUARD 1 (in Russian)

All Units. Wolf convoy is under attack. I repeat, Wolf Convoy is under attack. All units converge of Alpha Safehouse NOW.

The RUSSIAN reaches into the door of his car and pulls out a P90 PDW, and permits himself with a smile.

BODYGUARD 1 does the same and the three of them duck, as the RIDER fires into the car, rounds shattering the rear lights.

EXT. ROAD.

We see helmet view of the RIDER, as he merges, ducks and weave through traffic.

Cut to gun-cam, as the MP5K continues to fire, punching holes through the rear window.

Cut to helmet-cam as the RIDER ducks his head as he sees return muzzle flashes from the interior of the car, as the RUSSIAN fires back.

The perspective changes again, as we watch the RIDER take evasive action against oncoming traffic, trying to move his bike ahead of the Mercedes.

The Mercedes suddenly swerves off the main road and hightails it up the hill.

RIDER

SHIT!

Cut to helmet-cam. Yanking his bike hard to the side, he chases after them, but looking down at the centre of his bike, he looks at the GPS and instead of following them down a fork, he goes an adjacent route.

INT. MERCEDES

The RUSSIAN looks behind them and frowns.

RUSSIAN (in Russian)

He’s gone. Drive faster.

CHAUFFEUR 1 does as he is asked, punching the gas and the car blasts along the alleyway at speed.

Everything seems OK, with BODYGUARD 1 even relaxing a little, when he is suddenly splattered with blood.

CHAUFFEUR 1 slumps over, a neat hole in the side of head and BODYGUARD 1 realising what is about to happen, tries to grab the wheel but it is too late.

EXT. ROAD

The Mercedes crunch into a tree, and the body of BODYGUARD 1 smashes through the windshield and lay on the smashed bonnet. The engine is still ticking over. There is no sign of the RIDER, but you can hear his motorcycle engine getting louder and louder.

The RUSSIAN, gasping and shocked, undoes his seatbelt and kicking open the door, staggers out.

He is still clutching the P90 and shaking his head, hearing nothing at all, taps the side of his head.

Suddenly the roar of a motorcycle becomes all consuming and he looks up …

Cut to helmet-cam, the RIDER is bearing down on the RUSSIAN and with a hard brake, does a forward wheelie and SMASHES the RUSSIAN hard across the face with the still spinning back wheel, and sending him flying back into the crashed Mercedes.

The RUSSIA, slumped over and shocked, looks up at the RIDER, clad entirely in black, and aiming a MP5K a him, and asks a slurred question.

RUSSIAN (in Russian)

Why?

The RIDER says nothing and cut to gun-cam, shoots him twice in the chest and once in the head, before strapping the gun to his bike and accelerating away.

The attractive Mediterranean coastal town yellow lights cast over the RIDER’s helmet and we slowly pan away and up, as the opening credits show the RIDER slowly disappear and merge into the city.

OPENING CREDITS.

~

Author’s Note:

So this is my first ever attempt at a proper screenplay.

It was very difficult to adequately tell a story, as well as convey little emotional notes for actors and express technical details on how a film should best tell this story.

I have absolutely zero experience in film, or film writing. This is just a mental exercise that I thought would be fun to attempt. So I looked up some screenplays from movies I liked, such as Gone Girl (2014), The Bourne Ultimatum (2007), and The Dark Knight (2008) for inspiration.

It was very difficult for me to apt the style of screenplays, because I usually let my stories take control of themselves. But this time, it was a conscious effort to dictate the pace and style of the events instead of running rampant with certain details that I would normally embellish if I was telling this kind of story.

A lot of details I skipped, because screenplays are meant to do that. We do not need to pain a picture of the world. The film is meant to do that for us. It is a visual medium after all. So a lot of it is meant for the director to put in his/her imagination and decide what location, cast, crew, camera angle, type of bike, exact colour of clothes etc.

The screenplay just helps visualise the sequence of events that you can “play” in your mind.

This was a lot of fun, so I will probably attempt more of these in the future. Especially if I want to participate in the 48Hrs Film Project again.

~ Damocles

COVID-19 Ways How I Learned to Stop being Bored and Love to Cook.

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Dr Strangelove or How I Learned to Stop Worrying and Love the Bomb (1964).

If I had to pick the number one enemy, the bane of my existence, I would not hesitate to choose boredom. 

7 hours of dull, repetitive, gatekeeper work at retail.

5 days in a row.

10am to 5pm.

The first few days can be summed up like this:

Go on your phone, Damocles. 

Watch Youtube for hours, Damocles. 

Annoy your friends and chat to them incessantly on Facebook, Damocles. 

Eat McDonalds for the 5th straight lunch in a row. 

Serve customers and then go straight back to the incredibly urgent Office video I am watching for the 9th time. 

But … I soon got tired of myself and the routine that my week had turned into.

It started with food.

My favourite type of meat is the undeniably boring chicken.

McDonalds … has an extremely limited menu when it comes to poultry and when you’ve had the same McChicken or Nuggets combination for the 9th time in a row … you end up perceiving lunch the same way you would an unavoidable family gathering.

Why not eat beef? 

Just not a fan if I am honest. Something about the McDonalds beef patty puts me off eating altogether.

It was also around this time, that my girlfriend, equally bored at home and at work, began to crave certain dishes and meals. So whenever we got together on Fridays, we would try making something.

It took 4 or 5 middling successes to get the cooking crave.

Our dishes haven’t really been perfect, but they’ve been edible and far more enjoyable than a lukewarm chicken burger.

I started binging – Binging with Babish videos, eager to try and make recipes. Only last week, I made pasta Aglio e Olio for my girlfriend, to surprisingly OK results.

I say surprisingly, because usually whenever I am in the kitchen, things have a habit of going tits up.

But just like shooting, the more time and experience you gain, getting exposure to the gun, or in this case, chopping and gas burners, you start to get the knack of it.

So I’ve discovered cooking, because of how boring my lunch meals were becoming. I wanted tasty food. I craved something substantial that would help make my retail shifts a bit more palatable.

Which leads to my current obsession: sandwiches.

In particular, a cubano sandwich.

Because I started watching more Babish, I felt compelled to check John Favreau’s Chef (2014), a pleasing, fun, feel-good movie about a chef who turns his career around.

The cubano being the very bedrock in which he manages to transform himself, and me falling in love with the fun that John Leguizamo is clearly having on set.

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“Best Cuban food in all of South Beach. If you need it more authentic, you can swim 90 miles that way!” 

This obsession with a sandwich, ended up with me, trying something I have not done since high school.

Learn a language.

Spanish of course.

This was probably unhealthily reinforced by repeated viewings of Senor Chang on Community Season 1, completely massacring the Spanish language with his ridiculous pronunciation and unhinged racism.

Thus far, I’ve learned how to say ….

Hello, apples, goodbye, thank you, man, boy, woman, girl and water.

Hola, manzana, adios, gracias, hombre, nino, mujer, nina, and aqua.

I only started yesterday with the duolingo app.

But it’s fun. It’s also been interesting to see how much more prepared my mind is to learn a language, versus that of my juvenile state in high school.

I can see myself actively striving to remember words and phrases, instead of dismissing them.

Learning is always intriguing.

That motto, only came about because of my previous What If?, where I realised that to make my own life more interesting and genuine, I should be trying to learn more things, than just blindly follow the easy route.

Follow my interests and actually research topics instead of just dismissing names and ideas.

A key example of this was revealed to me, when I read a headline that said: Elon Musk hates Warren Buffet.

I was aware of Elon Musk (who isn’t) but was completely in the dark about Warren Buffet. I knew he had to be rich, of some importance, to warrant the ire of Musk, but beyond that, I had nothing.

So I did a little bit more digging on wikipedia.

I was astonished to learn about Forbes’ Billionaire list, which showcases the richest men in the world, and how much each is worth.

I couldn’t help but go through each of those names, their net worth and exactly what sort of empire they ran. My personal interest, dismissed a lot of those running computer systems, like Larry Ellison’s Oracle Corporation, or Bill Gates’ Microsoft and the more obvious contenders like Jeff Bezos’ Amazon, Mark Zuckerberg’s Facebook or the Walton’s Walmart. 

Instead, I looked into fashion industrialists, like Bernard Arnault’s LVMH (Louis Vuitton Moet Hennessy) and Amancio Ortega’s Zara. 

Why?

Because to get into fashion, you need to cultivate sophistication and oftentimes, I can sense that rich European types edge their American counterparts in terms of taste and how they spend their money.

And in Arnualt’s case, he chose to create a Museum.

The LVMH Museum, which showcases Arnualt’s personal collection of artwork, is a fascinating piece of French modern history and personally, in my opinion, an affront to common design tropes.

My revulsion to the design of the LVMH Museum led me down to my secret passion for architecture.

For the longest time, I’ve always entered and stared at buildings. They still retain some of that whimsical wonder than gripped me as a child, when I saw giant 747s at an airport take off.

How the fuck do they do that?

In particular, what I love about architecture is the blend of creativity, expressionism and science that goes into it. Everything about it, is exacting, unique and undeniably complex.

I cannot truly ever grasp architecture, because in my mind, it’s the same thing as wondering how we managed to light up a city grid with electricity and allow everyone to have 24/7 access.

Its amazing.

So instead, I just go off, an instinctual reaction to buildings.

Some are boring, some are interesting but stale, some reward you with study, and some repulse me.

The LVMH museum is one such Gehry design that I cannot say I am a fan of.

To say that Frank Gehry is a genius, is a fact.

But to say that I like everything of his?

It’s more like a love-hate relationship.

I love his work on the Guggenheim Museum – Bilbao in Spain, the Walt Disney Concert Hall in Los Angeles and New World Centre in Miami, but absolutely loathe his work on the Museum of Pop Culture in Seattle.

And the less said about the Dancing House in Prague, the better.

However, he is the product of our contemporary times. He serves as a reflection of modern taste, a master of shaping and bending metal, glass, plastic and glass, that we all love to use in our modern construction.

But I love the understated work of Rem Koolhass more. The sharp lines, the way how he manipulates angles and showcase windows, is a lot more definitive and interesting.

The beyond gorgeous Seattle Central Library is amazing, as is the China Central Television Headquarters in Beijing.

How he envisioned the CCTV Headquarters is nothing short of incredible in my opinion.

To me, architecture provides such an unique opportunity to showcase your city’s character and personality.

Melbourne’s architecture is rather plain, but I’ve walked the streets long enough to know about the hidden nuggets here and there. I love my town, but it isn’t flawless.

However look hard enough and you’ll find buildings of very interesting design

And I’m not referring to the hideously designed Federation Square either.

Instead, I direct you away from the dull, commanding, and dome-less Parliament House of Victoria, and towards more respectful and a homage to an Ancient Wonder, the Shrine of Remembrance in South Melbourne.

A national war memorial, it is a Mausoleum, made of granite, and can be seen directly down the centre of Melbourne’s CBD when standing at the proper angle. It is also a callback to Ancient Wonders, like the Mausoleum at Halicarnassus and the Parthenon in Athens.

Once you’ve admired and paid respect to the Museum, look across the street and stare at one of my favourite Melbourne apartment designs, the Melburnian, with its iconic and strange curved design.

Ignoring the Eureka Tower, and the Rialto, I advise you to observe the gargoyles on the Gothic Bank (ANZ) and the beautiful stained window designs.

Also nearby is the amazing 333 Collins St, a former banking chamber, with baroque overtones and an incredible roof and classic alleyway design. It was also featured prominently in the time travel thriller Predestination (2014), a surreal viewing experience for me, as I know that building so well.

Venturing further, one must always visit the skyway that link the Emporium and Melbourne Central and marvel at the traffic below.

But before doing so, you must treat yourself to an intriguing green lantern roof, in the St Collins Lane. Alas the intriguing green lounge rooms, with their grunge roofs and black wall decor, have disappeared, replaced by dull shops. I have many fond memories of the lounge area, and relaxing with my girlfriend there, after long trips around the CBD.

However, my favourite places to visit, will always be hotels.

There is something magical about visiting a luxury hotel. It’s a strange mixture of temporary and permanence, your home away from home, but it’s always perfect, still and dead, despite you living in it.

The couches aren’t quite as good as the one at your home, but the toilet and shower are better. The bed is perfect, soft, clean but never as warm as your own.

But beyond the rooms, I adore the lobbies. I love the perfect facade, and how people come in and out, stay and leave, resting or waiting. There’s a unique ambience in them that I love, and the architecture has to reflect that.

Books are placed in a certain place, windows are designed to showcase the world outside, elevators are hidden away, floors are marbled, convention rooms are subtly labelled and even the receptionist must blend with the surroundings.

I personally adore the Park Hyatt Melbourne lobby and design, with its magnificent staircase.

Equal contenders are the Westin Melbourne with its marbled, grey and white interior, the Grand Hyatt Melbourne with its beautifully dark, dimly lit atmosphere, where I’ve hung out for hours on their outdoor chairs, and eaten at its restaurant, and the antique Victorian styling of the Hotel Windsor that opposes the Parliament House for classicism.

Yet, the most hotel experience I’ve ever had, still remains the Sofitel Melbourne on Collins with its actual structure built into an office complex, complete with an incredible Japanese restaurant, Kenzan, and my favourite cinema theatre: Kino – Palace Cinema.

The valet and taxi rank area is circular, with the actual lobby overlooking it, and a beautifully calm, relaxed and comfortable lobby/cafe section that has the best couches to sink into.

I love the tall roof, the circular doors for the convention rooms and level 35, which boasts the best bathroom view in all of Melbourne and an incredible airy, Middle Eastern styling for the Atrium Bar.

It is arguably my favourite place in the city.

But I’ve digressed enough on my passion for architecture and hotels.

This is the week where I’m going to learn how to cook more, learn new things to say in Spanish (Hola, mucho gusto! Mi nombre es Damocles.), and keep on writing.

My next big style to perfect is actually a screenplay.

So look forwards to that. I’ll be using the Gone Girl (2014) screenplay by the author herself, Gillian Flynn, who I am a big fan of.

Until next time, when boredom strikes again.

~ Damocles.

What If? Damocles was a better conversationalist.

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Blade Runner 2049 (2017)

I’m staring at Facebook.

Wondering, out of the 94 people that are on the friends list, how many of them do I talk to?

How many of those friends have I neglected? How many have I not gotten to know better?

Would any of them pick up, if I were to call them? What would I say to them?

There are 94 unique individuals on that list. Each with their own desires, needs, wants and personalities.

How well do I know them?

My mind says, I know them enough.

Enough to remember their names. Recall their faces.

The particular way how they pronounce words.

Their style of walking. Their style, clothes and accessories.

I can even recall how they laugh and how they react to me.

But is that all there is to a human being? Is that all I need to call them a friend, to be familiar with them?

My heart says, no.

I can’t help but feel the art of conversation inside of me is … dead. Whatever happened to proper discussion? What happened to lengthy text posts? Why is it all so lazy?

And … Have I really gone so far, as to discuss why I am such a bad conversationalist with myself instead of with another actual human being?

I can always place blame on social media. The conversations I have with those I do keep in contact with on Facebook, are mostly memes. I find something that amuse them, share it and we have a quick back and forth before ignoring each other again.

The fact that it is so low maintenance, so utterly forgettable, and such a quick pro quo, and this is for someone who I actually want to talk to …

Makes it quite sad in retrospect.

This is not even mentioning, the 90 other people who I don’t even bother doing that to either. I have gotten so slack, so undeniably lazy that even with people I place greater stock in than the rest, I don’t put any real effort in.

There are so many times, when I would see other 90 people’s names, and wonder how they are doing, but never bother to click on the little bubble and genuinely ask them.

Am I afraid of them, that somehow it would be strange to ask out of the blue? Or am I too lazy to care anymore?

I wonder which is the worse question.

But I can’t really blame social media. I can’t pin all my ills on Facebook and claim that, that website is the reason why my conversation skills suck.

Social media is just a tool. How you use it and be defined by it, is your choice alone.

So if I choose to be friendly, open up conversations with the other 90 people on that friends list, I run into another common excuse.

What do I talk to them about? 

The answer to that, is frankly, quite obvious. I just need to recall what we share or liked together and go off that common ground.

However, this is where my personal and professional life clash.

I have spent so long being a leader, being a boss, that I have genuinely forgotten to ask what are a lot of my friends’ interests actually are.

Because of that attitude, I am certain that is why everyone treats me like a leader, not a true friend. I am not someone that they can call upon for help or hang out regularly.

Nor a person that they can have a long, sparkling discussion about interesting subjects because … we don’t have subjects to discuss about in common.

What a sad realisation I’ve just had.

In a lot of ways, I can’t help but feel that a lot of my “friendships” are a lot like the iconic scene from Blade Runner 2049 (2017) … a facsimile of real connections.

A sensation of me reaching out, and seeing all there is to my friends, but instead touching nothing but thin air.

Aware of all things physical, but unable to truly comprehend the metaphysical.

There is a terrible loneliness that has come with this understanding. The idea that I’ve met so many people, but never really found out a key tenet of their personality, is such a loss on my part.

Meeting people and finding out more about them, should be an exciting and novel prospect. I should be more receptive to the idea about engaging with people on a deeper level, instead of sticking to shallow topics.

Questions about the weather, work and daily life, should be swapped for more personal explorations, open invitations to discuss and interesting hypothetical(s).

A good conversationalist should remain interesting and be interested if they ask and answer everything with a certain light gravitas.

It may be exhausting, it might be tiresome and no doubt it can and will be a turn-off at times, but is it not always better to show effort than display none?

There are billions of people on this planet, six-thousand years of civilisation and the two of those combined, give anyone a trillion things to discuss, from how an Archaeopteryx fossil became the face of a Canadian outdoor company, Arc’teryx to why Google is called Google.

A good conversationalist, is a curious person from the start.

A person who asks why instead of how and is happy to create thousands of why for something, as outlandish as they might be.

Which leads to another personal revelation … I’ve lost my sense of curiosity.

I lost sight of what makes my life interesting. I think, feel and believe like I know everything that happens in my circle. No-one presses my button, no-one disagrees with me, no-one wants to discuss things with me.

So I get complacent. I feel I am the Alpha and Omega of my little world.

But that simply isn’t true. I could ask my girlfriend better questions. I could check up on my friends and see if they need help. I could this, I could that.

I could actually be curious about my friends and the people I know.

What a novel concept.

What If, Damocles was actually curious about the world again?

To that, I say …

Damn.

~ Damocles.

 

 

The Machine. (Fiction)

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Den of Thieves (2018)

They called themselves, The Machine. 

Precise. Violent. Ruthless.

The scourge of the city.

They didn’t bother with pretending to dress nicely, like criminals in a film.

No suits. No hiding. No illusions or allusions to something honourable or respectful.

This was a war, and they were the apex predators.

And in any war, like any fighter, they dressed accordingly.

Head to toe, they looked like a professional military fighting force.

Black long sleeved garments, cargo pants, heavy protective plate carriers, war-belts and open carry holsters.

They were a SWAT Team, armed to the teeth with assault rifles, pistols, breaching shotguns and dozens of cable ties.

The only difference were their masks. All criminals needed a mask.

Each of them, had a unique all steel ballistic face mask.

The leader was Clown.

A garish mixture of red, white and blue. Red lips and tears streaked down and past the jolly red nose, staining the ghostly pale white face. Blue shadows were sprayed around the eyes. Tragic and terrifying.

The medic was Roman.

Solid gold, it cut a stoic expression, with narrow eyes slits, a patrician nose and expressionless lips. It featured curls atop, to mimic hair and ridges that resembled a legionnaire’s cheek shields. Inscrutable and indomitable.

The support was Oni.

A visage of the Japanese underworld, the mask was sheer obsidian with red accents. Scarlet short stout horns curled towards the sky from the top of the mask, that contrasted the large flared onyx nose, and gave prominence to the large mouth, with flared crimson tusks. Demonic and dangerous.

The scout was Alien.

An elongated heart shape, with an over-sized forehead, the mask was a gradient of midnight blue to jet black, with the darkest part of the mask ending at the chin. The eyes were two diagonal tear-drops that glowed a night vision green and occasionally thermal white. Fear-inducing and frightening.

No one knew where they had come from, or how they got all their equipment. They left no traces of their identity anywhere. The countless shell casings were all devoid of prints. The boot prints only indicated their size. Witnesses couldn’t even place their voices, because they used voice modulators.

They moved and behaved like a former Special Forces unit, but all leads concerning their identities died, the moment queries started. No one was listed as missing, killed or having gone rogue. All men were accounted for in the military. None of the branches had any clue who these men were.

Even attempts to track their movements fizzled out. The police found themselves  getting desperate. They shook down prostitutes, drug dealers, other thieves … none of the major gangs knew who this crew was. Whoever they were, they didn’t associate themselves with the riff-raff.

They were exceptional professionals, disciplined to a fault, and tactful enough not to boast about their exploits. These men left no trace except their name and signature at the start of every robbery.

Every single witness reported the same speech, whispered about the same monotone delivery, and the instant fear it bought upon deliverance.

Good Evening ladies and gentlemen … 

We are the Machine. We are here for money, not lives.

You are to be restrained and immobilised. If you are experiencing distress, breathe and relieve yourself on the spot. 

Everything in these premises is insured, so you will not lose anything. The system will provide. 

If you allow the Machine to do its work, you will be unharmed. 

Interfere, and this will occur.”

Witnesses would report that at the end, the Clown would execute the cuffed security guard on the spot, with three shots. Two to the torso. One to the head.

Screams would emit throughout the bank and several hostages would faint on the spot. No one would try to be a hero. Hostages wet themselves on the spot. The other security guards felt like doing the same. Managers didn’t resist or ask stupid questions. Complete compliance was ensured.

Every single crime committed by these men ended with a single dead security guard. Every single robbery took place in under 9 minutes, from breach to extraction. Every details of every branch they hit, they knew intimately.

The Machine knew where the vault door was, who the bank manager for the day was, what type of coffee the cashiers liked, the time-locks, the trucks that would deliver the cash, the schools that the daughter of the manager attended … every aspect was covered, every detailed dotted, and every fact checked.

There was a modus operandi. A play-book they never deviated from. Every single survivor report would corroborate it.

Alien would secure and sweep the premises and keep an eye on the response time.

Oni would disable the cameras with quick bursts from his massive machine gun, before training them on the hostages.

Roman would pressure the manager, displaying photos of his family, friends, ex-lovers … and gain access to the vault.

Clown would execute the guard, before securing the hostages phones, and cable tie their hands, then place hoods over their heads.

Then he would leave and begin rifling through the deposit boxes, the vault and prepping the money alongside Roman.

Once everything was complete, all of the best valuables stored away in duffel bags, each member of the team would take one and sling it over their shoulders.

Alien would run out, and secure the car, a nondescript but powerful vehicle that was capable of outrunning any cruiser but never the same make and model as the heist before.

He would pull up, and Oni would fire a long burst from his gun, causing everyone to press their faces even harder into the ground, and the three men would pile into the car and be out, before the squad cars could turn up.

Not a single word would be exchanged between the men. No one would say anything, unless things went wrong. They would let the guns do the talking and Clown to his speech. Actions spoke louder than words.

The only true sounds that would be heard, as they drove away, were the constant screams from the hostages, as they wailed and begged, terrified that they had died after Oni’s machine gun rampage.

It was textbook. It was violent. It was efficient. It was deadly.

And it worked every time.

The only time, it had ever gone wrong, was when there was a pair of squad cars that arrived earlier than they had anticipated.

The resulting firefight was brief. Over in a matter of minutes.

4 officers dead, 240 rounds of ammunition expended. The cars had come away like Swiss cheese, the officers not much better off.

The police had sworn revenge for their fallen brothers and sisters. But no opportunity came.

The Machine was too efficient. Too cautious. Too disciplined to make any error. They had found their groove. Their niche.

Even when a mistake was made, they had come out with superior readiness and firepower.

They were the apex predator in town, and soon the entire city knew it, when robbery after robbery went unpunished.

Security guards application went down. No one wanted to be a statistic after a Machine crime. Banks found themselves seeing more resignation forms than applications.

Which left them more vulnerable.

Copy-cats began to appear everywhere, causing even more work for the police.

Most were sloppy. They didn’t possess the right gear. They weren’t disciplined. They forgot to shoot cameras, confiscate mobile phones, adequately use the right cable ties.

They used cheap guns; home-made shotguns and small calibre pistols. They would spent too long at the scene of the crime, trying to take everything instead of escaping with something.

Most couldn’t kill the security guard. They weren’t ruthless enough to set an early precedent to the rest of the hostages. They weren’t scary enough.

But the deed was done. Bank robberies were now in vogue. Everyone wanted a piece of the action.

Soon discussions were being made, about bank managers being armed, in case of an emergency. This backfired spectacularly, when a manager wounded more hostages than the copy-cat robbers did.

Gun instructors found more ways to make a living in this time of chaos, as more and more people sought their knowledge. Banks began organising training programs and funding support classes for their staff.

One branch even went so far as to simulate a robbery for realistic teaching purposes.

The mayor, desperate to fix his approval ratings, began the slow militarisation of the police. Now officers began to carry heavier firepower in their squad cars.

Shoot-outs between criminals and police reached an all-time high. It reached a tipping point where policemen were doing more property damage than the criminals, with their firepower.

Bystanders got caught in the fray more often.

Then it was gun stores who found themselves out of stock, as people began to believe in their own ability to protect themselves than the law.

A defining example was expressed, at a local small bank in an outskirts neighbourhood to the town, where 3 copy cats came in with stockings over their heads and tried to rob the place. 2 patrons drew their concealed carry pistols and began to fire at the robbers.

Both patrons died, along with one of the criminals, and 3 hostages were wounded in the fray. The other two impersonators died, when the police arrived and opened fire.

It was a time of chaos. Cops grew more and more aggressive as their brethren grew tired of being over-worked, under-appreciated and under-mined. Corruption within the force, an all-time high in the country, shot higher still.

Extra judicial justice was now more and more common. Patrols took bribes more often. Cops started pulling rifles out more than their pistols.

Atop of all this, the Mayor watched as his city tore itself apart. He was furious. The delicate balance that he had worked so hard to maintain between cop and criminal, was now completely erased.

He had played each other against one another and profited from it for so long, but now, the money was drying up. His anger and fury led to poor leadership.

Inefficient governance from the Mayor crippled the town and allowed the Machine to do its work under the cover of anarchy.

And work they did.

Heist after successful heist soon made them millionaires. They could now afford to do one last raid and be financially secure for the rest of their lives.

But the Machine knew that they couldn’t just do any ordinary robbery. It would have to reflect their status as the apex predator. It would have to be a message.

So they bid their time. They stopped taking down small banks and branches. They allowed the copy-cats to sow more discord in the town they had made their own.

The cops were bewildered by their sudden departure.

But they were grateful in a strange way. These men were untouchable. At last, they could salvage something akin to reputation from this mess. The break gave the beleaguered men and women in uniform some confidence back.

Rumours began to spread among the force that the Machine had finally stopped their crime spree.

One outlandish officer claimed he killed them. Another said they had moved on to another country, and began taking down targets there. Even more theories were circulated that the Machine had taken each other out in their greed.

For the Mayor, he didn’t care. This was his chance. He went out and claimed a victory for the city without truly announcing that they had actually caught the Machine robbers.

Now, he claimed, they could focus on the real crime.

The Mayor went into fanatic leader mode. He diverted even more money to the police force and began to ignore and overlook certain cases that were too brutal.

In every press conference and media outlet, the Mayor promised to be tough on crime. He swore that he would regain control of this town. Affirmed that he was the boss. Vowed to bring justice back.

Soon the police were cracking down hard on all types of banks. They reduced their response time from 10 minutes to 6 minutes. They came armed and ready. Countless copy-cats were arrested and many more killed in this moment of reprieve.

The city could breathe again. The Mayor could breathe again, with tributes pouring in from criminals and policemen alike, adding zeros to his account. Things were beginning to be normal again.

The Machine merely noted all these improvements and continued their preparation for their final heist. The end-all signature on their legendary chapter.

Their target was now the Mayor.

This had always been the plan from the get go.

The Machine against the System.

There were 4 common links among the men of the Machine.

Each had been presumed KIA (Killed In Action) by their respective foreign military and sought refuge in a foreign land. Only Clown belonged to the country that they had bought terror to.

Each man had grown to love the country they had adopted. But the flaws and lack of governance had become all too apparent after years of settlement. Every single one of them had conducted multiple types of vigilantism justice after a crime touched them. All of them had lambasted and blamed the Mayor for years about the corruption.

Each had lost all their relatives or contact with them, since their last military action. None had any strings that held them to any part of society. But that didn’t stop them from looking out for their families from afar.

And each man had his own personal score to settle with the Mayor.

Oni blamed him letting a murderer free, after he killed Oni’s niece.

Roman had lost his only daughter in an understaffed hospital.

Alien was a direct and tragic consequence of immigration laws.

The biggest grievance however, belonged to Clown.

Clown knew that the Mayor was responsible for his “death”. A former squadmate who had betrayed Clown’s squad and left them for dead in the desert.

A traitor who used his “tragic” story to win sympathy and votes and gain control of a city, where he had run it into the ground with his corruption. Clown and the men of the Machine were a direct consequence of the Mayor’s corruption and incompetence.

Each member of the Machine crew, were completely focused on the Mayor. It was he, who was responsible for their actions.

It was all on the hands of the Mayor. The Machine was merely life’s response to the system the Mayor had created.

The robberies, the new-found riches, was mere compensation for these men who had lost so much and wanted to build anew.

Outside of the robberies, the four men barely spoke to each other. Their native languages were too diverse from each other, but years of military training had taught them basic commands.

And that was all they needed. Each knew of each other’s story, but privately considered it insignificant to their own personal tale. However such justification didn’t matter when taking a score together. All that mattered was that each member was aware of his job and were to execute it well.

To take down the Mayor, they were going to have to make it past a veritable platoon of  bodyguards, not least of all, take into consideration the Mayor’s past as a soldier.

Clown had dismissed that idea. The man was soft. Spineless. If he was a true soldier, he would not have betrayed Clown’s squad.

The others nodded in agreement.

In addition, terrain was on their side. The Mayor had purchased an ultra-modern forest retreat that was situated well away from the town that he governed.

A beautiful and stylish house, the retreat featured a large clearing surrounding it and a nearby private lake, that generated a moody mist that enveloped the entire area.

Tall pines and birch on hilltops, surrounded the compound, with a single road that lead to a major highway to the town, some 6 miles away.

A security booth was situated at the road, to allow the police to check visitors and there was a permanent sniper’s nest for the Mayor’s bodyguards to use.

An expensive speedboat was docked at the lonely pier, and there was even a private helicopter pad that allowed the Mayor to park his private black and white McDonnell Douglas MD-900.

All in all, it would be challenging for the Machine to infiltrate and kidnap the Mayor, especially when he had three potential escape routes ready to go at any given time.

But to finally retire, the Machine had to go through with this. There was simply no other way they could walk away, knowing that the Mayor was still running the city, and sitting atop 200 million dollars worth of illicit sales, bribes and dirty information.

Money that would secure the men’s future until death.

Information that would protect them from any reprisal.

Bribes that would loosen any obstacle that stood in their way.

It was the perfect score.

It was to be a whole month after the city had died down that the Machine finally got its gears moving again.

When the hour of final raid came, it was twilight and the sky was beginning to darken and soften into black.

In the Machine’s safe-house, Oni, Alien and Roman were quietly nursing beers, wrapped in their thoughts.

Oni, sitting silently on the couch, his huge frame taking up half the space, stared at the TV, allowing the visual and noise to wash over him like ambient distractions.

Alien was contemplating the dart board, with multiple knives embedded in the centre bullseye, wondering if he could pin another one.

Roman was hunched over the kitchen table, scratching his chin and staring at the sudoku puzzle that Oni had designed for him, only reaching for his beer once he solved a line.

As Alien threw the knife, Oni switched channels on the TV and Roman solved a square, they all heard the sounds of sirens nearing.

Oni reached under the large coffee table in front of him, and drew out a large assault rifle, standing up to his full frame and aiming it squarely at the door.

Roman and Alien, both drew pistols from their waistbands and stood to the sides of the door, their weapons held close to their chest, ready to engage.

The sirens came closer, and closer, before dying out and disappearing.

Relieved, the men lowered their weapons and were surprised when the door was opened and a man in uniform stood there.

Oni, his reflexes the fastest, snapped the heavy rifle up and was about to send two to the head, when he recognised Clown.

Scowling, Oni safetied the weapon and lowered it, motioning to the others that it was OK.

Clown made a mute gesture of apology and gestured to them to ready up.

The time had come.

A month of reparation and training was about to come to fruition.

Upon being given the green light, none of the men smiled or showed any emotion. Instead, they silently padded back to their room, where they began to change and kit-up.

Dark woodland camouflage long sleeved shirts and pants came on, with Alien slipping on extra camouflage scrim and netting to hide his body better. Whilst the others looked ready for war, Alien looked ready to hunt.

Each man tugged their body vests tight around their torso and checked their holsters for fit.

A variety of pistols were slammed into hips, and each man chose their favourite weapon;

Clown with his assault rifle, Roman opting for a nimbler submachine gun, Oni hefting a huge machine gun, and Alien slinging a sniper rifle across his back.

Clown made sure his police uniform was easily torn off in case of an emergency and waited for his men.

In their only ritual, they came together in the living space and presented to each other their masks. Each man would whisper a brief battlefield prayer in their native tongue, before ceremoniously putting their masks over their heads together, as a unit.

Clown led them to the police car that he had stolen and killed for, and they piled in, and silently waited through the long drive to the outskirts of the town they owned.

Amber lights flashed across their masks, as suburbia began to flatten out, landscape,  away from the skyscrapers and high-rises of the central business district.

Looking out, the men saw houses that showcased ordinary men, women and children living together. Some were watching TV, others had a man and his child playing baseball; there was even a couple making out on the couch, their window left open for all the world to see.

Domestic bliss.

The sanctity of a home. The comfort of the ordinary.

Clown, Roman, Oni and Alien stared out, reminded of a quote that they had heard bastardised many times in their military career:

“People sleep peaceably in their beds at night only because rough men stand ready to do violence on their behalf.”

Tonight, the Mayor’s sleep would experience such rough men ready to do violence.

It was nearly 3 hours later, when the houses became sparse and the tall trees more abundant, that Clown began to slow the car down.

He was now taking his time, using the police side-mounted headlamp to scan the dense forestry, eyes peeled for the marker he had placed for Alien.

Spotting it, a surreptitiously placed discarded Coke bottle that leaned against a tree, he signalled for Alien to bail out.

Alien kicked open the door, and whilst the car was still moving at a good clip, half-stepped and half-ran out, his sniper rifle unslung in his arms, disappearing into the dark woodland in less than 5 seconds.

Clown kept going, circling around the Mayor’s compound, looking for the last Coke bottle. Upon its discovery, Oni leapt out, his huge frame hugging his precious machine gun and he ran up the hills, letting the darkness take him.

Roman looked at Clown and they both synchronised their watches, for 20 minutes and both men settled in for the wait, Clown tearing off his police uniform and getting comfortable. Neither men spoke, as they waited by the side of the road.

~

Alien crept through the woods, grateful for the thick mist that was rolling off the lake and providing even more difficult visibility for the sniper nest.

If Clown was correct in his recon, Alien would be coming up directly behind the nest, his job being to secure it and then provide cover for the rest of the team and prevent any escape routes from being used.

The nest was situated on the right side of the lake, closest to the road, to allow the sniper team to cover their VIP en route to the road if the police checkpoint was taken down.

With the retreat situated directly in the middle, the nest was at a relatively high elevated position, almost level with the second storey of the compound, giving the team incredible overwatch over the surroundings and into the building itself.

Alien, aware that there were most likely traps surrounding the nest itself, placed each boot carefully in front of the other, his sense attuned and alert, paranoid about every sound and any movement he could see.

As he moved from tree to tree, creeping ever so closer, he kept scanning his surroundings, his caution paying off when he saw a thin wire run at ankle height between two trees.

Scowling in concentration, Alien followed the wire with his eyes and saw a large Claymore mine staring back at him.

Noting the small metal hook that stretched the wire, he carefully lifted the hook and slowly spooled it back, and stepping into the safe area, behind the Claymore before slightly shifting the angle of the mine and attaching it to an area that would protect his flank if there were any counter-attacks.

Knowing that he was in the right area, Alien kept moving, now in a low crouch, his footsteps silent in the dense undergrowth.

Every few steps forward, Alien would touch the side of his mask, turning the world from night green to thermal white, and scan the floor and trees, unsure if the snipers would be above or below.

His patience was rewarded, when he saw a dark spot in his thermal vision, on the ground not some 10 metres away from him. Flipping over to his night vision, he saw 2 pairs of feet, lying face down in front of him, camouflage netting covering them.

Taking out his suppressed pistol, Alien scanned around to do a final check, to make sure there were no sentries, and that these men had truly only used a Claymore to protect their rear, Alien walked up to the two mounds that were meant to be men, and without hesitation fired four shots, two into each of their heads.

Shoving the bodies aside, Alien settled into their warm sniper pad, and pulled their netting over him, and taking the dead spotter’s night vision binoculars, began scanning over the lake for Oni.

Oni, having encountered no resistance to his side, was approaching from the left side of the lake.

It was his job to take the brunt of the fire. He would find an appropriate spot, suppress the house, draw fire and hope that Alien would take over multiple targets as they came out to attack Oni. Once the initial attack stopped, he would help Alien engage any escape vehicles and be support for Clown and Roman if they needed it.

With a small army of 30 men, the Mayor was extremely well protected, his paranoia about his crimes and corruption evident by the type of men he chose.

They were your standard ex-cop, ex-infantry private contractors. Cheap, disposable and in plentiful supply. They understood basic tactics and were disciplined enough against the criminals that the mayor feared. But push them against the Machine and they would crumble.

The Mayor slept upstairs, with a bevy of prostitutes that he enjoyed soliciting and having fun with, on all his woodland retreats. In the rooms next to him, were his quartet of most trusted and dangerous bodyguards, who were all ex-SWAT officers.

It was Oni and Alien’s job to try and eliminate those first.

The lights of the house shone over the lake, shimmering the water and creating a warm glow.

Oni crawled over the hill and settled down behind the sights of his machine gun and checked his watch. There was still 5 minutes to go. Looking over at where the supposedly sniper nest was, he pressed his radio once and heard a reply squawk. Relieved that the first part of the operation was smooth, Oni squinted his eyes through the tiny red dot and superimposed it onto a security man’s head at the docks.

Clown and Roman waited until the very second that the 20 minute mark ticked over before beginning to flash the lights on the squad car and driving off the highway and into the road that led to the back of the retreat and the police checkpoint.

Oni and Alien saw the sirens light up the forest and began to control their breathing, their feet plush into the leaves and grass of the forest, the cold steel of their guns resting against their masks’ cheeks.

The policeman at the checkpoint, stared at the flashing lights, thought about calling it in, but decided against it and waved the squad-car forward.

Clown lowered his window and the policeman’s eyes widened in shock, before feeling three thuds across his chest.

Clown kept the car moving forwards and Roman flicked off the lights, as they pulled up to the front door of the house.

From above, the head bodyguard, a tall ex-sergeant from an elite SWAT team stared down at the car, and frowned when one of his trusted men shook his head at the radio.

Scowling, he grabbed his rifle from a locker and signalled to the rest to get ready.

Alpha, Bravo, Charlie, Delta.

Simple, smart, and efficient names. They had a combined 15 years of experience in SWAT teams, and many more as regular patrol officers. They had fought cartels, gang-bangers, angry and abusive husbands and mobs. They were hardened fighters, used to street violence, and not above taking a lot of money on the side.

These men were the thugs of any police force, gangster cops that could be expected to take the dirtiest jobs, the highest bribes, and employ the most violent methods.

There was nothing more they loved than a good fight. The Mayor offered them plenty. Political opponents, high-ranking lieutenants, journalists … all were removed at the Mayor’s whim. These men were the foundation of the Mayor’s power, the extension of his will and guardians of the system.

Modern day Praetorians.

Alpha was Clown’s counterpart, a burly, tough and brutal man, whose face was scarred by a cartel bomb years ago.

Bravo was Roman’s analogue. Stout, muscular and possessing skilled hands, Bravo was callous in his application of medication, preferring to twist his knowledge in interrogation techniques.

Oni’s twin was Charlie. Equally big. Equally terrifying. A hulking mass of a man that could bulldoze his way through doors as if he was knocking over a vase. He stood at over 2 metres tall, and once shrugged off a small calibre pistol shot to the chest as if it was an bee sting.

Delta equalled Alien. Wiry, small, sneaky and playful with a knife. He was an expert hand to hand combatant, once taking out 5 gang-bangers who cornered him in an alleyway with just his knife. He adored serrated steel and relished any opportunity to wield it.

Just as Alpha aimed his rifle at the squad car, and his men were slapping on their vests, a single crack split the silence of the night.

What followed was chaos and fear, as machine gun fire streaked across the upper floor of the house and terrace, and shattered windows splintered and showered glass fragments everywhere.

Oni, keeping his finger poised and steady, watched as bright red streaks from tracer rounds flew from the barrel of his gun and laced their way across the back lawn and into flesh, as security guards ran out, guns up, only to be flung backwards by the heavy bullets.

Oni kept up the suppression, the heavy kick of the gun, barely registering in his shoulder, lacing round after round across and around the lawn and house, sighting muzzle flashes and punching bullets into cover, watching men reel back as metal, glass and wooden splinters entered their face and hands.

From across the pond, Alien heard the frantic radio calls from the Praetorian guards as they tried to reach the two corpses next to him. Ignoring them, Alien blew on his trigger finger, and swivelled his sniper rifle onto a man’s head, who was gesturing wildly at the woods, to his team-mates and felt the gentle kick in his shoulders as he pulled the trigger.

The man’s head snapped sickeningly hard and propelled the body into the ground, the dead fingers working the trigger of his gun, spraying rounds in a crazed cartwheel of death.

Several of his compatriots screamed and dove to the ground, where Alien’s crosshairs followed them and stilled them.

Meanwhile, on the other side of the house, Clown saw Alpha’s rifle up at the window and sprayed a burst, through the windshield of the squad car, Roman mirroring his movement, as they kicked open the door of their car and ran to the front entrance of the house.

A hail of bullets smashed through the front doors, splintering wood and causing Roman and Clown to take cover on either side of the door.

Inside, Charlie was laying it on thick, with his assault rifle, as Alpha grabbed the Mayor’s shoulders and with Bravo covering them both with his body, the three of them moved from the upper floor to the lower, as Delta scouted ahead of the three, flicking his weapon left, right, centre and up, down, searching for targets.

Charlie continued firing into the front entrance, until he saw the four of them go past him and into the kitchen where there was another staircase to go below the porch. Peeling off, he narrowly just avoided the counter-fire from Roman and Clown, as they kicked open the door and stitched gunfire across the corners of the room.

Holding for a moment, Roman nodded to Clown about the upstairs floor, and Clown pressed his radio.

Alien heard the radio squawk, and scanned the mostly glass upper floor, noting dispassionately the trio of dead women that Oni had killed in his initial machine gun burst. Scowling, he sighted one more man hiding behind a closet, his gun jutting out from behind the cover.

Pulling the trigger, he shot the man once through the head, and followed it up with two more through the chest as the body fell forwards, blood erupting violently and splashing the wall.

Satisfied there was no-one else, Alien gave a signal back and began eyeing targets on the lawn, most of whom were lying in puddles of blood.

Of the initial 30 men, 12 of them laid in pools of blood. The others had retreated to the darkened interior of the house, where they refused the orders to go back out.

Alpha stared out from the basement of the house, and looked at the simpering man next to him, and disgust entered his mind. Looking away, he stared out and knew that his sniper team was dead.

The main road was blocked.

Only the helicopter, and the boat were the two viable escape options. If they weren’t shot up. Luckily the pilot was still alive, bunking in the basement having saved his life.

But in order to reach them, he needed to remove the sniper.

Looking across at his squad and the remaining 14 men, Alpha pulled Delta close and whispered to him.

Delta nodded tersely, with the beginnings of a confident smile emerging on his face. Motioning for 3 men to follow him, Delta snuck away, and disappeared into the darkness of the night.

Repositioning the rest of the men, he strategically situated them in rooms all around the basement floor. Some stared out glass doors, at the tempting lake, whilst others got comfortable laying prone on the floor, staring at the doorway.

Bravo chose a choke point that if Clown and Roman came down, they would have to confront a three prong assault, tackling the hallway to their rear as they came down the staircase, or dealing with the two doors in front.

In addition, Alpha and Charlie were in the room adjacent to the staircase, ready to shoot right through banisters and railing, with a door behind them ready to exit.

Clown and Roman stared down the staircase, knowing that it was a trap. The gunfire had ceased and receded into silence, and they had found no one on the ground floor.

Pressing his radio, Clown awaited for confirmation from Oni, before looking at Roman. Together, they unhooked 4 grenades and slowly crept down the staircase until they were level with the first gap in the railing.

Pulling the pins, Clown tossed his pair to the two rooms in front, while Roman stuffed his down the hallway.

Sprinting back up, as gunfire roared and nipped at their boots, Clown and Roman surged back out the front entrance and Roman waited by the front door, while Clown went at a full sprint towards the rear of the house, hoping to cut off any runners with Oni.

Oni had already moved forwards and positioned his machine gun at the likely enfilade angle and saw Clown peer around the corner of the house, as they both heard yells and shouts and the sounds of hurried movement.

Just a nano-second before the explosions and frag shattered everything, Oni could have sworn he saw bright flashes at the sniper nest.

But it was forgotten, as he saw a man his size smash through a glass door, along with 7 other men, three of which were crouched and running as fast as they could.

Oni aimed his weapon and mowed 4 of them down instantly, bodies shuddering as bullets tore through them.

But the big one was still up and he roared and returned fire, charging straight at Oni.

Oni ducked for cover, as the rounds pinged through his machine gun, one of them cutting through his bicep, as he scrabbled at the ground, trying to hide.

The fire stopped as abruptly as it started and Oni tore at his leg, drawing his pistol, as Charlie appeared over the brim and with his empty rifle, clubbed at Oni, smacking away the sidearm.

Oni rolled to his feet and the two massive men stared at each other, before settling into defensive poses, Charlie adopting a boxer’s poise, while Oni hunched into a defensive jiu-jitsu stance.

Clown’s eyes widened in shock as he saw the two of them settle into their stances, but by then, the Mayor, and Alpha had reached the helicopter, the pilot desperately trying to spin up the rotors.

Emptying his magazine into the helicopter cockpit, which soon became splattered with the blood of the pilot, Clown ran forwards, towards his revenge, his pistol outstretched, the slide rocking back and forth as round after round entered the helicopter.

Elsewhere, just before the grenades had gone off, Bravo had recognised the distinctive noises and charged headlong up the stairs, screaming and firing in desperation, and colliding head-first into Roman.

Both men fell to the ground, as the explosion rocked the house and placed all the defenders out of commission except for the Praetorians and the Machine.

Scrambling back, both men went for their pistols and began firing wildly at each other, not truly aiming, just squeezing the trigger as fast as their fingers would allow. On their backs, and wriggling from side to side as bullets impacted near and on them, they looked like bizarre break dancers, desperate to avoid death.

Blood immediately began to pour, as surface wounds appeared across both men’s arms and legs, before together they ran out of ammunition.

Exhausted and desperate, Bravo pulled out a surgical knife from his chest rig and threw it at Roman, who caught it square in the face.

His head snapped back, and laid still.

Moments passed, before eerily, Roman sat back up, the knife sticking out of his stoic, expressionless mask.

He pulled the knife out, and Bravo opened his mouth to scream, but were unable to find the sounds, as the knife entered his throat and blocked them from coming out.

Groaning, Roman fumbled for his pistol, managing to just slam in a reload and angrily shoot Bravo three more times, before slumping back, clutching at his arms and legs and pressing the radio three times, to indicate his wounded state.

~

Alien heard the distress call, above the sounds of a man choking to death, his death rattle emptying into Alien’s ear. Rolling off to the side, he released the choke-hold on the man he had caught trying to ambush him and ducked as an explosion went off near him, the Claymore mine shredding the two men who dared to set it off.

Alien looked around, his senses nearly overloading him, as he stared through his mask, scanning around furiously.

As he stepped around, he suddenly tripped and the movement saved his life, as Delta rushed from the shadows, his arms outstretched, knife in hand.

Grabbing nothing but air, and tripping over Alien, as he kicked out his feet, Delta lashed out with the knife and narrowly missed stabbing Alien’s head.

Rolling away, Alien pushed himself up and drew his own knife.

Both men stared down at each other, weaving their knives slowly, their hand movements like snakes eyeing down threats, jabbing forward with terrifying speed.

Circling one another, Alien felt fear and adrenaline coursing through his body.

Delta, with a serious grimace across his face, lunged forwards with a yell.

Alien side-stepped and blocked the knife-hand sweeping in towards his stomach. Turning his torso, he let Delta in closer to him, to prevent him from getting distance, and stabbed down hard with his own knife.

However, Delta, reading his intentions, jerked backwards and spun around in Alien’s grip, breaking free and stepping away.

Both men took deep breaths, and charged in again.

Like mirror images, Delta’s support hand grasped Alien’s knife hand, with Alien mimicking the same defensive move.

They stood still, like statues, tense sinews and strained muscles, fighting each other, unwillingly to give up pressure. Desperate to avoid death and the killing move that would follow. Alien stared through the night vision green to scan Delta’s eyes, who showed immense concentration.

Suddenly remembering his advantage, Alien swiftly shifted the pressure down, instead of up, and Delta buckled, as the Alien mask smashed the bridge of his nose, stunning him.

Reeling back, Alien cut away at Delta’s knife hand, causing him to drop it, before severing the man’s armpit and then slicing out the tendon at the ankle.

Delta, his legs splayed out and on his knees, stared up at the Alien that was going to kill him.

Burying the knife back of Delta’s neck, and slicing through, Alien watched as the blood poured out and stood back, as the body fell forward limply into the dirt.

Gasping slightly, he picked up his rifle again and aimed through the scope, desperate to get back into the fight.

~

Down at the lake, Oni and Charlie mirrored the fight at the sniper nest.

Charlie was throwing punch after punch, with Oni ducking and weaving, his huge mass slowing him down, as he tried to get close the distance.

Their styles were radically different.

Oni needed to defend and tackle Charlie onto the ground, before he took too much damage from Charlie’s powerful boxing moves.

He had already absorbed too many jabs, grateful that he mostly just had to protect his face and throat, as he could rely on his chest rig to soften body hits. Even with his mask softening the hits, the force was immense.

Oni was also desperately trying to read Charlie’s moves, to avoid the devastating uppercuts that could end the fight.

He kept his elbows up, hands out, blocking and ducking like a madman under the onslaught.

In the end, when the fight wasn’t going your way, it was time to improvise.

Oni saw his damaged machine gun on the ground behind Charlie and began to subtly move him towards it.

Charlie, focused too much on landing satisfying punches, kept up the flow. A jab to the right, followed by a feint, that transformed into a straight left. Haymaker that he knew would miss, but could follow it up with 2 jabs into Oni’s chest and then a big swing into the side of his head.

Only the final swing didn’t occur, because he stepped into Oni’s machine gun, breaking his concentration, and Oni immediately rushed forwards, wrapped his arms around Charlie’s legs and swept him onto the ground.

Charlie’s eyes buckled as Oni wrapped his legs around his torso and squeezed them together in a vice like grip. Charlie desperately tried to punch at Oni’s face, but with his movement limited and with most of the power coming from the hips, the punches were ineffectual and beginning to weaken under the immense pressure that Oni was applying to him.

Feeling Charlie was close to a blackout, Oni squeezed even harder, and heard a sickening crack as Charlie’s spinal cord snapped and immediately resistance went limp and weak.

Holding on for just a few more seconds, Oni stumbled away from Charlie, sweating profusely, his breathing, ragged and raspy. Picking up his discarded pistol, Oni walked over to Charlie and delivered a coup de grace to the back of his head, before sinking to his knees in exhaustion, staring at Clown.

~

With the helicopter destroyed, the pilot killed, Alpha was forced to move the Mayor down to the docks. The final option. Everything had gone completely wrong, even in his protection duty, as the Mayor had gotten hit in the leg by Clown’s pistol fire.

Half carrying the limping Mayor, Alpha gritted his teeth in anger, and fired his pistol back at Clown, who took two to the chest, dropping him hard onto the floor.

Gasping for breath, Clown shuddered as he opened up the chest rig and pulled the ceramic plates from beneath to stop the huge deformation of the rounds from pressuring his body.

Rolling off to the side, as more pistol fire slammed into the ground near him, Clown reattached the chest rig correctly and got into a crouch, his eyes watering from the pain.

Cursing, he saw that the Mayor was already in the speedboat at the pier, and tried to fire his pistol, except he couldn’t see the sights through his blurry vision.

Struggling upwards, Clown got to his feet and tried to rub his eyes, only to touch his mask.

Shaking his head instead, he cleared the tears, dropped the magazine in the pistol, racked the slide and pressed on, cold fury in his eyes.

Alpha saw him move down and fired at him, as behind him, the Mayor struggled to operate the speedboat through the pain in his leg. Above the gunfire, Alien looked through his scope and finally settling his breathing, centered the crosshairs on the boat itself, and began firing methodically.

Bullets ripped themselves into the control panel, causing sparks and the Mayor to shriek in pain, and duck for cover in the boat. The engine spluttered and sparked as rounds after round continue to slam into the boat.

Alpha, realising what was happening, dove off the side of the boat and towards the docks, where he pulled himself up, just as Clown came charging down and drove them both into the lake.

Alien looked up and swore under his breath, and remembered the distress call. Coldly speaking over the radio to Oni, he told him to head over to Roman and see to his wounds, as he continued to suppress the Mayor, hoping Clown was alright.

In the dark water, Clown and Alpha struggled together, their arms clutched in each other’s chest rigs. The cog in the Machine, against the elite of the system.

Seeing Alpha’s pistol come out, Clown let go and scrambled away, watching as the pistol barked underwater and the bullet coming towards him, only to drop suddenly off, robbed of its momentum.

Seeing the pistol run dry, Clown swam for the surface, taking a quick breath, before Alpha pulled his leg under. Opening his eyes in the murky water, Clown punched Alpha in the groin, and watched as he reeled back.

Taking out his knife, Clown stabbed at Alpha, only to get kicked in the face as Alpha tried to get away.

Losing his grip, he made for the surface again and saw that Alpha had begun swimming for the pier. Swearing, Clown did the same and go to the pier, just as Alpha had climbed up and was spinning back around, trying to reload his pistol.

Boosting himself up, Clown grabbed the Alpha by the chest and threw him back into the water. Taking a massive breath, Clown dove down and this time, stabbed manically through the water, slashing at anything that resembled Alpha’s form.

Alpha screamed as his arms took the brunt of the attack. His training was trying to kick in, to remind him to keep up his defence, but by then the terrifying Clown mask was so close that terror took hold of him.

Clown stabbed the knife into Alpha’s chest, and strangled him savagely with the other, watching as large air bubbles erupted from the mouth, mute with horror and fear. He kept going, working the blade methodically, tightening his grip on the neck until finally the last gaggle of bubbles came billowing out, and the eyes turned glassy.

Bursting through the surface again, Clown swam back to the pier and exhausted, hauled himself onto the sand, lying flat on his face, dead to the world.

~

It seemed ages later that Alien came running down, and began slamming his fists into Clown’s chest, waking him. Clown struggled up and went mute with horror for a second, when he saw a Roman, a Demon and an Alien stare at him, before recovering and remembering where he was.

Getting up, Clown saw that the Mayor was zip-cuffed to a lawn chair and was pleading with his eyes, his mouth having been stuffed with his own socks.

Looking over at the Machine, his squad, they nodded and Oni handed him a knife.

Clown remembered the speech, that he had rehearsed and reaching under the mask, he deactivated the voice modulator.

Good Evening Mayor … 

We are the Machine. We are here for money, and your life. 

You have been restrained and immobilised. If you are experiencing distress, breathe and relieve yourself on the spot. 

Everything in these premises is now ours. Nothing you own is sacred to you any-more. The system no longer exists for a man like you. Only the Machine will spare you any attention.

If you allow the Machine to do its work, you will be spared further pain. 

Interfere, and this will occur.”

Clown punctuated the speech with a swift knife into the Mayor’s thigh and dismissing the muffled scream, pulled out a pen and paper from his chest rig and wrote the word “PASSWORD.” in block letters.

Ripping the socks away, the Mayor began spilling out all his secrets, Oni standing by with a tape recorder, whilst Clown wrote them down.

Once he had finished, the Mayor slumped in his chair, exhausted, staring dully at the knife that stood out from his thigh.

“I just want to know one thing before I die. Who the fuck are you guys.” he murmured.

Clown tucked away the notepad and pen in a waterproof sleeve. Raising the mask briefly, he stared into the Mayor’s eyes.

“You! You …”

The Clown sealed his mask shut and stepped back.

Roman, Clown, Oni and Alien stood side by side, as the Mayor looked up at them.

The Machine drew their pistols as a unit, and fired together.

4 bullets. 4 attempts at redemption that had been destroyed. 4 men that had been turned into something else, something mechanical.

Turning around, the Machine walked towards the house, to their prize among the dead, silent and emotionless, their masks betraying nothing of how they felt inside.

Author’s Note:

Quite easily the longest story I have ever written in a single sitting, clocking in at around 8400 words.

I started it yesterday, taking a break around the 1500 words mark, before finishing it off today at 10.30pm. in between serving customers at work and taking breaks here and there.

The inspiration for this, mostly came from the film Den of Thieves (2018) which to me, was a decent attempt to pay homage to the legendary film Heat (1995).

I used the basis of extremely violent, highly trained thieves, and originally wanted to describe a bank robbery, but it ended up turning a lot more interesting and reminiscent of the 007 short story by Ian Fleming, For Your Eyes Only which I stole the entire basis of a cabin retreat, surrounded by dense forestry and a lake.

If you are struggling to imagine what the retreat look like, I took inspiration from the film Gone Girl (2014) when crafting together the overall look of the Mayor’s home. In particular, I referenced Desi Collings’ cabin retreat, where Amy seeks refuge.

Obviously for the Machine, I didn’t really intend for it to be about how the “system” failed these men, but I needed a recurring theme as to why these men were so driven, so ruthless in how they operated and performed in bank robberies.

This was also inspired by why in fiction, you seem to see so many iconic masks for bank robbers but not many other criminals. I don’t really know the reason myself, but I was pondering that question and wanted each member of the team to stand out and have an identity for him.

Clown, was obviously American based, with his colour scheme and the fact that creepy clowns are a very iconic American pop culture reference. His masks resembles that of the clowns in Payday 2 (2013).

Oni, my personal favourite, was Japanese-influenced and meant to be the antithesis of typical Asian depictions, him being the biggest and strongest guy, akin to a sumo wrestler, of the quartet.

Roman, was based on the video game designs seen in Ryse: Son of Rome (2013), in which I also took the idea of Praetorian guards to design the counter-SWAT team for the Mayor and of course the Centurion character in For Honor (2017). Of course, this indicates Italian origins for the character.

Alien’s mask, was actually designed around a custom mask I made in the game Payday 2 (2013), in which it was called Alienware and I made a very similar colour scheme, only the mask’s eyes didn’t glow green or white. He is a rather obvious nod to the US-Mexico border problems.

Another writing technique I tried was seamlessly merging the four separate fights. I don’t think I had ever written anything quite like this, where I was trying to create connective tissues between the 4 different locations, as well as create something unique for them all.

Of the 4, I struggled with describing Alpha and Clown’s fight the most, as trying to make a water fight sound interesting is difficult to pull off, when your vocabulary is limited to words like “splash, swim” etc. I hope what I managed to do, did convey the chaos, but at the end of the day, action … is inherently better suited to film, than writing.

Maybe I should read more Matthew Reilly to get a better understanding of action. I can always visualise his scenes perfectly well, when reading his books.

That’s it for now, I hope you didn’t mind the long read.

Expect some reflective stuff soon.

~ Damocles.

P.S. This is now officially, 9000 words long. Not bad eh?

 

Adam. (Fiction)

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The Guest (2014).

At night I’m driving in your car
Pretending that we’ll leave this town
We’re watching all the street lights fade
And now you’re just a stranger’s dream
I took your picture from the frame
And now you’re nothing like you seem
Your shadow fell like last night’s rain

For the last time …. 

(Lyrics taken from Chromatic’s Shadow song)

The melancholy sweet pop song wafted through the air of the apartment room, the atmosphere changing where Adam was sitting down, his eyes glued to the screen. He watched as an attractive brunette sat down at her dressing table, her bare face ready for the night out.

Clad in a crimson silk bath robe, that still showcased her wet skin from the shower, Adam stared intently at the laptop, his blue eyes narrowed in concentration, as he tried to pierce through the screen to see what type of brands she was using.

There were dozens of bottles and brushes on her table, and Adam could make out most of them with the zoom feature.

Tom Ford eyeshadow, Chanel No. 5 parfum, Fenty bronzer … the brands and items were expensive and effective at transformation.

The brunette took her time, her already sharp features enhanced, brushstroke by brushstroke, powder by powder, each pencil sketch; a refined definition.

The cheekbones became sharper, the tapered and sharp jaw, even more acute, the shimmering emerald eyes lifted by mascara, the wavy brown locks lined by a hot hair straightener.

Adam felt his breath catch slightly, as the bathrobe came off, and he saw her bare back and buttocks, the long straight legs that seemed to stretch to infinity and the small diamond shaped birthmark on her left thigh.

He watched as she reached up, the long hair falling to the side, revealing a full, shapely breast that was soon covered by a purple lace Agent Provocateur bra. The hips were also soon accented by matching purple high waisted briefs.

Adam felt his breathing coming in shallow and fast, as he beheld the brunette in her purple lingerie, admiring her figure in the full length mirror of her walk-in wardrobe, the marble navel taunt and flat, the long slender arms outstretched above her head, as she pouted and pursed her full red lips.

As she plucked clothes off the rack and tossed them onto her large double bed, Adam also allowed himself to get up and mirror her actions, flipping on the large plasma TV in the centre of the apartment to reflect the laptop’s feed.

Looking down at his phone, he noted the time and flipped his thumbs over to an app, that began to play music from the Bang & Olufsen Beosound Shapes, a rhythmic, pulsating song, The Demon Dance by Julian Winding.

The song throbbed and vibrated the apartment, turning it into a dark twisted fashion show. +

Pleased with the atmosphere, he padded over to his own walk-in wardrobe, and looked at his own collection of exclusive menswear and decided to go with something that would complement the woman’s dress … a Navy Twill O’Connor tuxedo that would contrast the woman’s red Silk Duchesse Pleated Pants and Cotton Velvet Jacket.

Standing at 184 centimetres tall, Adam was the type of person that could be summed up in one word: obsessed. Obsession drove him to success, obsession allowed him to work hours on end without any loss of focus … obsession had given him everything in life, except the perfect arm-piece to bring to cocktail events.

Everything about Adam, signaled intensity. His body was a Michelangelo sculpture, all marbled muscle and virile masculinity, with an equally strong face, that boasted of a strong jawline with a cleft down the middle of the chin and piercing blue eyes that stared out from under tousled, wavy black hair.

Many looked at Adam, like he was the very first and perfect specimen of a male that God had ever created. It wasn’t far from the truth, with his intelligence and ruthless nature an equal match and complement to his physical appearance.

Such looks however, were bought and enhanced by money and a scalpel, and Adam remained conscious of that fact, despite the hundreds of compliments thrown his way, since his life altering surgery.

But his obsessive nature and intelligence were all his, a narcissistic point of pride for him.

Staring at himself in the mirror, he touched his stomach and could only feel hard muscle resisting the pressure. Pleased, he got dressed in the Tom Ford tuxedo and noted with pleasure that the brunette had also finished the final touches to her own Tom Ford outfit, wearing the blazer with only her bra underneath, her enviable collarbone and full bust on display, the bra only just hidden by the button up nature of her velvet jacket.

A hanging diamond necklace came around her neck, as Adam adjusted his black bowtie and dabbed his neck with Giorgio Armarni profumo.

Then, both of them went for their final items, wallets, phones, watches and other essentials. He watched as the brunette dialed in for a Uber, and the door to her apartment close softly behind her, before killing the live feed and heading down to his apartment garage, where a myriad of sports and hypercars awaited him.

Taking a pair of keys off the rack, he turned on a dark carbon black Mclaren P1 and slowly eased the vehicle out of the garage.

They had arranged to meet at one of NYC’s finest restaurants, Daniel and at 6.30pm, Adam parked the Mclaren and got out, at the same time as the brunette. They both smiled at each other, and Adam offered one of his forearms for her to hold, the brunette pursing prettily at him, in recognition of the gentlemanly gesture.

They walked to the revolving front door, all bronze, and dark wood with marble walls, and were shown to their seats, the moment the maitre d’hotel recognised Adam.

Settling in, the brunette glanced around her happily, eager to sample the French cuisine on offer. Adam, waited patiently, rehearsing what he suspected she would order, and was pleased to know his prior research about her was correct.

Adam rolled off his order smoothly, and the rest of the dinner was spent, with Adam confirming what he already knew about the brunette.

Vivienne Lockwood was her full name, a heiress to a luxury cruise company, and well-renowned socialite. She dabbled in the film industry as a producer, and enjoyed a great number of dalliances and social circles.

Both of which had mysteriously shrunken a little in recent times, with several of her male admirers having been taken away on long holidays or her favourite one disappearing at sea.

So she was pleased when she met Adam, a veritable Adonis even among the famous and beautiful of the elite.

What she wasn’t aware of though, was that Adam had been researching her for the past 6 months, a project that had come about from his obsession with her, having once seen her on the spread of a magazine.

For 24 long weeks, Adam had studied her and carefully orchestrated everything to lead up to this moment.

The installation of the security feed in her apartment had been easy. He had gotten his workers to install it, under the pretense that the apartment building was faulty. In addition to a live-feed, there were trackers on her cars and an app on his phone that notified him of any strange deviation in her schedule.

Adam was also hardwired into her social media, frequenting her page regularly to check in on her favourite spots, her regular brunch eateries, her small desires and even her closest friends, which he had done cursory research on, to determine her best friend.

Everything about her was scrutinised and examined under Adam’s unerring inspection. Her online brand, the social media manager of her team, even the fabric of her bed … none of it escaped Adam’s attention.

Aware of her large social circle, Adam didn’t have any hesitation in removing her favourite distraction with a well timed scuba trip and drowning him in the Bahamian waters.

It had been easier than he had expected. With his huge mass, the man barely struggled, and died with minimal resistance, no doubt the huge amount of alcohol in his system contributing to the speed in which he met his demise.

The body was found an entire week later, far out to sea, Adam already back at work in his office, when the news was announced.

It was common for Adam to spend his nights, staring intently at the live feed of Vivienne’s apartment, observing her in her grief, marveling at the way how she writhed whilst masturbating, and watching her in her deepest, darkest and most private moments, sympathising with the times when she talked to her friends or herself as she admitted faults and sins, wishing he could be there for her.

And now, now he was with her, on a proper date, saying and expressing all the right things. Laughing with her, smiling with her … Adam was delirious on this high and wanted to ride it forever.

He wanted to own it, and possess it. Control it and mold it to his liking. He wanted it begging and yearned for it to dominate him.

But patience!

He couldn’t mess things up now. Not when he worked so hard and so long.

So he kept up his appearance, his shield. He was the perfect gentleman, the type of man that Vivienne had told her girlfriends, hundreds of times before. He poured generous amounts of her favourite wine, that he had privately bought to Daniels, hours before their meeting. He laughed at stories that she bought up, even though he was fully aware of their ending, having seen her instagram stories hundreds of times.

Adam was endlessly charming. He knew his best side and rehearsed endlessly how to laugh in multiple ways, from sympathetic chuckles to big booming laughs that showed how much he loved her jokes. All of these actions were calculated and designed to only display his perfect side, the angle of the face that was the most pleasing, photogenic and aesthetically worthy.

Vivienne loved it all. She couldn’t believe that she had finally met the perfect man. She was entirely oblivious to his efforts. They seemed natural. This was her first time meeting a man, who was so effortlessly a man.

The first date could not be going any better. She was determined to see things through to the absolute limits tonight with Adam. She wanted all of him.

He wanted all of her.

When dessert came, Adam took a calculated risk and placed his hands over hers. She responded immediately, caressing his hand back.

From there, the night took on a dream-like quality.

Blurriness overtook the proceedings. Adam was riding such a high, he wasn’t sure he was even properly aware of what he was doing.

He recalled the shape of her legs in his Mclaren, the hard press of her lips against his as they smashed together in the elevator ride up to her apartment.

The sensation of familiarity as he knew instantly where to go in her room, having seen it a thousand times before on his laptop.

The way she giggled as he peeled off her blazer and held her breasts and bra in his hands.

The kisses that felt warm and soft on his stomach as she slowly made her way down.

The soft squelch of her groin against his, the warm sensation suffusing through his entire system.

The erotic moans, as her arms were splayed across his back, clenching him harder to her as they moved in unison.

Then darkness claimed him.

~

Adam awoke to the sounds of a song that only he could hear:

Think of me
I’ll never break your heart
Think of me
You’re always in the dark
I am your light, your light, your light
Think of me
You’re never in the dark

(Lyrics taken from Kaleida’s Think song)

Snapping upright, Adam looked across and panicked, hoping that the night had turned out differently.

He was instantly proven correct.

He was still in his apartment, all the glided cage luxury suffocating him, the bed empty and cold, no naked gorgeous brunette next to him.

He had imagined the ending.  Everything was true up to a point; when he bought out her favourite wine, she had asked him, suspicious as to how he knew.

His stammering answer roused her instincts and with a cold fury, she stormed out of Daniels and set the hounds on him.

He only barely escaped the numerous lawyers and subsequent scandal through his use of dummy corporations, a private settlement with the Lockwood estate and the promise to erase all footage of her.

All 6 months.

All 24 weeks of footage, research, examination and study …. gone.

But Adam was an obsessive man. He would find another woman. His quest wouldn’t stop.

Not for anyone.

Not for anything.

Eventually … Adam would find his Eve.

Author’s Note:

I struggled with this one.

It was difficult to find a proper twist and revelation for this story. And I originally wanted to create a story about an abusive boyfriend. But the story starting turning into another type. Thus how this narrative ended up going into You (Netflix) territory.

I wanted to make Adam attractive, but destructive. The film The Invisible Man (2020) really kind of helped me establish how an incredibly good looking individual, can still be charming, debonair and intelligent, whilst utterly abusive, and intrusive. Adam was very much based on my first impression of Adrian Griffin in that film, with a splash of Joe Goldberg from the aforementioned Netflix series above.

And of course, David Collins from The Guest, which features one of my all-time favourite synth soundtracks.

However, I suffered from writing block regarding this for a long time. Over a solid week.

But I suspect it’s simply to do with the fact that I do not have a lot of experience or exposure to abusive relationships. A lot of my own personal experience is incredibly benign and loving, with almost nothing unhealthy about them, and all the fiction I expose myself to, are similar.

If I do suffer from writer’s block … I know that I am tackling a challenging topic. A story that I don’t have a lot of clarity and descriptive powers to handle.  It’s a step away from my comfort zone, discussing things military, myself, sappy romance and action scenes.

An important aspect of writing is to attempt these kind of topics that you have no handle on. Even if the product is shitty. And I think this one is.

There are some obvious clues that I struggled.

Sentences become a bit meandering and lack their crispness and I end up letting the narrative peter out and fizzle in a unsatisfactory kind of way, instead of having my hand on the steering wheel and guiding it to a proper conclusion.

Hence, I think my twist in this story, about it being a dream, is, I think, a bit of a flaw. Too reminiscent of Shaymalan twists.

But to make the whole thing a dream, felt even cheaper. So I made it out that Adam was dreaming about the perfect conclusion to his obsessive quest.

There were a lot of things I was attempting here. I wanted to allow you, the reader to experience the songs, so that you have some kind of soundtrack you could play whilst reading.

I was also italicising a lot of brand names to help create the world and instant familiarity, whilst trying to highlight how shallow and narcissistic this world that Adam inhabited really was.

Finally, it’s obvious, but if you arrange letters in Vivienne, you do get the name “Eve” in there. Hence the rather on-the-nose reference. Lockwood, I stole from a Harlan Coben character, but is apt, because he is locked in the woods of his own obsessive nature.

That’s it for now. Expect another few more pieces soon.

~Damocles.

 

 

The Clockmaker (Fiction)

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Arts et Metiers Station in Paris, France. 

The hourglass poured sand through the tiny crevice, the glass bubble trapping the mountain of sand within. 

Grain by grain, it slowly filled up until it reached its zenith and a spiny hand reached out and flipped it, checking it with his timepiece. 

An analogue item, in a digital world, the Clockmaker preferred gears over electronics, the application of physics over the magic of charges.

He liked cranking levers, turning wheels and making tiny adjustments with his precise screws. The colour of bronze was more pleasing than the clean sterile nature of the modern age.

The Observatory where he was working, was a steam-punk haven, of clocks, gears, steam, bronze, copper and wood. The roof was a burnished metallic sphere, that resembled Line 11 platforms of the Parisian Arts et Metiers station.

It arced over the entire spherical workshop, with a singular window cut out in the front, that allowed the Clockmaker to project his large telescope out.

Taking up most of the room, and providing an appropriate shadow under which the Clockmaker did most of his work, the telescope was an incredible feat of engineering, that rotated on large mechanical gears, that interlocked each other and a series of wheels that led all the way up to the viewing platform.

Up there, the Clockmaker had made a small wheel for himself that using minimum effort, could rotate and adjust the large optical telescope for his liking and fine tune the focus.

The base of the telescope was open, an chasm that showcased the intricate engineering and the gleam of all the copper, metal and bronze.

Due to its spherical design and central circular platform, all of the Clockmaker’s workshops were lined along the wall, with a single straight table at the base of the telescope, the precise centre of the entire space. At the bottom was also a large auto-winch, which he used to move the telescope on its axis.

Along every bench were thousands of projects that had been started and all with varying levels of progress. A single large train engine here, an unfinished sewing wheel there, and all type and sizes of screws strewn about, in what seemed like a careless manner, but were actually very precise placements for reference.

A gas stove ran in the rear, and that powered the steam generator that provided gas-light for the workshop, a pale, flickering, yellowing light that burnished the bronze interior.

As he watched the hourglass slowly fill up with sand, the Clockmaker wiped his hands on a rag that hung from his hip, and using his wrist, nudged the large goggles from his eyes, onto his forehead.

He would take a break, briefly and eat something before continuing his greatest project.

Walking away from the central workshop, he stood next to his coat rack and plucked a greatcoat off. Covering his slightly dirty white linen shirt and black waistcoat, he moved to his hat stand, a beautiful mahogany affair, and wrestled the flat cap atop his tousled brown hair.

Opening the large door that featured an enormous combination lock of his own design, he stepped out into a chilly world where green fields had been replaced by white fresh snow and blue skies with grey storm-clouds.

The Clockmaker flipped his lapels up to protect his neck and thrust his hands deep into the pockets of the greatcoat and began trudging his way across the fields, into the nearby town, where life was slowly beginning to accelerate as bakeries sold their goods and half-frozen newsboys shouted at people to collect their papers.

Hunched into the coat, he moved silently through the dirty cobble streets, the industrial sounds of a production revolution surrounding him, as men, covered in soot, flame and coal, banged away at metal and rivets, sweating profusely under their strain.

Belches of fire erupted from warehouses around him, and he reflexively ducked as a police carriage, slowly rattled its way past him. Scanning up and down for any more of the constabulary, he cautiously made his way out of the street and closer to the nicer parts of the town, where he could find nourishment.

Aware of his disheveled appearance, the Clockmaker kept to himself, doing his best to avoid well-to-do couples in their finery, dresses and jewels, and the piles of horse manure on the road alike.

Spying an unobtrusive bakery, he stepped in quickly and ordered himself a loaf of bread and butter, tucking the wrapped goods under his coat and hurriedly passing over the few coins he had.

The bakerwoman, had been too absentminded to notice him properly, but when she saw his figure leave the store, her eyes had widened slightly in recognition of something.

Scurrying away, he deftly made his way back through the industrial area, stopping occasionally to wolf down pieces of the bread that he liberally smeared with butter, using his fingers. Scanning nervously the entire time, he only relaxed his pace when he reached the relative safety of the fields, where hibernating trees, soured the landscape and cast an air of isolation and gloom over everything.

Doing his best to stop his feet from freezing over, the Clockmaker was glad when he reached the front door and unlocking the heavy combination lock with frozen fingers, he stumbled in, just as the wind was beginning to pick up.

Slamming it shut behind him, he looked at the remaining half a loaf he had eaten and touched his stomach. Feeling sated, he settled it down on a round workbench, near the gas stove to keep it warm, and hung up his coat and hat on the racks.

Picking up his goggles once more, the Clockmaker went back to the hourglass and noted that it was nearly empty again.

Waiting patiently, he flipped it as it neared the hour and turned his attention to the large project in front of him.

It was a woman.

To be more accurate, it was a pair of women.

Both were cold and lifeless, one shiny mechanical and the other formerly flesh.

The dead woman, was the Clockmaker’s wife. He had accidentally killed her in a flash of rage and been remorseful ever since. His obsession with her, and the keen loss he felt, had led to a singular night, where gripped with fanatical inspiration, he broke into the town’s graveyard and dug up her corpse.

He left only the funeral veil behind and had laboured under her weight across the field and night, and into his Observatory.

The Clockmaker believed, with the power of the Observatory and genius of his intellect, he could recreate his wife and transfer her essence from her body into the new one he was making.

His greatest project, was hideously intricate and a poor simile for the woman next to it.

Featuring an enormous amount of gears, cogs, and screws, each part of the mechanical body featured a large crank handle, that could allow the limbs to move. Situated at joints, the screw would turn anticlockwise, or clockwise to allow rudimentary movement, left and right, with another handle allowing up and down.

The fingers and toes were frozen in place, but at the wrist and ankles were cranks to allow slight pronation, allowing the feet to adopt a “foot in heels” posture, and the hands to close into a right angle grip.

The body itself was a mass of gears and metal, with copper wiring through it all, that lead to a unit at the back, where the Clockmaker could program the body to bend at the waist, raise her arms and move her head. He had yet to place the bronze plates over her body, to mimic her belly, breasts and buttocks, but they were being cooled in the corner, having been just smelted and caressed into shape.

But it was the head, that drew the imagination. It was here, he was taking the longest time to perfect.

Every detail had been painstakingly recreated. The aquiline nose, the wide eyes, the tiny beauty spot on her left cheek … only in the Clockmaker’s eyes, improved and enhanced by beauty and infinity the gears and the ridges that only clockwork could provide.

Her blue wide eyes had been turned into a quartet of gears that when he cranked them, emitted a pale blue light, that he had fashioned from an old bulb with a sheet of blue plastic.

The nose was awaiting the finishing touches of bronze plating, whilst the lips were a strange mockery, with a mouth that opened and closed, according to the crank situated at the corner of her mouth.

Only her hair had not been replicated, the luscious blonde locks replaced by straight sticks that poked out of the scalp.

Overall, the Clockmaker’s project was a masterful display of engineering, physics and precision, but could only ever be considered beautiful in his eyes.

It was then, in the midst of his concentration, as he was delicately screwing in the breast plate into the side of the body, he heard noises outside his door.

A thunderous banging on the door shook him.

“THIS IS THE POLICE. OPEN UP. WE HAVE A WARRANT FOR YOUR ARREST, FOR MURDER AND THEFT. OPEN UP OR WE WILL FORCE OUR WAY IN.”

The Clockmaker’s eyes widened and he immediately ran to the door and grabbed a workbench, barricading the entrance.

Staring up at the huge telescope, he began the auto-winch, which would generate power and move the instrument. He frantically overturned the hourglass and began to time his process.

Moving quickly, he began to screw in every single finishing touch, as the banging got louder and louder, until the noise was total and echoed endlessly in the room.

Dull thuds could be seen imprinting themselves on metal, as the door shook and heaved under repeated blows from rifle butts. But the hinges were strong and the Clockmaker had reinforced the door with multiple bolts to prevent entry.

Then, a dull, shrill shriek was heard, as the auto-winch reached its capacity and the Clockmaker eyed the completed clockwork body lovingly, before rushing over and allowing the winch to stop.

Taking strands of copper wiring and inserting them into the two bodies, in the heart and the head, the Clockmaker, caressed the clockwork body on the forehead and looking distastefully at the dead corpse, he let the auto winch go.

Gears shrieked and steam bellowed from giant pumps as the telescope moved, spinning in a circle, generating power to the two bodies.

The noise was unholy, unbearable, a deafening envelope of cogs, screws, gears, metal, steam, heat and burning copper that wrapped and shrouded the Clockmaker in dense smoke.

Power surged through the corpse, reanimating it, causing limbs to flail around, and discharge excess gas and waste build-up,  yellow, pale, decomposing liquid and fluid ejecting out the orifices of the body. The hair atop started to burn, through the copper strands inserted and strangely the blue eyes became clear for a second, as the glassy look was replaced by clear pupils that screamed internally.

Shots rang out, as the policemen outside fired their rifles into the Observatory, causing ricocheting bullets to bounce around inside, as they struck metal, after metal structs, fragmenting themselves into sharp pieces of lead.

But the Clockmaker continued, taking over the auto-winch, as he kept manically winding the huge telescope around, and with it the two corpses. Three pieces of shrapnel tore through his chest and arms, but he ignored them, concentrating wholly on the reanimation process.

Then an explosion tore through the Observatory.

The policemen, having had enough, had placed a stick of dynamite in the corner of the door and blown it clean off its hinges, lifting it into the air, where it crushed the Clockmaker and buried him under it.

The policemen ran in, rifles drawn, but any bravado they had immediately was replaced by fear as the smell of putrefaction and burnt copper reached their senses.

Four of the five officers instantly vomited on the floor, the moment they saw what had become of the corpse, burnt and smoking, with foul liquid splattered everywhere.

The last officer, the Captain, instantly reached for his scarf and drew it up to his nose, his eyes wide at the travesty that had occurred.

To his shock, the clockwork body that the man had worked on for so long, for so many sleepless nights was now staring at him, blue lights switched on, its arms outstretched like some kind of woman seeking comfort.

Its mouth was open, in a silent scream, the eyes unblinking in an unending stare, and there was a terrible screeching noise as the gears and bronze plate of the body tore at each other, as it tried to turn its torso towards the Captain.

His men screamed, and fled into the night, whilst the Captain stood, frozen in horror as he watched the Clockmaker desperately crawl out from beneath the door that had killed him, and with a shaking hand, reach up for the abomination he had created.

The Clockmaker failed to grip the frozen hands, and collapsed into a pile at her feet, expiring as the blue lights that were meant to be eyes slowly dimmed and the entire clockwork body shuddered and collapsed under the strain, burying the Clockmaker’s body.

The Captain, mute, and uncomprehending in terror, stared as the hourglass on the table finally stopped pouring sand and without warning, shattered into a thousand pieces of glass.

Author’s Note:  

I admit, the inspiration for this piece came from out of nowhere. I was originally going to write a strange horror story about a good-looking Clockmaker who would kidnap young women and force them to become sacrifices for his telescope, but struck by the period of time that I was writing about and the obvious steam-punk influence, I went for a different Frankenstein route.

Aside from the Frankenstein influence, this was actually inspired by a similar plot, that I loved, in one of my favourite Napoleonic historical fiction series, Matthew Hawkwood – Resurrectionist. In addition, I also stole some elements from a steam-punk young adult series, that I loved reading, known as the The Laws of Magic series.

Keen pop-culture enthusiasts will also probably note the similarities between the clockwork body and the famous robot in the film; Metropolis (1927)

This was one of the stranger attempts I made to write horror and I still think it needs a lot of work.

Still, I liked the overall novelty of the idea and is originality and the conclusion was probably one of the fastest I’ve ever written, the story really gripping me as I wrote it.

~ Damocles 

 

What If? Damocles was a criminal.

tommy-shelby-t

Peaky Blinders … the show that made me permanently mimic the awesome haircuts. 

A lot of people don’t really consider being a criminal a career option. 

Being obsessed with crime, ever since I read my first crime novel (what it was, I cannot remember), I remember thinking to myself, that if you were clever, ruthless and charismatic, you could easily get into the world of crime and making a living.

Of course those traits, are applicable to any fraternity or organisation in the world, legal or otherwise. They are universally good virtues to have in any leaders.

My own idea of criminality is idealistic. Naive. It’s a dream that has been influenced by thousands of crime books, hundreds of episodes and countless other pop culture references. It’s a romance about crime, not the actual truth.

And the truth is, I don’t know anything about crime. Just the books, news articles, documentaries and films I’ve seen. I don’t know anyone who is a criminal, unless you count speeding offenders as one.

So this What If? is probably going to be as fanciful as it gets.

Damocles the Broker

I always imagined myself as a broker. The middleman that would organise heists and be responsible for procuring items of rare and expensive quality.

I would never be directly involved in the crime itself, except perhaps on occasions of extremely rare and high importance, like the theft of expensive artwork.

This way, I could pretend that I had nothing to do with the actual work, and also protect the client as well. Layers of security, against potential leaks and a convenient fall-guy (me) if things went really sideways.

I suppose, this would be highly similar to how I would operate a spy-ring in an enemy state. Have crews, and trusted members in each that would be able to do the tasks I delegate to them, whether it’ll be procuring dirty money, stolen artwork, valuable intelligence or the sale of black market medication.

Then I would move and ship that cargo off to the client that demanded my services or to the highest bidder, in shadow auctions.

I would never deal in arms, drugs, organs, women, gambling or animals. Those were too risky, and admittedly, I would like to have some sort of conscience in the criminal game.

I don’t like to fuel addiction, no matter the sort.

Besides, those were too old school and business was already booming in them.

So, in an ideal criminal enterprise, I would only deal with high-end sales of rare and valuable items. A daring theft from someone’s private collection and vault …. the return of classified intelligence to friendly countries … the delivery of much-needed medication to a desperate family.

Those sort of things.

It would be like any properly run business, only illicit and underground.

The primary issue with such an enterprise is how I would get started. What would make a billionaire be enticed to hire my services to continue his private art collection?

I would have to have a fearsome reputation as a collector and a thief.

The best way to start, is by showcasing my skills to them directly.

Breaking into their security and getting away clean. If that doesn’t get to their fragile egos, then nothing else will.

Because you don’t get incredibly rich and powerful and not have an ego the size of a dinosaur.

An instance where a random stranger defeats your high-end and expensive security systems. Any violation of your home demands that you deal with this problem, with the gravity it deserves.

I would probably become an obsession for the billionaire. The man who dared to reach up and touch “God.” Not only touch him, but bought him down to Earth and showed that even for all his accumulated wealth and power, he could still be subject to a home invasion.

I would have his undivided attention and eventually, to placate him, I would return what I stole and offer my services.

But in order to do all of that, I need skills.

No one studies to be a master criminal. If I had fallen astray in my younger years, then that is exactly what I would have done.

I would have invested hundred of study hours dedicated to IT, coding and gaining rudimentary knowledge of hacking.

I would have put aside laboratory experiments in chemistry to understand simple mechanics and how certain elements react to each other.

I also would have placed a lot of stock into psychology, to better understand my target and learn to ask certain therapeutic questions that doubled as interrogation techniques to gain valuable information.

And of course, I would study criminology. What better way to avoid the police, than to pretend I want to be one? I would learn from my own fallen criminal peers and their mistakes, and the law enforcement techniques, to make sure I don’t fall for them or have solutions ready to address such issues.

Then, in university, I would advance all of those things while putting them into practice.

Buying myself a safe, and practice safe-cracking, and seeing what liquid nitrogen does to certain metals, hinges and pins.

I would attempt to seduce my fellow students, understanding women, men, desires, wants, needs, and insecurities to probe their psyche and see what it reveals about them.

I would work hard in forensics, to make sure I found counter-measures for anything I learnt.

Hours would be spent on the computer trying to fool and bypass bio-metrics security measures and seeing how best to use apps on phones to devise my own app and get pass security measures.

Finally, I would test myself by putting all of these skills into action, by breaking into the university itself and seeing what I can get away with …. turning off security cameras here, stealing chemical compounds from the labs there, and observing security guard patterns and avoiding them all.

After all, universities present the perfect stepping stone to a criminal’s career. They have adequate security measures, plenty of excellent resources and can be an incredible learning ground for mistakes that will not be repeated in the future.

I can practice sneaking around campus, getting access to buildings outside of working hours, dodging and avoiding campus security and understanding response times when I mess up.

There are thousands of options to practice on-campus. Banks, restaurants, convenience stores, large buildings, small laboratories, greenery, roof-access, basements, key-card access, time-locks, dormitories, safes, a myriad of different security cameras and all of this … guarded by campus security, who are generally unarmed and stretched thin across a huge university space.

And I have the perfect cover …. “a student who lost his way and overslept in class” or “a student who was trying to sneak away from an angry boyfriend, whose girlfriend he had just slept with” or “a student desperate for a midnight snack.”

No-one would be particularly the wiser.

With all that experience, my graduation out of the way, as a forensic science major, I would then take it up a notch and enter the big boys leagues.

Three methods would be practiced …. the first being loud, brash and aggressive robberies on banks with a willing crew.

The second; clever disguised cons that swindle high-class families into revealing where they stash their valuables and security information.

The last would be entirely stealthy affairs, breaking and entering into large company buildings, and getting away with experimental equipment or supplies.

Each of these methods would allow me enough experience to avoid common pitfalls and actually break into the criminal underworld. These will help get my creativity going, how I formulate plans around each method, get accustomed to violence, desensitized to it and get comfortable with executing plans and anticipating unforeseen problems.

Only then, once I mastered the basic three types of crimes executed, then I will attempt to establish my reputation as a high-end career criminal and bring down the 1% a notch and see if they too will bleed like the rest of us.

Whilst, of course, providing a service for them.

The goal being, if I sow enough discord among them, stealing from one man, providing for one woman, selling this to a lonely bachelor, while profiting off another family … I will never be out of a job, because they will all be too busy trying to one-up each other with displays of their collection.

A Cezanne appearing in a Saint Tropez mansion, will soon be trumped by a lovely Roman marble bust in a Bahamas resort.

And the cycle goes on and on, as their obsession grows and I simply employ either a loud, a con or a stealth technique to feed this machine, I will have either entered or grown organically.

Constant refinement of each type of heist will be conducted, and probably due to my university education, I will be scientific in how I approach each crime.

But I would have finally gotten to the point where I can ask people to do the crime and the time, if they got caught. I would no longer have to participate in every heist, now able to relax and do jobs at my whim and pleasure.

In a lot of ways, the Criminal Damocles will be of a similar type to the Soldier Damocles. Focused, will-driven, ruthless and efficient. After all, if I had gotten it into my head, to be a career criminal, it is not something you half-ass.

You go all the way in and you don’t deviate from the course, because to do so, would mean you’re either dead or in jail.

On the whole, I suspect, I would make a decent criminal. It takes a certain … mind, to think of things from a criminal perspective.

Even during this current COVID-19 crisis, I couldn’t help but think about how it easy it would to break into shops and businesses with most of their staff away at home and police stretched thin, monitoring people for breaking quarantine.

You didn’t even have to be subtle about it … if you timed your break-in well, and were aware of police response time … it could be a simple affair as reversing your pick up truck through a shop front, smashing and grabbing everything and speeding away in a matter of minutes.

Crime happens all the time, and a lot of it goes unpunished.

Study to be a criminal and I suspect you got a good chance of never being caught.

So Damocles … why didn’t you become one? I hear you ask.

My parents would be my concise answer.

They raised me too well, instilled in me too strong of a moral compass and I grew up idolising soldiers and men in uniforms, not sociopaths in masks.

Although, of course, as an adult, I realise, they aren’t too dissimilar to each other, depending on which gun is being pointed at your face.

But that is how I think I would be become a criminal, and the type of criminal I would be. Psychologically, I doubt there would be much difference between the Soldier version of me and the Criminal type.

Both I can see, committing 100% to their roles and being studious, creative and ruthless in how they execute their jobs.

I think the only point of contention, would be that the Criminal Damocles would be a lonelier soul. Without comrades in arms, and of course, unable to properly connect with people, because he too often consider them tools or objects to manipulate.

He would be unwillingly to use the same heist crew more than twice, because to do so, would mean there is a greater chance of betrayal and compromise in how effectively a crime could be pulled off.

He would probably be richer too. But lose a lot more hours of sleep.

I doubt I would be willing to do all the things he would do.

I suppose I should be thankful for that.

But a big part of me, still wonder What If? 

~ Damocles